The Summer Solstice brought a plethora of free performances in and around NYC, and the one I opted for was the Griot Summit at the Wave Hill Gardens overlooking the Hudson, in the Bronx. Who could resist getting away from the burning pavements of the city to saunter through bucolic splendor while listening to masters of the Griot tradition?
For those of you who are not familiar with the term "griot" (or jali, or jeli, depending on where the griot is from) a quick explanation: the griot is the repository of the history of his or her people, knowing geneologies and major epic songs by heart. Descended through the family line, the griot is not just a musician, but a living library, an advisor, and on occasion, a gadfly. Understanding the function of the griot is a great way to gain insight into the culture of West Africa. But I have started my video with a good description, straight from the horse's mouth, so I'm sure you'll figure it out.
The day started out with the various musicians scattered around the grounds, so that you could catch solos and larger groups as they performed in lushly green walkways, formal gardens and woodland areas. Then they all gathered for a massive display on the main stage, to get everyone riveted, then up and moving. Personally, I was entranced and dazzled by the regal appearance of the griots. I guess I'm just a sucker for African Formal Wear; all those robes, headdresses and intense colors and bright white against dark skin knock me out. I was also struck by the obvious musical links between what these musicians were conveying in its purest form, and the roots of our own American music: the glissandos, time signatures, the improvisations; it was all there to hear and mark as building blocks of the blues.
All in all it was an amazing gathering, and it was a tribute to Sylvain Leroux the curator, Isabel Soffer of Live Sounds, and the musicians, that it all came together so wonderfully well. After all, you can't just assume that Jalis from Guinea are going to play well with Jalis from Burkina Fasso or Mali. But they certainly did here!
The day was hot, and this was shooting on the fly-- no way to deal with the light, the sound, the terrain, so I will beg your pardon for the occasional visual burn, bumpy camera work, and some audio distortion.
The participating musicians were:
Abdoulaye Diabate (Mali), Toumany Diabate (USA), Tapani Sissoko and her mother (Mali), Yacouba Sissoko (Mali), Mamady Kouyate (Guinea), Makane Kouyate (Mali), Ismael Diarra (Burkina Faso), Abdourahmane Mangara (Gambia), Aissatou Kouyate (Mali), Famoro Dioubate (Guinea), Andy Algire (USA), Sam Dickey (USA), Bailo Bah (Guinea), Ibrahima Soumano (Guinea), Mmah Doumbouya (Guinea), Ayiba Doumbouya (Guinea), Bebe Camara (Guinea), Nagna Diabate (Guinea), Hasan Bakr (USA), Zoumana Diabate (Mali), Moussa Diabate (Mali), Anette Lipson (USA), Kewulay Kamara (Sierra Leone), Lankandia Cissoko (Senegal), Yacouba Diabate (Burkina Faso), Sylvain Leroux (Canada).
For more music from this gathering, click here.





We take voting for granted, and many of us don’t even bother to vote in primaries or in general elections. For women (and men) who have never had the opportunity to participate in decisions that effect and control their economic and political lives, voting is a powerful act. I have seen enormous changes in women over the years as they participate and have their voices heard in their communities and on the world stage. One example, Esperanza Castillo from Pangoa Cooperative in Peru. When we first met in 2003, she was a shy and quiet manager of a small coop (about two hundred families). Over the years, Esperanza has developed into an internationally recognized voice for women and Fair Trade. At one event she got a standing ovation
when the next speaker (Hilary Clinton) got warm applause. In Ethiopia, Nekempte has gone from an “office girl” when we first met in 2000, to the number three in command of Oromia Cooperative, which has over 100,000 members!
Later in the week was the launch of a new NGO, Fair Trade Organization of Kenya (FTOK). Forty farmers representing ten thousand farm families came together for the celebration and a full-day workshop on fair trade and organics, presented by John and I, along with FTOK founder Sophie Mukua and President, Samwel Okwenda. There were also representatives of Thika Mills (mills are traditionally the last bad guy in the farmer rip-off equation), which is now certified to process fair trade coffees (hmm, we’ll see), and Robert Thuo of the African Wildlife Foundation, which is saving elephants and helping farmers with a grant from USAID and Starbucks (it is great work, but I had to ask, wouldn’t it be betmter if Starbucks simply paid the farmers more for their coffee? Then they could put up their own fences and feed their families directly-what a concept!).








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