Bowing to growing international outrage over the imprisonment of film director Jafar Panahi, the Iranian government has now released him on bail. Iranian state television announced that bail was set at $200,000, according to an article published at the Telegraph.co.uk. No further information on Panahi’s release was immediately available.

On March 1, 2010, Jafar Panahi, one of Iran’s most celebrated and influential film directors, was arrested at his home for allegedly planning to make a film about the June 2009 election which returned President Mahmoud Ahmadinejad to office. On Sunday, May 16, while still being held in Tehran’s Evin prison, Panahi began a hunger strike after government officials apparently threatened to arrest his family.

In a letter released by Panahi’s family on May 18, 2010, and published on the website IranHumanRights.org, Panahi stated:  “On Saturday night [May 15, 2010], agents attacked Evin’s Cell 56, forcing me and my cellmates to go outdoors without any clothing and kept us in the cold weather for one and a half hours… They even threatened to arrest my entire family and transfer them to Evin Prison and to send my daughter to an unsafe detention center in Rajaie Shahr.”

On May 3, 2010 Indiewire.com reported that Hollywood’s A-List directors had just signed a petition condemming Panahi’s detention and demanding his immediate release. Signatories included Martin Scorsese, Steven Spielberg, Jonathan Demme, Ang Lee and Oliver Stone. Another petition, organized on Facebook, includes over 150 international filmmakers and is still accruing signatures online.

Panahi was supposed to serve as a juror at the 2010 Cannes Film Festival and his absence did not go unnoticed. His juror’s chair was left vacant for the duration of the festival and Abbas Kiarostami, in Cannes to screen his new movie CERTIFIED COPY, called Panahi’s imprisonment “intolerable." According to the New York Times, Kiarostami also stated:  “When a filmmaker, an artist, is imprisoned, it is art as a whole that is attacked, and it is against this that we should react.”

Another leading figure who played a key role in championing Panahi’s cause was film actor Juliette Binoche, who won Best Actress at Cannes for CERTIFIED COPY. When she won her award, she held up a sign bearing Panahi’s name and said his only crime was “to be an artist, to be independent.”

More About Panahi

Panahi achieved early acclaim with the release of his first film in 1995 —-WHITE BALLOON -- which won a Camera d’Or at the Cannes Festival. When it opened in the U.S. shortly thereafter, it quickly became the most successful Iranian film ever released in North America. The film’s protagonist is a seven year-old girl who wants to buy a goldfish to celebrate Norooz, the Iranian New Year. We see the world through her eyes in real time as she attempts to navigate the “forbidden” Tehran marketplace on her own. Screenplay was by Abbas Kiarostami (THROUGH THE OLIVE TREES) for whom Panahi was an apprentice. Time Out London called the movie an “extraordinary debut feature…of audacious subtlety and simplicity.”
 
After its release, the Iranian government attempted to have the film withdrawn from the Oscar best foreign film category and prevented Panahi from leaving Iran to promote it. Panahi’s second feature, THE MIRROR, received the Golden Leopard Award at the Locarno Film Festival. This film, also dealing with the human experience of social injustice as experienced by children, tells the story of a young girl whose mother fails to pick her up from school. She must make her way home through the chaos of Tehran on her own. Halfway through the movie, the young actress breaks character and asserts that she’s tired of acting and the movie moves back and forth between illusion and reality. In his review, Stephen Holden of the N.Y. Times said the film “…poses the deepest questions about illusion, reality and filmmaking. Its portrait of Tehran is unforgettable.”

Panahi’s most widely recognized achievement in film came in 2000 with the release of THE CIRCLE, a movie that criticized the treatment of Iranian women. Panahi won the Golden Lion, the top prize at the Venice Film Festival, and the movie was hailed as the Film of the Year at the San Sebastian International Film Festival. The film involves the intersecting stories of Iranian women who are struggling with a variety of issues:  giving birth to a girl when a boy was expected, navigating city streets where women are not supposed to walk by themselves, and facing death threats from family members over a possible abortion.  Despite its international awards, the film was banned in Iran.  In the Chicago Sun-Times, Roger Ebert explains:  “…the film is profoundly dangerous to the status quo in Iran because it asks us to identify with the plight of women who have done nothing wrong except to be female.”

More recent films, such as CRIMSON GOLD in 2003 earned Panahi the Cannes Film Festival Jury Award. And in 2006, Panahi’s OFFSIDE won the Silver Bear (Jury Grand Prix) at the Berlin Film Festival. In the latter film, a group of Iranian women impersonate men so they can attend a World Cup soccer match.

Updates on Panahi's case will be posted here.

As the waves of the financial meltdown pound banks and governments, the human cost is easily lost in the background. From layoffs to shattered dreams, the global crisis becomes a personal crisis. Do we really see how deeply it reaches into the global community?

SOURCES: Al Jazeera English, Qatar; CNN, U.S.; Deutsche Welle, Germany; South Asia Newsline, India; Russia Today, Russia; KBS, South Korea.

The House plans to vote today on a scaled-back $15 billion bailout backed by Democrats and the White House intended to keep GM and Chrysler in business through late March. Ford's slightly better financial portfolio will allow it to sit out this round of proposed aid. The measure though may face a fatal filibuster from Senate Republicans, despite several weeks of back-and-forth negotiations.

One anti-bailout argument has been that the Big 3's workers must cut back on their lavish $73 an hour compensation. But as David Leonhardt writes in the New York Times today, "Big Three workers aren't making anything close to $73 an hour (which would translate to about $150,000 a year)." American auto workers do claim more generous health and retirement benefits than their foreign auto worker counterparts, but the actual take-home pay of the two groups is  roughly comparable.

We are more likely to agree with Leonhardt's conclusion, that American automakers are failing less because of outdated labor costs, and more so because most Americans no longer care for their outdated cars.

This week's program enters its final phase of production, rousing us from our somnolent Capitol Hill watch.

One auto crisis strategy we are tracking across the world, which could give heart to the Big 3: government bailout. Sweden, Australia, Brazil, France, and Spain are just a few of the countries whose governments have opened their checkbook in recent weeks to shore up sluggish auto industries.

If the U.S. Congress does in the end warm to Detroit, one group in particular will be sure to rejoice: members of the extended Ford family. The Detroit News reported last week that the Ford family's stock wealth has plummeted in recent years to a mere $117 million today. You can track their losses in the graphic here.

We're watching the New York Times live blog of the auto bailout session on Capitol Hill, though drowsiness has begun to set in. Sen. Richard Shelby got the most pressing item out of the way early on, confirming that auto executives have in fact shared driving responsibilities for the Detroit-Washington ride. R.I.P. to comfort class.

Our tired eyes are now drifting elsewhere, first to Salon where Andrew Leonard counsels a healthy distrust of a Big 3 bailout, reminding us of Detroit's countless past economic and environmental sins. CNN meanwhile stirs up populist fury with its poll of Americans against the bailout.

Hope is in the future though if we are to believe the car lovers at Wired's Autopia blog, who sing the praises of Chrysler's  fuel-efficient sedans set to roll out in 2011.

But will Chrysler even live to see a new decade? Let us know what you think starting tomorrow in the comments section here.

With apologies for our Thanksgiving slumber, Global Pulse re-emerges tonight with a look at the BIg 3 automakers' return to Washington, pleading for a tow. What many Americans may not yet realize is that Detroit's breakdown could have dramatic implications for jobs and stability across the globe. Also, we find that auto outfits in Latin America, Asia, and Europe may soon lap US-based GM, Ford, and Chrysler in energy-efficient, profitable production.

Watch the episode beginning tonight here.