The brainchild of John Kruth and Jeff Greene, TriBeCaStan is a whimsical melange of timbres, textures, and tunes (Oh my!) and a very fun outlet for all the musical eclecticism of its founders.

During APAP week I ventured to the East Village to the Duo Multicultural Arts Center, which has a historic old theater in the East Village, where Greene (who  has a mural restoration company) had snagged a night to showcase the band. The wine flowed, folks schmoozed and we were treated to a high energy night of musique trés intérresant, complete with dancers. I've chosen the first song "BedBugs" to present here, even though it got off to a bumpy start -- and apologies for the camera's audio, there isn't much sound separation. But as I like to say, "Ya can't make chowder without a clam or two, but oh my my it's a tasty stew!"  You'll get the idea.

For more on the band visit: www.tribecastan.tv

To see a TriBeCaStan tango, click here.

TriBeCaStan is John Kruth Jeff Greene, Claire Daly, Todd Isler, Kenny Margolis, Boris Kinberg, Chris Morrow, John Turner, Dave Dreiwitz, and Mike Duclos

For more of Michal's original music videos, visit inter-muse.com

(Euronews: 0744 PT, May 3, 2011) Canadian Prime Minister Stephen Harper will head a majority government for the first time after his Conservative Party won Monday's parliamentary elections. The Conservatives picked up nearly 40 percent of the vote, taking 167 seats in Canada's parliament.

Harper, who had previously headed two minority governments in his five years as PM, says he can secure Canada's economic recovery and wipe out its budget deficit. The 52-year-old says this can be achieved by slashing public spending and cutting taxes.

(Democracy Now! 0758 PT, May 3, 2011) Democracy Now! interviews Stephen Lewis, long-time member of the National Democratic Party, about the results of the Canadian elections. The Conservative party, led by Prime Minister Stephen Harper, was elected to a majority in the Canadian parliament, ending five years of minority government.

Residents of Rio de Janeiro’s favelas (slums) are suffocated daily under the triple weight of poverty, drug cartel violence, and police oppression. In a culture and society as vibrant as Brazil’s, this pressure pushes against the surface with little outlet, especially for the youth. Schools are underfunded, home life is rocky for most, and getting food on the table is never a sure thing. More often than not, kids drift towards the most readily accessible example of people who have escaped poverty: the drug runners and gangbangers. Positive role models are few and far between in a sea of rickety shacks and makeshift abodes. In 1993 in the midst of the Vigário Geral favela, however, a seed was planted in the minds of a few brave individuals-- a seed that would grow into an idea and a way of life that gave hope and provided direction to a generation of favela youth.

Anderson Sá was a typical young kid in 1993, in the process of being sucked into drug trafficking like so many others. That year a tragedy took place so devastating that it would be forever burned into the memories of favela residents. The Rio police, enraged by the killings of four officers, stormed Vigário Geral with guns blazing, looking to kill anyone in sight. When the shooting finally stopped and the dust cleared, 21 innocent people were dead. Anderson Sá’s brother was among them. This had an immediate and life-changing impact on Anderson. His mother worried that the killing would push him further into the world of drugs, but it had the opposite effect. Right then and there, he set out to find a way to stop the endless cycle of violence that his community was trapped in.

Anderson’s thinking soon led to the realization that the only way to end the culture of violence was to substitute it with a more positive cultural model. The first manifestation of this was the Grupo Cultural AfroReggae, a cultural group focused on music and black culture that Anderson started along with his friend José Junior and others. It published the AfroReggae Noticias, a newspaper for youth that focused on hip-hop, reggae and soul music. There was such a need for a positive cultural message that their first community center, the Núcleo Comunitario de Cultura, was opened. It filled a void in people’s lives, and all of a sudden kids in the favela had a place to go to learn music, capoeira, theater and dance. They opened the Vigário Legal AfroReggae Cultural Center in 1997, a larger facility in the community. The musical aspect was especially appealing, and from there Banda AfroReggae was formed. It soon became a huge hit in the favela, thanks to some donated percussion and sound equipment. The band and the movement steadily gained national popularity, thanks in part to the charismatic face of the organization, Anderson Sá.

Several years later, budding filmmaker Jeff Zimbalist was at home in Brooklyn when he received a call from his friend Matt Mochary, who was on the phone from a favela in Rio. Jeff and Matt had been looking to make a movie focused on an example of a successful and innovative community in Latin America, and Matt had found the perfect story. He wanted to examine the community built around AfroReggae and how other communities and favelas throughout Rio were confronting violence. Jeff was sold on the idea, to the point that he quit his job and met Matt in one of Rio’s most violent favelas, Vigário Geral. The scope of the movie steadily shrank as the process progressed and it became more and more apparent that Anderson Sá was a natural vehicle through which to tell the story of poverty, violence, and AfroReggae.

Jeff and Matt spent three years filming in the favela, making many trips back and forth between Rio de Janeiro and New York and becoming close friends with the leaders of AfroReggae. The film Favela Rising emerged naturally from their experiences. It was one of the first documentaries to shine a light on the violence that grips the everyday lives of poor people in Brazil. It shows how courage in the face of fear and intimidation can change the futures and destinies of kids whose outlooks were once hopeless. It illustrates the power that music has to transform society.

Join us this Sunday at 11pm EST/8pm PST for the DOC-DEBUT premiere of the groundbreaking documentary Favela Rising.

In 2000, Mark Hogancamp was beaten into a coma by five men outside of a bar in Kingston, NY. Unable to continue

Book about Marwencol produced by the filmmakers

paying for medical help, Hogancamp began to create a new world in his backyard as a form of physical and emotional therapy during his recovery (which is ongoing). The resulting 1/6th scale Belgian village, named Marwencol, is a fantasy oasis set in the middle of World War II peopled with lifelike dolls, many based on real people in Hogancamp’s life. And this town has, in turn, become the subject of a new documentary of the same name.

The story of Marwencol begins when Hogancamp’s alter ego crash-lands in a European field and is drawn into an almost-empty village by a group of beautiful women. He makes this place his home, beginning a narrative that continues and grows day by day as new dolls and storylines are introduced. This "second" world has rescued Hogancamp, helping him to deal with an attack that still haunts him and keeps him from fully functioning outside the village.

Mark Hogancamp at his White Columns art show in New York City.

Jeff Malmberg, Director

Check out this amazing four-part documentary on the effects of climate change, overpopulation, the extinction of animal and plant species, growing consumption and industrialized farming. A Link viewer favorite, this series lays out the impending dangers to our biosphere, and paints a sweeping picture of how these changes are affecting all life around the globe. Among the many experts interviewed in The Planet is the incredible Jared Diamond, professor and writer of "Guns, Germs and Steel" and "Collapse: How Societies Choose to Fail or Succeed." Visit The Planet program page by clicking here.

This series is now available as a gift for your contribution to Link! For more details, click here.

This week’s Global Pulse examines hackers disrupting government websites. But governments are themselves hackers.
 
The Electronic Frontier Foundation describes how the U.S. National Security Administration and AT&T teamed up and “engaged in a massive program of illegal dragnet surveillance … of ordinary Americans.” Most analysts say China keeps track of its citizen’s computers through the “Ghostnet”, and by spying on communications through Skype. An article in Tech News World says that “Russia’s apparent effort to shut down Georgian government websites in August (2008) was one of the most public incidents of cyber attacks by a government to date.” Even liberal Holland has admitted to spying on a local news agency by means of hacking, as this article from the Der Spiegel website indicates.
 
It makes us wonder, is hacking different from a government’s spying on its own people and other countries? One obvious difference is that governments have more resources and personnel than hackers have. Bruce Shneier defines a hacker as “…someone who discards conventional wisdom, and does something else instead. Someone who looks at the edge and wonders what's beyond. Someone who sees a set of rules and wonders what happens if you don't follow them.” According to a study by Roger Blake at EFF, hackers are “mostly male, between the ages of twelve and twenty-eight” and, “consider themselves misfits and misunderstood.” The same study speaks of how hacker communities create their own information economy that values expertise in gathering information, much in the same way a surveillance operation does. 

Finally, a handful of accomplished hackers can grow up to become security consultants and “get to hack for a living.” In other words, they develop new security protocols for codes they are paid to break. So in the end, there is a continuum between hackers and governments that should give anyone pause before condemning one, or the other.

Open Book is a new show premiering on Monday: each episode focuses on a single neighborhood or community to introduce you to the musicians, actors, poets and other storytellers whose work reminds us we're all connected. This premiere episode takes place in Ft. Greene, Brooklyn, a neighborhood with a rich cultural heritage.

Guests include former child soldier Ishmael Beah, award-winning novelist Jennifer Egan, legendary jazz musician Bill Lee, Walt Whitman-devotee Daryl Blaine Ford, creative genius Carl Hancock Rux, Def Jam poet Suheir Hammad, singer Nucomme, and star of stage and screen, and actor Jeffrey Wright.

I had the good fortune of being in a small, 20-person interview/seminar with Carl Hancock Rux back in 2004. He talked about his experiences as an artist, and read excerpts from his book, Asphalt. It was pretty incredible. I'm really excited to see this show, if only to see Rux speak again!

Learn More about Open Book here