Once again, I am bringing you a performance from one of New York's many small venues which are outlets for all the talent that is attracted to the city. The Caffe Vivaldi is a tiny, informal place in the West Village of New York. It has live music regularly; mostly singer songwriters. On this night Neil Pearlman brought his ensemble, and proceeded to expand the palette of Scottish music with healthy injections of Jazz harmonies and Latin rhythms. I had gotten a shout from Rachel over at Rock Paper Scissors publicity, and so I grabbed my camcorder and hoped for the best.

The band played mostly songs from Pearlman's new CD "Coffee & the Mojo Hat" along with some new tunes they were working up. Regarding this performance, Neil says: "That set... in particular is centered around the tune called the Sailor's Wife. It is interesting because I alter a traditional jig (6/8 time) and turn it into a 2/2 Latin groove. In order to bring that alteration out for people who don't already know the tune I start it off in its traditional form before bringing in the rest of the band."

I found the music to be a sweet hybrid because Pearlman, who has been performing Scottish and Cape Breton music with his family since he was a kid, obviously truly loves the trad stuff. And though he has felt the need to break out of the strict interpretations of the melodies, that affection never departs. The ensemble also has an amiable sound, everyone plays well, and although my video does not quite capture it, drummer Alex Cohen's precise yet relaxed rudiments are real ear candy.

Neil can be reached at www.neilpearlman.com

Click here for another performance by Neil Pearlman.

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I find myself in the timely position of reporting on a fine Celtic artist and band just prior to St. Patrick's Day. Cara Dillon was in town for GlobalFEST, and treated the crowd to some truly wonderful singing and playing. My own affection for Celtic music probably stems from my early love of bluegrass and later, of country music. The Scots-Irish contribution to these idioms is inextricable and has influenced the way we hear our own popular music so much that we tend to slide right into it easily. It certainly felt that way to me, walking through GlobalFEST with its three stages and four acts each, from all corners of the earth. No matter how good they all might have been, when I landed on Cara's set, I felt like I was home.

The band, comprised of Sam Lakeman on keyboards and guitar, Ed Boyd on guitar, Brian Finnegan on various whistles, and Cillian Vellely on pipes, burned through jigs, ballads and reels. Dillon's voice can sound ethereal at times, but it is in fact a strong and precise instrument, and her choice of repertoire kept the audience by turns enthralled and bouncing.