On Earth Day the Atrium at Lincoln Center presented Susie Ibarra and Roberto Rodriguez's Electric Kulintang. Both of these well-known Downtown musicians have been involved in researching the indigenous culture of the Philippines, and have been working on a film about their efforts called "Song of the Bird King." I had tried to find examples of Filipino "roots music" a number of years ago with very little success, and in this film (a fragment of which was presented that night) I heard some spine-tingling stuff, so I am really looking forward to the film's completion and getting the full immersion! The film focuses not only on the challenges of keeping a culture alive in the face of globalization, but on the physical degradation of the ecosystem that has supported life on the island, affecting man, fauna and flora.

Electric Kulintang call their music "Eco-Electronica." Rodriguez is the partner percussionist, programmer and beatmeister, while Ibarra plays drums and various xylophones as well as the Kulintang, a traditional Philippine instrument comprised of a series of gongs, and reminiscent of those found in an Indonesian gamelan. The concert debuted material from their forthcoming CD "Drum Codes" which Ibarra describes as "musical stories and dedications to ancestors and the environment." This video is of "Drum Code #3," which they presented toward the end of their set. Ibarra says "I play on the Philippine Kulintang gongs, Taggungo style. This traditional Southern Filipino Maguindanaon style is performed in respect to spirits and used in healing."

Electronica, as Rodriguez composes it, contains an invitation to trance that is an appropriate matrix for the shamanistic meditations inspired by the Kulintang. One could focus on the musician's performance, but the experience was also interactive with the Atrium itself. Rodriguez' digitally generated sounds resonated into and off the various surfaces of the hall, creating a cocoon for Ibarra's percussive, minimalist motifs, and I could easily imagine the music as an installation piece. I have brought many architectural images from the Atrium itself into the video, as this seemed the best way to convey the experience as a whole , including one of the Green Walls (living tapestries of plants) that adorn the Atrium. I recommend listening to this video with headphones, to get the full effect, as there are some subtle electronic sounds that are fairly low in the mix.

Rodriguez and Ibarra are engaged citizens of our planet whose music attempts to express how our inner and outer worlds relate. Electric Kulintang's merging of ambient/shamanistic/experimental music was a singularly appropriate programming choice for Earth Day.

Viewer Jeanne Andrews says, "Each episode is a gift. Everyone I have recommended the series to has enjoyed it and said that they got a lot out of it. I am recommending the episode on "Earth Wisdom" to a mythology group I organize as we are visiting the State Indian Museum and exploring the wisdom and contributions of indigenous peoples in April. I am grateful that past episodes are available on-line at your web site :) Thank you."

In this clip from Earth Wisdom for a World in Crisis, a woman from Kenya says "there will be a pay back time." What wisdom can we learn from those who are deeply connected to the land?  What should we do now? What are the current environmental "shifts" trying to tell us?

Tuesday, December 7th, in downtown Cancun, thousands of locals, NGOs and community groups took to the streets, mobilizing for climate justice in the wake of the UNFCCC negotiations. People carrying large banners, beating drums and chanting in unison, marched through busy streets filled with curious onlookers for almost two miles to draw attention to various issues surrounding climate change and its impacts. Countless local and state groups from Mexico and other parts of Latin America joined together, including the Mexican Action Network on Free Trade, the Indigenous Group Tepehuano of UNORCA (National Union of Autonomous Regional Peasants Organizations), and the Indigenous and Ecological Federation of Chiapas. Mexican chapters of organizations like Friends of the Earth, 350.org, Oxfam, and Greenpeace were also present and adding to the commotion.

While the nuances of their causes varied, the tone of the people gathering was clear: urgent action on climate change is vital. Perhaps the most vocal of the groups present at the march were the Mayan community members, who were teamed up with the International Forum on Globalization (IFG) and the Organization of Forest Producers' Cooperatives of the Zona Maya (OEPFZM), to express their dissatisfaction with the Mexican government for withholding compensation owed to them for an extreme decade-long drought, which has devastated corn crops, food security, and Mayan livelihoods.

The Mayan community is calling for drastic cuts in greenhouse gases by industrial countries, and immediate assistance for adapting to impacts of climate change, like the drought. Some feel it is possible that come Friday, when the UNFCCC talks come to a close, negotiations will establish a fund that will adequately help vulnerable communities cope with their changing climate. State Secretary Emiliano Ramos, felt fairly optimistic that progress could be made on issues that affect the world's poorest (he gauged his level of optimism at a "5" on a scale of one to ten), but others were not so hopeful. A man representing an indigenous group of UNORCA, had lost all faith in negotiations and just wanted emergency help of some kind for his climate-related hardships.

Victor Menotti, Executive Director of IFG, felt what was needed most from developed countries was real commitments, not just pledges. He expressed hopes that there would be "goodwill and cooperation [in talks] and that governments would come to their senses" but that it would take "a lot of noise on the street to make that happen."

As we marched with the people through the avenues of downtown Cancun under the hot midday sun, the energy of the group seemed endless. Our final destination was the Palacio Municipal where we expected people to disperse, or at least sit down to rest. But upon arriving, there was a stage set up complete with live music and MC, and giant house-sized corn cob structures illustrating (with a touch of humor) the plight of the indigenous Mayan farmer. The crowd was instantly reinvigorated and the mobilization continued on for hours.

With Friday's outcome still hanging in the balance, the fate of the Mayan farming community and many other vulnerable areas around the world that are most heavily affected by decreases in rainfall and other environmental changes, is unknown. Hopefully Tuesday's noise on the street caught the attention of negotiators not far down the road at the Moon Palace conference center.

This Sunday, June 27th, we will host a live video web chat with Brian Keane, Director of Land is Life. A man who has dedicated 20 years trying to get us to listen to the elders, to the people who have a proper relationship with the earth, with the sky, with the air and with the water. These people can help us now with this crisis in the Gulf, and they could have helped us long before....

Our response to the Gulf oil spill disaster has not been deep or complete. It has been from a place of policy and economics. We have sprung into action and forgotten to deal with the symbolic, spiritual and emotional nature of this crisis. I have seen no mainstream press organizations, the companies that caused the situation or the government communicating what it means to take FULL responsiblty for causing all this suffering.

It is easy to blame, but what is my role? Since we are not separate, I need to take responsibility for causing all this suffering. I have not spoken out enough, I have not listened properly, I have not respected our Mother, I have used resources mindlessly and I have forgotten to be thankful. But MOST importantly, I have been afraid to use my power to protect.

This crisis in the Gulf is a wake up call to me. It has awoken the "No" inside me. It has gotten me to a place where I will not rely on others to do the right thing in my home, my neighborhood, my community, my city, my country and my earth Mother. I will stick my nose in it and maybe make people angry or uncomfortable, but if I do not do this, then who?

There have been some people and organizations I think have responded fully and I thank them for it, like James O'Dea and Spirituality & Practice. They have expressed a full and appropriate response -- grief, sorrow and asking for forgiveness. Llewellyn Vaughan-Lee also is right to remind us of the importance of the symbolism of this experience.

On Sunday I plan to ask Brian how the indigenous people are responding to the Gulf oil spill. Then I am going to listen. I am going to listen with my heart and allow myself to feel the pain of my own and our collective forgetfulness. I am sorry it has taken us so long to get here. What I mean to say...is I am sorry it has taken me so long to get here.

For all of you who have seen the Global Spirit program "From the Heart of the World," you might find interesting this recent update from the director, Alan Ereira:

"I thought you might like to know that have just returned from the Sierra Nevada de Santa Marta, where I was suddenly summoned at the end of April.  I was called to attend a large gathering of Mamas at one of the highest sacred places - a place where I had never been, and where outsiders are not normally welcome.  There was a most remarkable speech, spoken by a very senior male Mama and echoed almost simuItaneously by four female Mamas ("Sagas").  They were, in effect, the voice of the Mother behind his words.  I was allowed to film this on a mini-HD camera.
 
The speech was a statement of their present situation, which they regard as critical ("as serious as the Conquest itself").  They high sacred places are being fatally damaged by soldiers and guerillas, and as a result the life-essence of the planet is failing.  In order to make what is in effect a last-ditch effort to save themselves and the world, they are undertaking a fundamental re-organisation of their way of communicating with the outside world.  They believe that it is still possible to turn things around, and intend to do that over the next four years.
 
I was asked to give a full description of what has taken place with the film and my assessment of it.  I was then told that it is a high priority that I should make a new film with them, to bring Younger Brother to a fuller understanding of their own vision of reality.  They have been preparing for this work for some years, and have trained their own media unit(!) to work with me.
 
The plan they have been discussing is quite astonishing, and I am now waiting to hear exactly how they want to proceed."

If you'd like to respond to Alan's message, please leave a comment below!

Watch the documentary Waiting for the Revolution online!

For over 500 years the indigenous people of the Andes have had to endure racism and discrimination. Now, with democracy on their side, the time has come for a change. Following two newly elected indigenous leaders from the campaign trail to their first year in office, filmmaker Rodrigo Vasquez journeys into the heart of the democratic revolution in Bolivia.

It takes more than a Che Guevara t-shirt to be a revolutionary - and Waiting for the Revolution proves this. It wasn’t branded images of rebellion that inspired Che – it was experiences traveling around in Latin America and Africa and observing the realities of rural poverty. The living conditions of the destitute convinced him that radical change was necessary. Today, billions of people still live in poverty, without access to adequate healthcare, clean water and food. The world’s ecosystems are under tremendous strain from human impact. Corruption and human rights violations still impact large parts of the human population. Is there a way to change these negative trends? Don’t say it’s a t-shirt. What would make you start a revolution?