(Guest blog from the director of "The Edge of Joy", originally posted on the PBS NewsHour website)

In the time it takes to read this post, somewhere in the world a pregnant woman will have started hemorrhaging and her baby might soon be motherless. One thousand women die every day trying to bring new life into the world, and this toll is what drew me to shoot my documentary film, The Edge of Joy.

I encountered many of the heartbreaking and hopeful stories that underpin this global tragedy, but it was only through the people, the doctors and nurses of Nigeria that I was able to tell them. The roughly one dozen Nigerian doctors and midwives I worked with closely over the course of making the film, didn't push agendas, or act as obstructionists when I asked tough questions or wanted to follow story lines to their natural conclusions.

Nigeria is better known for corruption and oil production than as the vanguard of fighting maternal mortality, but this small close-knit group of men and a handful of women trusted me not to create an indicting portrait of pregnancy and childbirth in their West African country.

Documentary filmmaking is an art, not a science, and at times during the making of this film, the process was challenging. I always kept my questions dignified and did my reproductive health homework so I could ask informed questions in hospitals and in the communities.

Getting permission to film in such sensitive settings requires government approval, a process that Habib Sadauki, the second obstetrician/gynecologist to be trained in the Nigerian state of Kano, helped me through.

After many meetings with the Ministry of Health and a mutual understanding that I would have a "minder" assigned to me while filming in the north, I was given permission to film in tertiary hospitals and primary health centers.

What I didn't know at the time is that the then Minister of Health Babatunde Osotimehin, recently appointed executive director of the UN Population Fund, had approved the access himself. During his tenure as minister, his office approved some ground breaking research about postpartum hemorrhaging.

I caught up with Osotimehin in May of 2009 at a health conference in Los Angeles. Our scheduled time to sit down and talk on camera kept being pushed back, so I made the bold move of taking over the role of the waitress at the café where he was enjoying a coffee.

Handing him a glass of water, I introduced myself as the filmmaker who had been documenting maternal health initiatives in Nigeria. I kept going on and on and he stopped me and said something to the effect of "you are persistent and persuasive just like they say" and with that got up, and came to sit with me for more than an hour.

We discussed safe motherhood, community leadership for better healthcare and, at the conclusion of our interview he shook my hand and said "your access is continued, enjoy your next trip to Nigeria." My field director and I began breaking down the equipment and she asked why I looked dazed. I said I was not even aware our access had to be renewed.

The freedom to shoot in medical settings was crucial to documenting the harsh realities of giving birth in Nigeria. In the film, blood became a ubiquitous character: women were losing too much of it, there wasn't enough of it when you needed it and midwives were always trying to keep it from flowing.

"Hemorrhage requires that you stop the bleeding and you repair the blood loss. If you don't repair (replace) the blood loss the woman will die," Sadauki told me.

We documented a case of severe bleeding where the midwives were able to manage a patient's hemorrhage with a drug and saline until her husband found a pint of blood and she received the transfusion in time to save her life.

And there are new tools on the horizon. A low-tech first aid device, known as the non-pneumatic anti-shock garment, shunts blood out of the extremities and back to the vital organs in cases of hemorrhage. No magic bullet, but a potential game changer for women giving birth in the developing world and new hope for the health care providers.

After I showed this film recently, I was embraced by a woman in the audience who thanked me for saving the world. Locked in a bear hug with a complete stranger, I thought to myself: "Thank you, but no, I'm not saving the world, I just make films about people who are saving the world."

# # #

Dawn Sinclair Shapiro's documentary film, The Edge of Joy, which was featured on PBS NewsHour in April 2011 as a selection of the PBS NewsHour partnership project with The Economist magazine -- the Economist Film Project -- will premiere on independent Link TV on Friday, October 28, at 5 pm ET and Tuesday, November 1, at 8 pm ET, and will stream on Link TV's ViewChange.org beginning on Tuesday, October 25. The Pulitzer Center on Crisis Reporting, an international journalism organization, has created an online curriculum that accompanies the film to be distributed to high school educators around the country; educators and others can download the film for free to accompany the curriculum at www.viewchange.org.

A message from Link TV's President & CEO, Paul S. Mason:

Like all of you, I have watched the tragedy of famine as it continues to threaten the lives of millions in the Horn of Africa. I've watched and read the news reports, and I've followed the efforts of humanitarian groups and governments as they supply aid to millions of people in need. And now, as we prepare to recognize World Food Day on October 16, the urgency is particularly acute. The world is in a recession, and extreme weather patterns -- drought and more -- will likely increase. Status quo will not be enough to avert further crises -- we must do better.

In recognition of this global crisis, Link TV has teamed up with international relief and development organization, Oxfam America, to produce a half-hour documentary special that examines possible solutions to famine and hunger around the world:

ViewChange: Africa's Last Famine features the story of an Ethiopian farmer, Medhin Reda, and interviews with Francis Moore Lappé, humanitarian, activist and bestselling author of Diet for a Small Planet. The show takes a hard stance on food justice and disputes the notion that famine is simply caused by a lack of food in the global supply. According to Moore Lappé in the documentary, "the world produces more than enough for all of us to thrive...the real crisis is the crisis of human relationships, how we share in power."

I hope you will join us in watching the show online or on Link TV, in spreading the word to others, and in joining Oxfam America's efforts to end global hunger. Please sign Oxfam's pledge and click here for more information about what you can do.

Sincerely,

Paul S. Mason
President & CEO, Link TV

View online:
OxfamAmerica.org or ViewChange.org

Watch Tuesday, October 18 at 11pm ET/8pm PT
DIRECTV Channel 375 | DISH Network Channel 9410

Follow us @LinkTV
#AfricaLastFamine

This video has been a long time coming. The back story: I've known guitarist/writer Banning Eyre for years and of course, his and Sean Barlow’s tireless efforts with their baby, Afropop Worldwide. I've followed their travels and travails, and admired their dedication and perseverance. I always wanted to collaborate in some way, and I got my chance when Banning called me up in the summer of 2010 and told me he was going to visit a great guitarist who was in town, to record him for a radio show, and would I like to come along? As we drove up to the Bronx, Banning filled me in on how he had first met Badian, and I got a feeling for why this interview was going to be special for him.

After a rather steep climb up to a rambling house on a hill, we were greeted by the elegantly clad Badian, and his regal wife. Banning set up his gear in the sunny backyard, and recording commenced. As I shot the performance I realized that the technique Badian used was unlike any I had seen before. One hears rippling melodic lines coming out of koras and ngonis, but transferring that sound to the guitar requires a great delicacy and precision utilizing both the up stroke and the down stroke of the "picking" fingers. Badian’s technique is utterly fluid in this way. Thank goodness for a good zoom on my camera; I was able to get nice close-ups of his hands.

Badian was in town for a month playing for the various celebrations within the West African community in the Bronx, which at this point is considerable. I can only imagine how wonderful the music must be at these events. but you will never see this kind of thing covered in Time Out or any publications of that ilk. You just have to be hooked into the scene. Banning and Badian had much to say to each other (mostly in French so I got only the gist of many names, and being brought up to date on everyone's doings), so I just concentrated on shooting. When I got back to my house I reviewed the footage and considered how to use it... for my Huffington Post vlog? As an exclusive here on my own site? To post on guitar sites? I was in a quandary. In the midst of this indecision Banning called to say he had footage of Badian from 1996 that he had been saving for all these years and maybe there was a bigger story to be told. Could I hold off on posting until we could put something like that together?

So I held off for over a year. Banning was off and running with countless Afropop Worldwide projects and trips, and working with his own band, Timbila. But after he returned from a music collecting trip to Egypt, he was back with a vengeance, wanting to get the project up and out. So here it is at last, after hours of footage in many formats sifted through, and condensed into 15.5 minutes.

For more of Michal's original music videos, visit inter-muse.com.

I have never looked at a film with as much trepidation as Machine Gun Preacher. The film is based on the true story of Sam Childers, an ex-con and drug addict who went to Africa and experienced a complete transformation. He exchanged his old days of drug addiction and violence to become the impassioned founder of the Angels of East Africa, a rescue organization for children orphaned in Sudan.

I had already known about the unspeakable horrors that families have experienced in Sudan. I had vaguely known about Joseph Kony, the head of the Lord's resistance army (LRA), and how he kidnapped children and then enslaved them. I knew that it would be incredibly painful to see the depiction of children suffering this way and being stripped of their innocence. However, I felt it was my duty as a citizen of the world to see this movie. You bet I was a crying basketcase during this film, but I became a transformed activist as well after the credits rolled.

Sam Childers is a real flawed hero, a larger than life personality that Hollywood scriptwriters can only dream of creating. As an ex-biker-gang member, he found God and made the life-changing decision to go to East Africa to help repair homes destroyed by civil war. He became outraged by the horrific violence faced by the region's vulnerable populace, especially the children. Ignoring the warnings of more experienced aide workers, Sam breaks ground for an orphanage where it's most needed -- in the middle of territory controlled by the brutal LRA, the renegade militia that forces children younger than ten to become soldiers, or sold into sex slavery (which fortunately was not depicted in this film). But Sam not only builds a shelter, he leads armed missions deep into enemy territory to retrieve kidnapped children, restoring peace to their lives. He wields an AK-47 in one hand, and a bible in the other, channeling all of his anger into finding Joseph Kony. That a biker with lambchop sideburns and tattoos could single handedly save over a thousand orphans is an inspiring message that one person could indeed affect positive change.

Actor Gerard Butler gives an intense performance, channeling the intimidating yet empathic Childers. While it is hard to empathize with his unlikable character in the beginning of the film, you transform along with him in his journey toward the end. You see his intensity and passion when he is preaching, even as his Scottish accent is replaced with a very believable Southern drawl. You can feel every bit of anger in the sweat beads on his brow as he pleads with community members to help him with his cause. Equally important to this narrative is his wife Lynn, who patiently and bravely supports him as he sells his business to use the money for the orphanage, flies to Sudan regularly to dangerous missions, and nearly forecloses his home to raise more money for the orphans' food and supplies. Michelle Monaghan was perfectly cast as a woman who appears vulnerable, but has the quiet strength and fortitude to counterbalance Sam's angry and unpredictable outbursts.

Some critics may argue that Machine Gun Preacher relies too much on Sam's boldness and not enough on the character exploration of the children, but I can see the motive. If the job of this film is to embolden people to do more to help the situation in Africa, then the goal has been accomplished. Perhaps the director, Mark Forster, wanted the audience to feel for the children's plight without exploiting them.

Anyone can identify with San Childers, whether wealthy, poor, a victim, a perpetrator, a religious person, or an atheist. If the point is to move people across the board into action to save these children, then I think Machine Gun Preacher does this brilliantly. Of course the children deserve their own narrative, as they are victims of a man that would make Osama Bin Laden look tame in comparison. But they need our immediate help even more. The primary question in my mind after the film was: why don't more Americans know about the so-called Lord's Resistance Army, and the hundreds of thousands of innocent people they have killed for nearly three decades? Why don't they know that this army forces children to hack their own parents with a machete to death in order to instill violence and self hatred in their young hearts... and making it impossible to return home? Why don't they know that this army decapitates the lips, ears, arms and legs of these children and other villagers to punish them?

While I have always been a donor to Unicef, UNRWA, and St Jude's Hospital, this film compelled me to do two things: First, I donated to Sam Childer's cause at Machinegunpreacher.org/donate. Secondly, I decided to register and participate in the Global Forum on Human Trafficking through Notforsalecampaign.org. The primary victims of slavery still alive in this world are women and children from Sudan to Armenia, Thailand to Brazil. Machine Gun Preacher challenges us to take part in this narrative -- through the eyes and experience of fellow American Sam Childers. As I wrote earlier, I was a basketcase after watching this film, but I have now filled my basket with an arsenal of tools to try and make a difference in these innocent lives, the start of my own journey from a Link TV journalist, to an activist.

Link TV Journalist Blanche Shaheen had the opportunity to interview Machine Gun Preacher stars Gerard Butler and Michelle Monaghan about their experience making the film. Watch the conversation here:

To learn more about Blanche Shaheen, visit www.Blanchestudio.com

The Black Earth Boys are Justin Adams, Juldeh Camara and Ben Mandelson. The band is an aggregate of two others- with Adams as the link between. Justin and Juldeh -- now touring internationally under the name "JuJu" have recorded two CDs, "Soul Science" and "Tell No Lies."  Camara, who is from the Gambia, is a singer, instrument maker, and master of the ritti, a single stringed, violin-like instrument. Adams is well known for his long association with singer Robert Plant. His great strength is groove; no flashy mile-a-minute riffs, simply a guitar style that FEELS just right, and is an excellent partnering with Camara's flights of improvisation.

Ben Mandelson is not just a fine musician, he is a real life hero of world music. Back when I was first listening to recordings of what would eventually be called "world music" it was Ben's productions I often found myself checking out. Here we see him comfortably supplying tasty fills, textural motifs and rhythmic drive on mandolin. Adams, Mandelson and Lu Edmonds (unavailable for this performance) have their own ensemble "Les Triaboliques," a project that has them gleefully galloping through all the musical influences they have gathered in their past and present lives.

This performance, from Lincoln Center's Out of Doors series took place in Damrosch Park. The repertoire was primarily a melding of American folk and blues with Camara bringing the West African flavor. His ritti at times sounded like a fiddle, and eerily, at times like a harmonica. It was a surprisingly cohesive sound, reminding us once again of the debt that our music owes to African culture. While Adams' gritty voice sang a simpler, countrified interpretation of this Carter Family standby "Sow 'Em on the Mountain," Camara's vocal takes a soaring, melismatic approach. Great stuff.

For more of Michal's original music videos click here.

The Summer Solstice brought a plethora of free performances in and around NYC, and the one I opted for was the Griot Summit at the Wave Hill Gardens overlooking the Hudson, in the Bronx. Who could resist getting away from the burning pavements of the city to saunter through bucolic splendor while listening to masters of the Griot tradition?

For those of you who are not familiar with the term "griot" (or jali, or jeli, depending on where the griot is from) a quick explanation: the griot is the repository of the history of his or her people, knowing geneologies and major epic songs by heart. Descended through the family line, the griot is not just a musician, but a living library, an advisor, and on occasion, a gadfly.  Understanding the function of the griot is a great way to gain insight into the culture of West Africa. But I have started my video with a good description, straight from the horse's mouth, so I'm sure you'll figure it out.  

The day started out with the various musicians scattered around the grounds, so that you could catch solos and larger groups as they performed in lushly green walkways, formal gardens and woodland areas. Then they all gathered for a massive display on the main stage, to get everyone riveted, then up and moving.  Personally, I was entranced and dazzled by the regal appearance of the griots. I guess I'm just a sucker for African Formal Wear; all those robes, headdresses and intense colors and bright white against dark skin knock me out.  I was also struck by the obvious musical links between what these musicians were conveying in its purest form, and the roots of our own American music: the glissandos, time signatures, the improvisations; it was all there to hear and mark as building blocks of the blues.

All in all it was an amazing gathering, and it was a tribute to Sylvain Leroux the curator, Isabel Soffer of Live Sounds, and the musicians, that it all came together so wonderfully well. After all, you can't just assume that Jalis from Guinea are going to play well with Jalis from Burkina Fasso or Mali.  But they certainly did here!

The day was hot, and this was shooting on the fly-- no way to deal with the light, the sound, the terrain, so I will beg your pardon for the occasional visual burn, bumpy camera work, and some audio distortion.

The participating musicians were:

Abdoulaye Diabate (Mali), Toumany Diabate (USA), Tapani Sissoko and her mother (Mali), Yacouba Sissoko (Mali), Mamady Kouyate (Guinea), Makane Kouyate (Mali), Ismael Diarra (Burkina Faso), Abdourahmane Mangara (Gambia), Aissatou Kouyate (Mali), Famoro Dioubate (Guinea), Andy Algire (USA), Sam Dickey (USA), Bailo Bah (Guinea), Ibrahima Soumano (Guinea), Mmah Doumbouya (Guinea), Ayiba Doumbouya (Guinea), Bebe Camara (Guinea), Nagna Diabate (Guinea), Hasan Bakr (USA), Zoumana Diabate (Mali), Moussa Diabate (Mali), Anette Lipson (USA), Kewulay Kamara (Sierra Leone), Lankandia Cissoko (Senegal), Yacouba Diabate (Burkina Faso), Sylvain Leroux (Canada).

For more music from this gathering, click here.

Egypt: Thousands of Egyptians staged protests in Tahrir Square, marking the “Second Friday of Anger.” Organizers said that the rally was aimed at speeding up the trials of members of the former regime. Meanwhile, the Supreme Council of the Armed Forces ordered all army units out of Tahrir Square and protest areas. The council said that it relies on the youths of the revolution to organize and secure the event, as they bear "historic responsibility for the country's interest."

Syria: Protestors took to the streets demanding freedom in a number of Syrian cities immediately after Friday prayers on what is being called the “Friday of Guardians of the Homeland.” Security forces opened fire on protestors in Homs, Dir-Zure, and several areas of Damascus and its countryside, killing a total of eight people.

Libya: Fierce fighting continues between Libyan revolutionaries and Gaddafi's battalions in Misurata and its surrounding areas. Eyewitnesses say the fighting began in the early morning after the battalions attacked the revolutionaries in an attempt to recapture Misurata, which has been under the revolutionaries’ control for two weeks. The African Union called on NATO to stop shelling Libya, considering it a necessary step on the path to a political solution.

Yemen:  Thousands people in the Sa'ada province took to the street in a massive demonstration affirming that the Yemeni revolution is a peaceful one. The protestors carried banners demanding the downfall of the regime and chanted slogans for a peaceful revolution and against civil war. They also chanted slogans rejecting negotiations and dialogue.

(Al Jazeera English: 1232 PST, April 11, 2011) If representatives of the African Union were expecting a heroes' welcome in Benghazi, they'd have been very much disappointed as they arrived on Monday morning.

The delegation came to the stronghold of the Libyan Transitional National Council in a bid to begin mediation talks - but was met by crowds of protesters, insisting on Gaddafi's removal from power as a prerequisite to any negotiations with Tripoli. Al Jazeera's Sue Turton reports from Benghazi with a wrap-up of the day's events.

A delegation from the African Union arrived in Benghazi this morning to attempt to mediate the escalating situation in Libya. Prior to the delegation’s arrival, revolutionaries said they would welcome the AU’s proposal under the condition that Muammar Gaddafi step down. NATO also welcomed the mediation, after saying there is not a military solution to the conflicts in Libya. According to al-Jazeera, the AU’s peace plan includes an immediate ceasefire, facilitating the delivery of humanitarian aid to civilians, and starting negotiations between all Libyan parties. Gaddafi met with the African delegation on Sunday and officially accepted the peace plan. Critics believe that his acceptance of the plan was merely a maneuver to stay in power as long as possible.

Al-Alam reports that Yemeni President Ali Abdullah Saleh has accepted the Gulf Cooperation Council’s peace initiative, the opposition has announced its complete rejection of it. The initiative stipulates that Saleh must transfer his authority to Vice President Abduraboo Mansur Hadi and that an opposition-led national unity government be formed. The political efforts to end the conflict in Yemen coincide with continued sit-ins and protests demanding the ouster of Saleh's regime.

The state prosecutor-general of Egypt, faced with mounting public pressure, has summoned former President Hosni Mubarak and his family for questioning However, Dubai TV reports that as Mubarak continues to proclaim his innocence, some Egyptians fear that he and members of his family may escape prosecution due to a lack of evidence. Mubarak added that he will file legal charges against anyone attempting to defame his or his family's image.

The BBC reports that a demonstration at Damascus University, in the Syrian capital, ended with one student killed and several others were arrested . Syrian activists confirmed that this unprecedented protest quickly turned into a confrontation as security forces beat and detained dozens. In addition, eyewitnesses said that there was heavy security presence throughout the cities of Banias, Dara’a, and Homs, sparking confrontations.

Egyptian writer, Emad Abu Basha has published what is being called the Encyclopedia of the January 25th Revolution in order to “immortalize the martyrs of the revolution.” Nile TV reports that the encyclopedia contains a biography of every individual killed in the revolution so that their stories may be circulated throughout the country.

(0830 PST, April 11, 2011) There have been some signs of progress made in Libya towards a possible ceasefire, with Muammar Gaddafi accepting a proposal from the African Union. However, as the plan includes allowing Gaddafi and his family to remain in power, it has been greeted by protests in the opposition strongold of Benghazi.

AU Representatives Mobbed by Protesters in Benghazi

(Al Jazeera English: 0420 PST, April 11, 2011) Representatives from the African Union have been greeted by protesters as they arrived in the northern Libyan city of Benghazi. They are in the opposition stronghold to present their "Road Map to Peace" to the Transitional National Council.

The plan has already received the approval of Libya's Muammar Gaddafi in Tripoli. Al Jazeera's Laurence Lee, reports from the rebel stronghold, where AU leaders found themselves "mobbed by the crowds."

Gaddafi Accepts Roadmap to Peace

(Al Jazeera English: 2239 PST, April 10, 2011) There has been more than a month of fighting in Libya - and at last there appears to be some hope on the horizon. And it has come in the form of the African Union.

A delegation from the organisation, including South African president Jacob Zuma, has visited the capital, Tripoli. And they say Muammar Gaddafi has accepted their road map to peace. Al Jazeera's Anita McNaught reports from Tripoli.