If you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

Here are the details about the films and when to catch the episodes, on Link TV or online:

• Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

• The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

• We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

• Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

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Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

Yul Kwon, host of Link TV's LinkAsia, recently did a Red Chair Interview with CNN, in which he shares some key experiences in his life. Along with his on-air interview, Yul ellaborates further in an eloquently written essay posted on the CNN blogs about his Korean background, explaining how he turned to a career in television to overcome social stereotyping of Asian-Americans in the media and come to terms with his own cultural identity. Both video and essay can be seen here. Below is a moving excerpt from his essay:

"My parents immigrated to the United States from South Korea in 1970 with big dreams, but little money. Since they couldn't afford to put my brother and me in daycare or preschool, they encouraged us to watch television as a way to learn English. Every morning, my brother and I watched "Sesame Street" on PBS, which taught us how to count and recite the alphabet. Not only did our TV become another caregiver, it became the primary medium through which I learned about the world. It allowed me to see and experience things I'd never seen before.  It helped me imagine a better future for me and my family. I studied hard and eventually made my way to Stanford University and then Yale Law School. For a poor kid like me, television helped provide the inspiration and vision I needed to realize the American dream.

But as much as television was a source of empowerment and inspiration, it was also a powerful source of constraint. Television defined the way I saw myself and my relationships with other people, and I didn't see a lot of people who looked like me. Asian-American characters were few and far between, and for lack of better alternatives, my favorite childhood hero was Big Bird. He wasn't real, of course, but I didn’t care. He was nice, had lots of friends and was yellow -- and hence, clearly, Asian..."

Read the complete blog post on CNN here.

About Yul Kwon

Yul Kwon is the host of Link TV's original Asian news program LinkAsia. Yul has had a diverse career spanning law, business, technology, and media. Although his multifaceted professional experience spans almost two decades, his rise to international acclaim began in 2006, when he became the first Asian American to win the CBS reality show, Survivor.

Prior to his Survivor victory, Yul held positions at both Google and McKinsey & Company. As an attorney, he clerked on the 2nd Circuit Court of Appeals, practiced law at Venture Law Group and Wiltshire & Grannis, worked as a legislative aide in the US Senate, and most recently served as Deputy Chief of the FCC's Consumer and Governmental Affairs Bureau.

In this next addition to our World Food Week blog series on key people in the field tackling hunger, we talked with Tekiah Jones, a 17-year-old High School Student from Washington DC. She works as the New Media Producer on a campaign called Revolution Hunger. Link Media is working in partnership with Revolution Hunger to engage teens and their communities around hunger and malnutirition at home and around the world. Continue to visit our food page for "Hungry Planet" airtimes, to watch programs online, and to find out what you can do.

Hi Tekiah, thanks for being a part of this interview! First and foremost, how did you first learn about this issue of hunger?

It was actually through Revolution Hunger. I had seen the position online from a friend, so I applied for it, but I didn't know much about hunger. I remember seeing commercials with children in Africa with flies on their face, but that's all. I didn’t know much about it, and didn't learn about it until I joined the campaign.

You are a part of this campaign, Revolution Hunger. Can you tell me a bit about it?

Revolution Hunger is a campaign that is trying to get more teens involved in bringing awareness about world hunger, and hunger here at home. We are really dedicated to trying to get people involved and dedicating their future careers to helping to solve it.

What is your role in the campaign?

My role as New Media Producer is to really expand out the mission and vision of Revolution Hunger, (we in the DC area -- District of Columbia, Virginia, Marylan) -- and to reach teens in schools, and in our community using new media and online tools. We are using social media to get the word out, especially because that's where young people are at. I also work with the Regional Coordinator and we do some outreach projects together, like organizing a youth team in DC, attending events, and doing in school presentations. I write blogs and do things that are online, to really reach out to people and show them what we’re doing, though the new media age.

How do you think new media can impact and engage teens in learning about this issue?

To me, all teens are on their phones and the computer at some point in the day. All of our networks are on the new Android or EVO, and people are on Twitter or Facebook, so the best way to really get to teens is to blog and Tweet and get on their Tumblr accounts. I think that when you use something that teens go to every day, that's what will maximize our impact. When the Tsunamis hit a couple years ago, people weren't talking about Twitter, but people on Twitter were the first to talk about it. I think New Media can take organizing to a new age, and it already is. It's so much more accessible to click on a link. It helps teens get more involved, and allows them to learn about something new. Even in our school, we don't hand in paper assignments, we send them online. With so much online, you don't have an excuse not to be involved. With Revolution Hunger, we are trying to get kids engaged both online and then to get off their computers and go do something positive.

How can teens get involved?

Go to revolutionhunger.org and create an account! Teens can start educating people about hunger, blogging about it themselves, and make it a trending topic. When you start getting into it it, really consumes you. When you know that every 3.6 seconds someone dies of hunger, that's a big thing. The ways that teens can get involved is starting up a club at their school to bring awareness to global issues and hunger. Really just educating each other about it. Not enough people really know about it yet, or care about it. Going up to your friends and talking about it, wearing t-shirts from our campaign, or re-Tweeting our posts help a lot. I have so much more knowledge about the issue. To me, it seems so much greater than the presidential debate.

What is your vision for the future?

For the campaign, I wanted to go viral like the Trevor Project. I would have expected it to start, we're later in the year. I wanted people to be like "have you heard about this campaign?", or one of those things where people are like "are you going to that event today? I want to help out." I really want people to get involved in hunger. People are living off absolutely nothing and don't have anything to eat. We make a big deal out of a new Walmart, but there are people starving.

I want to see lots of people involved. I want to see it on the Ellen show. I want it to go viral so badly. I want people to see it and see the pretty colors and really get into it, into Revolution Hunger. But more then that, make a life long commitment to stay involved and do your part.

What do you hope to see in your community and around the world?

In my community, I hope to see more people getting along with each other, and less hungry people. I want everyone to get along in the different quadrants. There's all this hatred, gang violence, people getting shot or stabbed, fighting in high school, and poverty. I want people to understand we have bigger issues than what hood you're from or who said what at lunch. We have some many bigger problems in DC alone, like hunger or our education system. I want to really be one of those communities where everyone helps each other out.

In the world I want the same things on a bigger scales. Like the wars, people don't know about each other's cultures. I want people to get to know about different world religions and cultures. Different cultures. I want everyone to be a part of fixing social injustices. Hunger is one of those. I really want everyone to just love everyone, to love humanity. That's my wish, that's what I want.

I have never looked at a film with as much trepidation as Machine Gun Preacher. The film is based on the true story of Sam Childers, an ex-con and drug addict who went to Africa and experienced a complete transformation. He exchanged his old days of drug addiction and violence to become the impassioned founder of the Angels of East Africa, a rescue organization for children orphaned in Sudan.

I had already known about the unspeakable horrors that families have experienced in Sudan. I had vaguely known about Joseph Kony, the head of the Lord's resistance army (LRA), and how he kidnapped children and then enslaved them. I knew that it would be incredibly painful to see the depiction of children suffering this way and being stripped of their innocence. However, I felt it was my duty as a citizen of the world to see this movie. You bet I was a crying basketcase during this film, but I became a transformed activist as well after the credits rolled.

Sam Childers is a real flawed hero, a larger than life personality that Hollywood scriptwriters can only dream of creating. As an ex-biker-gang member, he found God and made the life-changing decision to go to East Africa to help repair homes destroyed by civil war. He became outraged by the horrific violence faced by the region's vulnerable populace, especially the children. Ignoring the warnings of more experienced aide workers, Sam breaks ground for an orphanage where it's most needed -- in the middle of territory controlled by the brutal LRA, the renegade militia that forces children younger than ten to become soldiers, or sold into sex slavery (which fortunately was not depicted in this film). But Sam not only builds a shelter, he leads armed missions deep into enemy territory to retrieve kidnapped children, restoring peace to their lives. He wields an AK-47 in one hand, and a bible in the other, channeling all of his anger into finding Joseph Kony. That a biker with lambchop sideburns and tattoos could single handedly save over a thousand orphans is an inspiring message that one person could indeed affect positive change.

Actor Gerard Butler gives an intense performance, channeling the intimidating yet empathic Childers. While it is hard to empathize with his unlikable character in the beginning of the film, you transform along with him in his journey toward the end. You see his intensity and passion when he is preaching, even as his Scottish accent is replaced with a very believable Southern drawl. You can feel every bit of anger in the sweat beads on his brow as he pleads with community members to help him with his cause. Equally important to this narrative is his wife Lynn, who patiently and bravely supports him as he sells his business to use the money for the orphanage, flies to Sudan regularly to dangerous missions, and nearly forecloses his home to raise more money for the orphans' food and supplies. Michelle Monaghan was perfectly cast as a woman who appears vulnerable, but has the quiet strength and fortitude to counterbalance Sam's angry and unpredictable outbursts.

Some critics may argue that Machine Gun Preacher relies too much on Sam's boldness and not enough on the character exploration of the children, but I can see the motive. If the job of this film is to embolden people to do more to help the situation in Africa, then the goal has been accomplished. Perhaps the director, Mark Forster, wanted the audience to feel for the children's plight without exploiting them.

Anyone can identify with San Childers, whether wealthy, poor, a victim, a perpetrator, a religious person, or an atheist. If the point is to move people across the board into action to save these children, then I think Machine Gun Preacher does this brilliantly. Of course the children deserve their own narrative, as they are victims of a man that would make Osama Bin Laden look tame in comparison. But they need our immediate help even more. The primary question in my mind after the film was: why don't more Americans know about the so-called Lord's Resistance Army, and the hundreds of thousands of innocent people they have killed for nearly three decades? Why don't they know that this army forces children to hack their own parents with a machete to death in order to instill violence and self hatred in their young hearts... and making it impossible to return home? Why don't they know that this army decapitates the lips, ears, arms and legs of these children and other villagers to punish them?

While I have always been a donor to Unicef, UNRWA, and St Jude's Hospital, this film compelled me to do two things: First, I donated to Sam Childer's cause at Machinegunpreacher.org/donate. Secondly, I decided to register and participate in the Global Forum on Human Trafficking through Notforsalecampaign.org. The primary victims of slavery still alive in this world are women and children from Sudan to Armenia, Thailand to Brazil. Machine Gun Preacher challenges us to take part in this narrative -- through the eyes and experience of fellow American Sam Childers. As I wrote earlier, I was a basketcase after watching this film, but I have now filled my basket with an arsenal of tools to try and make a difference in these innocent lives, the start of my own journey from a Link TV journalist, to an activist.

Link TV Journalist Blanche Shaheen had the opportunity to interview Machine Gun Preacher stars Gerard Butler and Michelle Monaghan about their experience making the film. Watch the conversation here:

To learn more about Blanche Shaheen, visit www.Blanchestudio.com

(Mosaic Video Alert: February 17, 2011) As Egyptians celebrated the achievement of the revolution's main goal, a new star emerged: the man who stood behind Omar Suleiman during his announcement of Hosni Mubarak's resignation. The "Man Behind Omar Suleiman" has become a media and online sensation in Egypt. But his true identity remains elusive and Egyptians are left wondering: who is the "Man Behind Omar Suleiman"? Lebanon's New TV comically explores the answer to this question.