It's official. Latin jazz artist Bobby Sanabria will be suing the Grammys over their recent category restructuring. At a press conference at the law offices of Balber Pickard Maldonado and Van Der Truin, Mr. Sanabria, a four time Grammy nominee read his own explanation of the reasons, as he sees it, for the action. I will let him and his council speak for themselves, before throwing in my two cents:

Unlike Mr. Sanabria, I have always thought of the televised Grammys show as a carefully packaged main stream media program, calculated to maximize the sale of goods. When a friend of mine won a Grammy, she did not receive her award on air, nor did she expect to, it having been in an "ethnic" category and unlikely to raise the profit margins of the show's various sponsors. Whether they ought to or not, the general public does not tune in to see awards for Best Hawaiian Slack-key Guitar, or Best Native American music. (I invite comments on this topic.)

But is this what the National Academy of Recording Arts and Sciences (as opposed to the broadcast) is predicated upon? According to the Wikipedia, NARAS is an "organization of musicians, producers, recording engineers and other recording professionals dedicated to improving the quality of life and cultural condition for music and its makers." That is a far cry from how it is currently represented on air, or where it is veering with this decision. By lumping together certain ethnic musical forms, it makes it far harder for the artists involved in those genres to get the Bona Fides that the Grammy award bestows, and the career benefits thereof. And it shows a shocking ignorance -- at best, heedless and dismissive -- of what these various genres are really about.

Since they refuse to divulge the minutes of the meetings that led to the decision, we are left to imagine the true motivations and the conversations that took place. Where was the need for the "streamlining?" Did it have anything to do with financial troubles: an overextended budget, a cutting back of foundation support, and a diminishing membership? Perhaps Latin Jazz was eliminated since "they have their own Grammys" or because "Jazz is Jazz" (both can-of-worms discussions which I am sure they would not want put up for an open debate). Did CBS' or any major label's input affect the decision directly or through other means? Exactly who voted for or against? Which of them was an expert in the fields that were affected? -- Or were the panels all made up of Pop, Rock, R&B and Rap aficionados? One could go on, but I don't wonder that NARAS refuses to disclose the information demanded by Mr. Maldonado's firm. They are damned if they do and damned if they don't. And I don't mean that sympathetically. I mean, what did they expect?

While some of the category winnowing is not dreadful, (best male or female pop vocals are now merged into "Best Pop Vocal") some categories need further expansion, not compression. Best Traditional World Music and Best Contemporary World Music are already inadequate, vague categories, and have been reduced to Best World Music Album…grrrrr… By the way, Tex-Mex, Zydeco, Cajun, Hawaiian, Native American and yes, polka, ARE World Music!
For whatever reasons it may give, NARAS has made a heavy-handed blunder, and after stirring up this hornet's nest, it is responding autocratically. By remaining inflexible, it does itself a great disservice. Even as it, along with the music industry, may be grappling with economic downturns and a changing landscape, it is obligated to stay true to its founding tenets by supporting all the music its membership is dedicated to. Members who were knowledgeable in the fields most affected should have been consulted in these decisions, those decisions should have been announced with sufficient time given for preparation by the artists, and secrecy was not the way to go. In excluding its constituency on such crucial matters, NARAS has placed its own credibility at risk.

For more information regarding action on this issue go to: www.grammywatch.org

Click here to see the categories as they were and as they now are.

Once again, I am bringing you a performance from one of New York's many small venues which are outlets for all the talent that is attracted to the city. The Caffe Vivaldi is a tiny, informal place in the West Village of New York. It has live music regularly; mostly singer songwriters. On this night Neil Pearlman brought his ensemble, and proceeded to expand the palette of Scottish music with healthy injections of Jazz harmonies and Latin rhythms. I had gotten a shout from Rachel over at Rock Paper Scissors publicity, and so I grabbed my camcorder and hoped for the best.

The band played mostly songs from Pearlman's new CD "Coffee & the Mojo Hat" along with some new tunes they were working up. Regarding this performance, Neil says: "That set... in particular is centered around the tune called the Sailor's Wife. It is interesting because I alter a traditional jig (6/8 time) and turn it into a 2/2 Latin groove. In order to bring that alteration out for people who don't already know the tune I start it off in its traditional form before bringing in the rest of the band."

I found the music to be a sweet hybrid because Pearlman, who has been performing Scottish and Cape Breton music with his family since he was a kid, obviously truly loves the trad stuff. And though he has felt the need to break out of the strict interpretations of the melodies, that affection never departs. The ensemble also has an amiable sound, everyone plays well, and although my video does not quite capture it, drummer Alex Cohen's precise yet relaxed rudiments are real ear candy.

Neil can be reached at www.neilpearlman.com

Click here for another performance by Neil Pearlman.

For more of Michal's original world music videos visit inter-muse.com

I first met Josh Norek about ten years ago when he sent me a low budget video of his Latino-Jewish band the Hip Hop Hoodíos. It was a song about Chanukah sung in Spanish and English, and there were plenty of surreal shots of the "Bagel Babe" - a hot young thing wearing a bra made from that circular staple - even in a Jacuzzi! I sensed there was an unusual mind behind this.

Further down the road, Josh sent me an email about a new event: the Latin Alternative Music Conference (LAMC) that he was co-organizing in New York City. I wished him well. He continued to send me press releases about bands I had never heard of but which were pretty damned good. I started to trust his taste.

Five years ago, he helped Tomas Cookman launch the company Nacional Records. Between them, they had tons of experience managing and promoting "Rock en Español" acts, and soon they began aggregating the strongest roster of Latin Alternative Music extant. Then, prior to the past presidential election, Josh sent an email around, saying he was taking a sabbatical (or should that be shabattical?) from the music biz, and donating significant time to his favorite grassroots organization, Voto Latino, working to register and activate young Latinos in battleground states to get the vote out. Since then he has also gotten his radio show "The Latin Alternative" up and syndicated. So when I heard that Josh was going to be in town, I jumped at the chance to interview him. His time as usual, was tight; we had just half an hour, so we plowed into it despite the noise from construction on an adjacent floor.

No matter where we fall on the immigration issue, the undeniable fact is that the burgeoning Latino population is changing the face and culture of the USA. I wanted Josh to talk about this, to reflect on the relationship between music, demographics and activism. He did that and more; his conversation was so far ranging that I may have to present those parts of it that dealt specifically with Rock en Español, Nacional, the LAMC and the state of the music industry in general, at a later date.

Update on the recent Latin Pulse episode, Colombia: Stories That Kill

The Colombian government has been conducting intensive spy operations on opposition members for years. This revelation earlier this year garnered promises of reform from agency directors, but new evidence shows the spy program still seems to be expanding. This expansion comes as President Uribe seeks a third term in office.

Targets of this operation include lawyers, activists, union leaders, indigenous leaders and journalists. Hollman Morris, director of Contravía, recounted his personal experience with the state's intelligence agency to Latin Pulse in July.

The Department of Administrative Security, or DAS, reports directly to the president and works closely with the U.S. The U.S. State Department authorized another $545 million dollars in military aid in September, despite the scandal and a troubling human rights record.

The New York Times also recently reported on this issue, and you can watch Al Jazeera English's report below.

The execution of seventeen recovering addicts in last week's shooting in Juarez struck me as one of the most perverse crimes I have ever heard of in my life. Despite having read about a wide variety of atrocities in war -- the killing of pregnant women and children in Rwanda, or the dragging of charred American bodies through Fallujah -- this act struck me as something so cold as to be sub-human. Yet it was the not first time either. Fifteen others have been killed previously in this exact way in Juarez in the last two years.
 
The violence in Juarez seems to be ignored by most of the media, yet this is truly one of the world's prime war zones right now. A recent New York Times video report stated that in 2008 a civilian was more likely to be killed in Ciudad Juarez than in Baghdad.

Wednesday's attack came on the same day that at least twenty-three others were killed around Mexico, including the number two security official in President Felipe Calderon's home state of Michoacan. It also came just a week or two after Mexico officially decriminalized personal use of many formerly illicit drugs. The new orders for police are that they are to refer addicts to treatment clinics rather than take them into police custody. After Wednesday's attack though, that option may no longer seem so safe.

It seems clear that we Americans share some of the blame for this violence; though perhaps there have been good intentions in criminalizing marijuana, cocaine and other substances, when our prohibitions are combined with our high demand, we have ended up giving these cartels incentive for their work. And now apparently, the weapons that have come through our borders have allowed them to create carnage in their country.

This is a war many of us can can shut our eyes to on a daily basis, because we are not losing anyone there in Mexico. Yet this war is so close to us at the same time: the war zone of Juarez stands a few miles across the border from the relatively safe city of El Paso, Texas.

We can try to keep this violence and chaos out though militarizing the border, and perhaps that will allow us to continue turning a blind eye to this bloodshed. However, it will not absolve us of the responsibility and obligation to help search for an end to this conflict. Some cartels may be brought down, and the centers of violence may move from one city to another, as they seem to be moving now towards Central America. However, as long as the economic incentive exists for these cartels' work, can we really expect to see an end to this violence?

This week as Venezuela shut down its border with Colombia, cargo trucks bringing perishable food sat in park on the highway. It was a perfect image to capture the state of affairs between Venezuela and Colombia: a standstill, with potential for spoiling.

For the last several years, Colombia's Alvaro Uribe has maintained a tricky alliance with both the U.S. and Venezuela, maintaining strong economic and diplomatic ties with both countries. While the U.S. continues funneling military aid to Colombia through Plan Colombia, Colombia has maintained a huge export business with a longtime adversary of the U.S. government, Venezuela. Chavez and Uribe’s friendship has paid off over the years, particularly when Chavez helped broker the release of dozens of FARC hostages back in 2003.

Yet the recent agreement by Colombia to allow seven of its military bases to be used by the U.S. for counternarcotics and antiterrorism operations has soured relations. As of this week, Venezuela has closed its borders for some Colombian exports, and Chavez has pulled his ambassador out of Bogota. Chavez has stated that he will "freeze" relations with Colombia, and that Venezuela is not dependent on the country for imports. In the wake of the report, the Colombian peso fell in value for the first time in a month, after having been the world’s best performing currency for four months.
 
However, even as Chavez says that Venezuela can survive without Colombia’s imports, the standoff seems like it would hurt his country much more than Colombia. Venezuela has been the main market for Colombia’s non-traditional exports in plastics, poultry, textiles, and other exports. In the first five months of ’09, Venezuela absorbed 33 percent of Colombia’s exports, followed by the U.S. taking in 19.6 percent. Analysts quoted by Bloomberg News stated that Venezuela would suffer in worsening food shortages, which would increase the country’s already high inflation and put more pressure on their deficit. Then there’s the effect on Venezuela’s petroleum industry. Venezuela looks to Colombia for imports of 300 million cubic feet of natural gas a day, and that gas is required for the country’s oil reservoirs to increase pressure and boost production, and as raw material for the petrochemical industry.

The question now becomes whether either country will flinch. Uribe has garnered sympathy for the new bases from Uruguay and Brazil. Also, Uribe has built up foreign investment in his country by building confidence in counternarcotics and antiterrorism programs that the U.S. has funded. In 2007, BusinessWeek hailed the new Colombia as the most “extreme emerging market” in the world, because Uribe had successfully changed the country’s image from a haven for drugrunners to a center for investors. If Uribe can find alternatives to Venezuela for the country’s exports, he may not need to continue relations with Chavez.
 
And if so, the Colombian truckers now stalled at the Venezuelan border may find cause to turn around and never look back.

Link's latest episode of Latin Pulse/Pulso Latino travels to Toribio, Colombia, symbol of the indigenous resistance movement following a devastating attack by FARC guerillas in 2005. With their land under attack, occupied by guerillas, paramilitaries, and police, the Naza Indians native to this region in Southern Colombia are struggling to pick up the pieces. The dangers for civilians remain high in Colombia's Cauca region, as FARC guerillas, drug traffickers and police continue to do battle, including this recent attack in Buenos Aires, Cauca, Colombia.

This video footage comes from Colombian TV program Contravia, led by investigative journalist Hollman Morris, who was featured in this previous Latin Pulse interview. The Foundation for a New Iberian-American Journalism, an organization founded by Gabriel Garcia Marquez, awarded this episode of Contravia its highest prize in 2007 for journalistic excellence.

Link's Latin Pulse/Pulso Latino programs have only been getting better, presenting hard-hitting journalistic reports from countries like Colombia, Mexico and El Salvador. If you missed the recent report "Colombia: Stories That Kill", be sure to go back and watch online for some great analysis on free speech (or the lack thereof) among journalists in Colombia.

Today, we've just published the web-exclusive complete interview with Hollman Morris, the award-winning journalist who is featured in the above-mentioned report. The Colombian secret police have been illegally spying on Morris since 2004, and this fascinating interview (conducted via the video phone service Skype) explains why.

(Click here for the original version of the interview, en Español.)

You can read more about the claims that journalist Hollman Morris was a Colombian secret police target at Contravia.tv, a partner organization of Latin Pulse.

This week Latin Pulse goes to Colombia to investigate the often-dangerous undertakings of independent journalists, in a country plagued by drug-trafficking, corruption, and violence. The journalists are pushing up against the boundaries of free speech as they struggle to tell the stories of the country's bloody reality, a task they feel is key to creating more peaceful Colombia.

Check out the latest on violence and drug trafficking in Mexico from Latin Pulse: in 2008, 6,290 murders were attributed to fighting between factions of organized drime alone. What exactly are they fighting so vehemently for? And what other illicit, million-dollar businesses are expanding beyond Mexico's borders?

Learn more about Latin Pulse here: http://www.linktv.org/latinpulse