Medieval Songs of Sex, from Catalonia: Els Berros de la Cort

As its name would indicate, the Fira Mediterrània de Manresa showcases music from Catalonia and also from all around the Mediterranean. It provides a lively music trade fair where business connections can be made and deals closed, but it is also a citywide festival. Every resident can participate and the main streets are full of families taking advantage of the public performances and general party feeling. 

 

I'll be covering the festival in greater depth soon, but for now, here's a dose of medieval secular music from Els Berros de la Cort who were playing at El Sielu, one of the smaller club-like venues. As you will see the band uses authentic instruments, with the addition of some contemporary percussion and amplification. So while the sound is probably quite similar to what one might have heard at a medieval festival, there are definitely heightened rhythmic color and dynamics.

 


The lyrics for the first a capella piece come from the "Speculum al Foderi," which was a kind of medical sex manual for the lay person (no pun intended, but hey...). The very title, which contains some rather blunt language, suggests that it was not published for royalty, who would usually be reading a book in formal Latin. The words themselves, which the band has set to original music describe various attributes of a woman: her fair parts, her dark parts, her round parts, her petite parts, and her sweet-smelling parts. 

 

The full translation is available upon request ;-) 

 

This is followed by an instrumental which is a free adaptation of "Molt Eram Dolz Mei Conzir," a composition by Arnaut de Maroil (sometimes written Arnaut de Mareuil), an Occitan troubadour of the late 12th century. 

 

This all leads me to believe there was lot more to medieval culture than we are commonly taught! 

 

For more information about Els Berros de la Cort, visit: elsberrosdelacort.cat 

 

For more of Michal's world music videos visit inter-muse.com

 
 

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University Partner News: Boston College's Matt Sienkiewicz on LinkAsia

Matt SienkiewiczMatt Sienkiewicz, PhD, is an Assistant Professor of Communication and International Studies at Boston College and Producer/Director of LIVE: From Bethlehem. Follow him on Twitter @MattSienkiewicz.

 

Shows such as LinkAsia and Mosaic are a tremendous resource for a global media studies professor. They bring together news clips from across the world and dub them into English with tremendous speed and accuracy, while providing context and creating original content to form a full picture. These programs provide the perfect balance for a teacher or student of international media culture. Importantly, they are curated, with careful editing ensuring that the clips are presented in a coherent and representative fashion.

Yet, at the same time, Mosaic and LinkAsia avoid the impulse to impose overarching narratives, allowing the juxtaposition of news from a diverse body of sources to emphasize the fractured, often contradictory picture that media paints. These programs provide the near-immediacy of a web search while avoiding the chaos that such an approach to media study inevitably entails. It's truly amazing to think that, free of charge, I can show my students a half-hour of professionally translated news from Asia or the Middle East shortly after its original airing.

The network presents global media while striving to preserve a strong sense of locality. By finding and distributing locally-produced programs intended for local audiences, Link TV allows its audience a unique opportunity to get a sense of what media activity is like in a far off place.

 
 

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Renata Rosa at the Forde Festival
Unlike the urban MPB or Bossa Nova we generally associate with Brazil, music from that country's northeast, and particularly Pernambuco, has a rugged, rural heart.
 
Although she is originally from Sao Paulo, Renata Rosa seems to have been created especially for this kind of soul. There is a direct, joyful quality to her presentation, as if she is simply delighted to be singing for you, and she and her ensemble have an endless energy for performance. (I imagine they do get tired like most humans, but I didn't see any of that. Even when their flight was cancelled and then re-scheduled for the following day and they had to return to the festival, they passed the time jamming and performing.)

 

 

The complete band is not a trio, and on opening night, Ana Araujo on vocals and percussion, and Hugo Lins on bass rounded out the ensemble on the big stage. But I was unable to get a satisfactory shoot from the performance that night, so I was glad to catch her gig at the tiny Pikant Café, perched above the town's river.

 

That is the beauty of the Forde festival, you can hear music in venues large and small all over the town and its environs, from concert halls, to classrooms and churches, even to mountain tops! This means that if you miss one show, you will likely be able to see the artist perform again. Indeed, Ms. Rosa said that of the many performances she gave, she thought the show at the Pikant was particularly strong, perhaps due to the proximity of the audience.

 

The place was jammed, both inside and on the outside deck, but I was able to score a chair in the corner and stand on it. (Sorry about that backlight, what can ya do.) Pepe da Silva here plays a 10 stringed guitar, Lucas dos Pazeres plays percussion. Everyone sings; indeed for me, it was the part singing that really drew me in, and I have to say the musicianship was mighty high all around.

 

Despite its traditional sound, the first song -- Corta o Pau -- is an original by Ms. Rosa. She wrote of it to me: "Its rhythm is called Coco de Roda. This composition has different influences such as indigenous vocal polyphonies, rabeca (traditional fiddle) played in the cavalo-marinho tradition (a kind of street performance) and the Viola (10 stringed guitar) played in the northeastern tradition.

 

The second Song -- Piau -- is her adaptation of a folk song. She writes, "It's rhythm is from our Afrobrazilian ritual called macumba."

 

For more of Michal's world music videos visit inter-muse.com

 
 

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Selda Bagcan at IstanbuLive 4, Lincoln Center Out of Doors

The headliner for this years edition of IstanbuLive 2012 was Selda Bağcan who turned in an impressive, impassioned set. She's been compared to Edith Piaf and Joan Baez, but I think Mercedes Sosa would be more on the mark.

 

It is hard for most of us to imagine the conditions under which Bağcan conducted her early career. A series of military coups in the early 70s took Turkey from a fairly open society in which the youth movement was musically active, to one in which repression and disappearances were rife. Bağcan was arrested and put on trial nine times and imprisoned three times, all for singing songs that sided with the poor and powerless, and for being associated with the Left.

 

 

 

But through it all, her celebrity grew, and as Mehmet Dede, one of the organizers of the festival, said to me "She is one of those artists that I listen to, that my daughter and my son will listen to, and my parents have listened to. She covers all those generations." And indeed, all those generations were represented in the audience, as well as a surprising cross section of New York ethnicities. I was very much taken with the power of her voice, although she professes to having less lung power than in her youth. And it's easy to hear why people relate to her music, as it is both melodic and highly emotional. The song that I've presented here is "Gömdüm Oğul Seni." It is a folk song (although Selda has penned many of her own hits) sung from the point of view of a mother who has seen her young son hanged. From the first notes, the audience roared its recognition, and throughout the concert Selda encouraged everyone to sing along with her.

 

Oğul (Gömdüm Oğul Seni)
My Son (I Buried You My Son)

I buried you my son
I turned the bloody tears into a fountain
I died on your coffin
Break those hands that have hit you my son
I did not get enough of your voice and your height
They put a thick rope around your thin neck
You fell like a rose to the bosom of the ground
Break those hands that have hung you my son
Will a son lost ever be replaced?
Ah my son, my wounds went deep
Look at the works of the wrongdoers
Break those hands that have burnt you my son

 

Selda's band is: Volkan Basaran - Guitar, Kemal Esen - Baglama, İzzet Tokay - Drums
Serdar Donduran - Keys, and ringers Ismail Lumenovski on clarinet and Tamer Pinarbasi on Kanun.

 

My thanks to Mevlüt Akaya for supplementary footage from on stage.

 

For more of Michal's world music videos visit inter-muse.com

 
 

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New York Griot Summit at Wave Hill

The Summer Solstice brought a plethora of free performances in and around NYC, and the one I opted for was the Griot Summit at the Wave Hill Gardens overlooking the Hudson, in the Bronx. Who could resist getting away from the burning pavements of the city to saunter through bucolic splendor while listening to masters of the Griot tradition?

For those of you who are not familiar with the term "griot" (or jali, or jeli, depending on where the griot is from) a quick explanation: the griot is the repository of the history of his or her people, knowing geneologies and major epic songs by heart. Descended through the family line, the griot is not just a musician, but a living library, an advisor, and on occasion, a gadfly. Understanding the function of the griot is a great way to gain insight into the culture of West Africa. But I have started my video with a good description, straight from the horse's mouth, so I'm sure you'll figure it out.

 

 

The day started out with the various musicians scattered around the grounds, so that you could catch solos and larger groups as they performed in lushly green walkways, formal gardens and woodland areas. Then they all gathered for a massive display on the main stage, to get everyone riveted, then up and moving. Personally, I was entranced and dazzled by the regal appearance of the griots. I guess I'm just a sucker for African Formal Wear; all those robes, headdresses and intense colors and bright white against dark skin knock me out. I was also struck by the obvious musical links between what these musicians were conveying in its purest form, and the roots of our own American music: the glissandos, time signatures, the improvisations; it was all there to hear and mark as building blocks of the blues.

 

All in all it was an amazing gathering, and it was a tribute to Sylvain Leroux the curator, Isabel Soffer of Live Sounds, and the musicians, that it all came together so wonderfully well. After all, you can't just assume that Jalis from Guinea are going to play well with Jalis from Burkina Fasso or Mali. But they certainly did here!

 

The day was hot, and this was shooting on the fly -- no way to deal with the light, the sound, the terrain, so I will beg your pardon for the occasional visual burn, bumpy camera work, and some audio distortion.

 

The participating musicians were: Abdoulaye Diabate (Mali), Toumany Diabate (USA), Tapani Sissoko and her mother (Mali), Yacouba Sissoko (Mali), Mamady Kouyate (Guinea), Makane Kouyate (Mali), Ismael Diarra (Burkina Faso), Abdourahmane Mangara (Gambia), Aissatou Kouyate (Mali), Famoro Dioubate (Guinea), Andy Algire (USA), Sam Dickey (USA), Bailo Bah (Guinea), Ibrahima Soumano (Guinea), Mmah Doumbouya (Guinea), Ayiba Doumbouya (Guinea), Bebe Camara (Guinea), Nagna Diabate (Guinea), Hasan Bakr (USA), Zoumana Diabate (Mali), Moussa Diabate (Mali), Anette Lipson (USA), Kewulay Kamara (Sierra Leone), Lankandia Cissoko (Senegal), Yacouba Diabate (Burkina Faso), Sylvain Leroux (Canada).

 

For more of Michal's world music videos visit inter-muse.com

 
 

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A Taste of the Førde Festival, The Musicians of the Nile

This is just the first of what I plan to be several postings about the fabulous Førde Festival in Norway. The festival has already garnered itself an excellent reputation amongst world music aficionados, but should be on the agenda of anyone who enjoys travel and adventurous music. Part of that is due to the spectacular setting, and I advise those who make the trip to plan to explore the fjords all around the area. As press, we were treated to a breathtaking journey from Bergen via rail and boat up to Førde, that I will not soon forget. The other part of the allure is the excellent and canny musical choices of the producers. Torill Falleide and Hilde Bjørkum know what will please their audience, and it's an engaging mix of both unadorned ethnic and eclectic music that is consistently entertaining.

 

My video is from the opening night, and it’s quite literally a dazzler. The various musicians were asked to present their most tantalizing numbers, as the first program of the festival is intended as a menu, giving the audience a sampling of what is to come.

 

 

So the Musicians of the Nile presented a tanoura dance, complete with light show. What made it so amazing was that the light show was inside the costume of the dancer! Some folks questioned the "authenticity" of this but I think that if tiny lights had been around that could be sewn into the costume of the dancer back when it was first being performed hundreds of years ago, it would have been perfectly within cultural standards!

 

The tanoura dance will remind you of the whirling dervish dances of Turkey and they are indeed related, as the sufi tradition is present in Egypt through the Levant and Turkey, and in some forms, even into west Africa. (There are some claims that Sufism actually originates in ancient Egypt, but the majority of sources I have read posit that it was a reaction to, and outgrowth of, Islam.) The music and the whirling is meant to induce a trance, which in turn leads to a union with the divine. The skirts of the dancer are layered, and each color on the skirt represents a different Sufi order. These days this kind of presentation is very popular for entertainment at weddings and other kinds of celebrations. For my part, I was in heaven in a different way -- I'm a fool for colored lights (you should see me at a fireworks display) and I felt like a little kid transported with delight.

 

For information or bookings contact zamanproduction.com
For more of Michal's world music videos visit inter-muse.com

 
 

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Major Events in Syria and the Rest of the Middle East

People run carrying a burnt body at the site of an explosion in Damascus May 10, 2012. Dozens of people were killed or wounded in two "terrorist explosions" which struck a southern district of the Syrian capital Damascus on Thursday, state television said. REUTERS/Sana/Handout


Devastating bombings hit Syrian capital as the blame game continues

 

New TV - Two terrorist bombings rocked the Qazzaz area in the southern part of the capital as workers, students and employees were heading to their schools, universities and workplaces. Syria's Interior Ministry confirmed the two bombings were carried out by two suicide bombers driving two booby-trapped vehicles carrying a large amount of explosive materials, estimated at over 1,000 kg. The preliminary outcome of this terrorist act is 55 martyrs, and 372 injured civilians and soldiers.

BBC Arabic - Tens of thousands participated in demonstrations across different parts of Syria on Friday to demand the downfall of President Bashar al-Assad's regime despite the heavy security deployment of regime forces, according to activists and the Syrian Observatory for Human Rights. Meanwhile, condemnations and international reactions to Thursday's two explosions in Damascus continue.

Algeria holds parliamentary elections amid voter apathy

BBC Arabic - Voters in Algeria are headed to the ballot boxes to cast their votes in parliamentary elections described as "fateful" by the authorities. Over 21 million people are registered to vote to elect 462 candidates affiliated with 44 political parties, and a large of number of independent candidates. However, the election campaign that looked weak did not attract much attention from many people.

Al Jazeera - Algeria's interior minister, Dahu Ould Kablia, announced the results of the parliamentary elections, saying the ruling National Liberation Front won 220 of the 462 seats. The National Democratic Rally received 68 seats, and the Islamists received almost 60 seats, including 48 for the Green Algeria alliance, which came in third place.

Israeli settlers burn hundreds of olive trees in West Bank

Palestine TV - Jewish settlers burned hundreds of trees in the villages of Bureen and Jamaeen in Nablus province with the goal of seizing more land from the Palestinians. It is an expression of their deep hatred for the Palestinian land and people. Over 100 trees were burnt in this area, located three kilometers southeast of the town of Jamaeen. The area between the town and the two settlements of Ariel and Tafuh has witnessed torching operations targeting fruit trees. The two settlements have seized vast areas of Palestinian villages in this region.

Egyptian ex-pats begin voting in Egypt's first post revolution presidential elections

Press TV - Egyptian ex-pats in several countries began voting in Egypt's first post revolution presidential elections.  Ex-pats have until May 17th to cast their ballots in Egyptian embassies and consulates.  The election's front runners took part in the country's frist ever presidential debate.  Former member of the Muslim Brotherhood Abdel Moneim Aboul Fotouh faced former Arab League cheif Amr Moussa over issues regarding Israel and the principles of Sharia law as the main source of legislation.

 

Thousands of Mauritanians declare readiness to kick out President Aziz

Al Alam - The Mauritanian opposition organized a festival in Nouakchott to demand the departure of President Mohammad Ould Abdel Aziz’s regime. The ruling party's deputy chairman, Oumar Ould Matallah, said the people placed their trust in Ould Abdel Aziz, and the president is continuing the path of reforms and combating corruption. The opposition considered the turnout a new referendum on the legitimacy of the regime. The majority says the only way to topple the president is through the ballot box in about two and a half years. Former Mauritania president, Ely Mohamed Vall, who is one of the most prominent figures supporting this movement, described the regime as a failure and finished.

 

Image: People run carrying a burnt body at the site of an explosion in Damascus May 10, 2012. Dozens of people were killed or wounded in two "terrorist explosions" which struck a southern district of the Syrian capital Damascus on Thursday, state television said. REUTERS/Sana/Handout

 
 

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East Meets Lower East Side: Shanren Play Mountain Music at Pianos

 

 

About four years ago, when I was rooting around for Chinese music videos, I was sent a charming animation from a band called Shanren. The song "30 Years" was about the trials and tribulations of moving from the country to the big city to look for work. This is a motif that resonates with all working folks, and I won't even go into the hundreds of great songs dealing with this from the West's Industrial Revolution right through to today. "30 Years" describes what is going on in China currently, as its rapid industrialization is causing a vast shift in population from rural to urban centers. I was therefor already interested when I was contacted by the band's publicist, informing me that they would be playing on the Lower East Side of Manhattan, at Pianos.

The band comes from Yunnan and Guizhou provinces, with members from the Wa and Buyi minorities. The name Shanren means "mountain men." During a chat with James Pang, the band's Chinese manager, he mentioned that the people of these minorities live up in the mountains, are kind of wild living, like to brew their own liquor, and dance.

 

Being a lover of country music and bluegrass, I could not help but start drawing parallels between some of the characteristics of our own folk heritage and what I was about to see and hear. I was not let down. Listen to this music and tell me that you don't hear something that sounds remarkably like our own "Old Timey" music, with its trance-like repetitions. People like banjoist Abigail Washburn have been mining these parallels for years, and you can hear why. (The band even uses something that looks mighty like a banjo!)

The song is called "Left Foot Dance of the Yi".


The Yi people, as I mentioned before, are one of the ethnic minorities of southwestern China. There's a family of songs called left foot dance songs ("kind of Yi party music" their manager Sam Debell writes). This is the band's own arrangement of a very well known left foot dance song. It’s usually a circle dance, but the band adapted it, so they do it in a line (in a circle it must look positively Balkan... but I’m not going to get into that, at least not here).

A sample of the lyrics (xianzi is a stringed instrument):


- Brother play the xianzi.
- Sister sing the song.
- The moon is already risen.
- And we're waiting to dance.

And something from our own repertoire:

"Late in the evening about sundown
High on a hill and above the town
Uncle Pen played the fiddle, lordy how it would ring,
You could hear it talk, you could hear it sing."

To contact the band:
Sam Debell (Asia) at unitysam@gmail.com and +86 152-1027-0868.

 

For more of Michal's original music videos, visit inter-muse.com

 
 

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Celebrate International Women's Day for a Whole Week!
Each year on March 8, women from around the globe celebrate International Women's Day. In some countries, it is even a national holiday. But here in the US, this important day is often overlooked. Well not this year! Beginning on March 1, Link TV is dedicating an entire week to showcasing diverse stories from women around the globe.

LIVE Web Chat with Sister Fa March 4!One such story is of hip-hop artist Sister Fa and her efforts to stop the practice of female genital cutting (FGC) in her home country of Senegal. From her early days as an unpolished music phenom, through a career-reinvention in Berlin, Sister Fa has continually smashed barriers in the male-dominated hip-hop world. But as the stirring documentary Sarabah reveals, her strength of character was forged in a journey of hardship and transformation. Now, with the support of her husband and child, Sister Fa speaks out about her own experience as a survivor of FGC, and travels with her band to rural Senegal, where she launches a music-packed education campaign that culminates in an emotional visit to her home village. Sister Fa will be joining Link for a LIVE web chat following the broadcast and online presentation of Sarabah Sunday, March 4 at 11am PT/2pm ET, to take questions about her story and important work. Questions can be posted in advance here.

These stories are so important, and sharing them is what fosters action and change. So tune in to Link TV (DISH 9410 DIRECTV 375) from March 1-8 to honor women around the globe. You'll see issues and perspectives uncovered and unseen on any other media outlets. Watch as Iranian women activists risk their safety to confront political candidates, and Western women trade their comfortable lives for experiences as Tribal Wives. Find out what it takes To Educate a Girl in Nepal and Uganda, and follow Nigerian doctors, midwives and families to the frontlines of maternal care. And of course -- tune in to the hit Danish drama Borgen, the TV show currently on American airwaves that showcases a female head of state.

For more information on these programs and ways to get involved in Link's efforts to lift women globally, please visit linktv.org/women
 
 

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A Choro Trio in Manhattan

Douglas Lora and Dudu Maia (who I have covered previously) were in town, this time at the Caffe Vivaldi and with Douglas' brother Alexandre playing tambourine. The room was packed, so I only got this one good take out of it. But it's a sweet one!

 


Choro is a kind of urban folk music that grew out of a merging of European and Brazilian sensibilities, and it calls on the player to be agile, inventive and swinging. The emphasis on improvisation makes people compare it to jazz, but if one is going to do that, let's specify that it's a lot more Django than Miles. It's accessible music in every way.

 

Lora is a classically trained and plays a seven string guitar, and Maia also plays an altered instrument, a mandolin (called bandolim, in Brazil) with 10 strings, as opposed to the usual 8. Both are well respected musicians back home, and part of their tours generally consist of choro workshops. They are also part of a full-out band called Caraivana, so look out for that aggregate as well.

 

For more of Michal's original music videos, visit inter-muse.com

 
 

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