If you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

Here are the details about the films and when to catch the episodes, on Link TV or online:

• Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

• The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

• We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

• Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

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Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

Link TV editor Kyung Lee reports from the Pusan International Film Festival in South Korea.  Currently the biggest film festival in Asia, PIFF showcases new talents and films from the Asian countries.  This blog offers rare interviews with Asian directors who discuss their filmmaking experiences in their native countries.

The current situation of Afghanistan is hard for outsiders to grasp.  Almost every day we hear the news of heightened insurgency in the country, but little beyond that.  In this extremely uncertain situation, there is a filmmaker who has managed to make films that reflect the reality of Afghanistan.
 
Siddiq Barmak is currently one of only a few filmmakers in Afghanistan who is able to make feature films in his native country.  His first feature film, "Osama", portrays a young girl who is forced to don a disguise as a boy in order to support her mother in the Taliban era.  The film won a Golden Globe Award, and made a great demonstration of Afghanistan's film heritage and its possible future to the world.

Siddiq, who was born in Afghanistan and studied film in Moscow, was exiled to Pakistan during the Taliban regime from 1996 to 2002.  The current reemergence of the insurgency is a reminder for him that another dark time may be ahead.  He was at the Pusan International Film Festival this year to present his second feature film "Opium War" which is, according to the director, "an exact reflection of the situation."  I was able to catch the director and asked a few questions on the current state in Afghanistan.

Learn more at about the films Opium War and Osama.