Maria Pomianowska Plays the Suka

I met Maria Pomianowska in Samarkand, where she attended the Sharq Taronalari festival as a guest speaker. But as you can see, this woman could well have been not only one of the musicians performing, but one of its finest. I heard her jamming out on the terrace of the Afrasiyob hotel, and immediately knew that I wanted to get her and that unusual instrument of hers alone for a solo videotaping. We found a room between the basement floor lobby and the kitchen that had decent acoustics and was reasonably quiet (considering its proximity to the kitchen). I just said "play" and off she went. The room was not that well lit, so please forgive the somewhat grainy image.

Maria's credentials are impressive. She graduated in cello at the Chopin Academy of Music in Warsaw. There she was granted a scholarship to learn the sarangi under the guidance of maestro Pandit Ram Narayan in India. From 1997-2002 she lived in Japan, and in 1999 she started composing cross cultural works which were commissioned by cellist Yo Yo Ma. In her continuing efforts to find connections between Asian music with her own cultural heritage, together with Dr. Ewa Dahlig and violin maker A. Kuczkowski she managed to successfully reconstruct a Suka from Bilgoraj, which is what you see and hear in this video.

There are many kinds of "fusions" happening in music these days. Maria seems to be her own personal reactor, following her love of western classical music to an equal devotion to Indian classical music, and then adding a dash of Polish gestalt to the mix.

Ms. Pomianawska teaches music and runs a festival of world music in Warsaw. For more information on this amazing woman and musician, click here.

For more of Michal's original music videos, visit inter-muse.com.

(Al Jazeera English: 1146 PST, April 22, 2011) "Great Friday" has been the deadliest day of protests in Syria, with police responding to the tens of thousands of protesters with live bullets and tear gas. Dozens have been killed. Here is some of the video footage of the demonstrations - and violence - across the country. Al Jazeera's Stephanie Dekker reports.

(Al Jazeera English: 1127 PST, April 22, 2011) Rula Amin reports from Damascus.

4REAL is a fresh-faced documentary series with an urban feel that transports you across the globe, connecting with young leaders making a difference in their disadvantaged communities. Series host Sol Guy is joined by some of his celebrity friends--including Eva Mendes, Flea from Red Hot Chili Peppers, K'naan and Joaquin Phoenix--as they learn about an area's culture and history, and volunteer much-needed services with locally-run humanitarian groups, ranging from the Portland Hotel Society in Vancouver's Downtown Eastside to Carolina for Kibera in the Somali-populated slums of Nairobi.

From the City of God favela in bustling Rio de Janeiro to the remote Yawanawa tribe in the Amazon rainforest, the communities we see in 4REAL are challenged by poverty, hunger, disease, addiction, homelessness, and the effects of war. However, the strength and resilience of these people become apparent in the work done by their determined youth. These young visionaries have helped their communities achieve economic independence, have set up medical services and education, inspired and guided their children, and above all, have given their people pride and hope.

4REAL does a great job of familiarizing viewers with each community and the issues at hand through the eyes of the celebrity newcomers, and the stars are paired well with the communities they visit. Sunny SoCal native Cameron Diaz meets with medicine man Puma Singona and his Quechuan youth group Cusi Huayna ("Happy Youth") in the picturesque Andes, while rapper M.I.A.--who spent her early years in the midst of the Sri Lankan Civil War--works with child rights leader Kimmie Weeks to help Liberian schoolchildren, who are themselves war survivors.

Each episode is lighthearted and full of fun, keeping in the spirit of its youthful vibe and hip-hop soundtrack. But occasionally an interview with a local child or volunteer suddenly turns somber, reminding us of how difficult the circumstances truly are, and how much more work there is left to be done.

4REAL is now airing on Link TV, and the episodes are also available to watch online. Check out the 4REAL homepage for tips on how you can help and to learn more about the series. And right now, we're offering a 4REAL gift pack for a donation to Link TV--support the only channel bringing you unique international series like this one!

This post covers a lot of territory: electronica, performance art and hip hop!
Lim Geong was the first person I absolutely knew I wanted to interview when I went to Taiwan, because his work is right up there with the best electronica, and it always retains a strong Asian flavor.  His story is unusual too, in that he started out with huge success as a pop singing star, and rejected that role to, as he says, "go from the front of the stage to behind the scenes."  He has since scored many movies, and even appeared as an actor in quite a few. To me, he's practically a metaphor for what Taiwan has gone through: he expressed the freedom from martial law when he sang his big 1990 hit "Marching Forward" and then followed his star reaching out to the rest of Asia and the world, with music of the digital age.

On the other hand, the gentle acoustic venture "A Moving Sound" is the baby of Scott Prairie and Yun-Ya Hsieh, aka Mia. Mia studied interdisciplinary arts with Meredith Monk in the USA where she met Scott, and together they have  brought the rather Western concept of performance art to the island, bringing dance, theater, music and plenty of audience participation together.

Hip-hop is of course no stranger to Taiwan, but Kou Chou Ching are the pre-eminent conscious rap band there. I first learned about them through their wonderful video "Black Heart", a computer-generated animation based on Chinese puppet theater (still a high art in Taiwan) and flavored with both classical and traditional sounds. But the song is an indictment of amok capitalism that creates the black-hearted businessman, who in turn sends poisonous products into the marketplace. Kou Chou Ching is gradually tuning in Taiwanese youth to the need for more engagement with their world.

The crisis in Haiti has been dominating the headlines since Tuesday's earthquake. Link TV has already given you some ideas of how you can help, and your help, particularly in the form of cash, is urgently needed by the aid agencies working to save lives in Haiti. Now, we've put together this list of some of the best sources for information and news on Haiti. Feel free to add more links to the comment section!

1. Democracy Now! on Link TV
Democracy Now! has been providing impressive coverage of the Haiti earthquake and its aftermath at democracynow.org (click here for broadcast times on Link TV). Today's show reveals a Haiti that is growing increasingly desperate for aid. DN! also looks at angles glossed over by the major media networks, such as the decades of U.S. policies that have contributed to Haiti's terrible poverty.

2. Twitter
The microblogging site Twitter is a natural source for real-time news on Haiti. You can search for all posts in the Twitter-sphere on Haiti, or avoid some noise by trying a Twitter list, such as the ones set up by the LA Times or CNN. You can also look back at Twitter posts from individuals -- like this feed from Christian missionary Troy Livesay -- to see a timeline of the disaster from the perspective of one individual.

3. NGOs
Relief NGOs such as Partners in Health and Direct Relief International have updates on the aid efforts in Haiti. See this blog post for more relief organizations on the ground, and to learn how you can help.

4. Boston.com's Big Picture with Photography from Various Sources
These are photos not for the faint-hearted, but they do convey the true horror in Haiti after the quake struck. Boston.com does a nice job with its photo essays as part of its "Big Picture" series.

5. Global Voices Online
Global Voices, an online network of bloggers around the world, has a webpage with special coverage of the Haiti disaster, including a list of Haiti-based bloggers covering the story.

6. The Miami Herald
Miami has a substantial Haitian population, and the Miami Herald is serving its local community well by providing information in Creole (which, along with French, is one of two official languages in Haiti). The Herald's "Haiti Connect" forum includes a gallery for photos of missing loved ones.

7. Ushahidi - "Crowdsourcing Crisis Information"
This open-source web platform aggregates data on Haiti to support the relief effort. The interface is a little tricky to follow, but it's a great use of the web, compiling user-generated incident reports from the ground including reports of missing persons, emergencies and other threats. The incident reports - such as "Collapsed School", "…Stuck Under Rubble" - will break your heart.

8. New York Times Interactive Map
This map is another great visualization from the New York Times' impressive interactive team, complete with photos and audio.

9. NewsTrust.net
The amount of news articles available on Haiti is overwhelming, but NewsTrust curates the best from the mainstream and independent media. You can weigh in on the quality of the news articles with a review of your own.

10. U.S. Geological Survey Podcast
If you're interested in the science behind this horrific natural disaster, check out this podcast with Michael Blanpied of the USGS Earthquake Hazards Program. Here's the official USGS report on the Haiti 7.0 magnitude quake.

Most people think that Fair Trade is just about a minimum price guaranteed to the farmers. That is a critical piece of the system, but Fair Trade provides many powerful tools for social change – something that no other label or system offers. One of the most significant is the requirement that farmers organize into democratic and transparent cooperatives.

In order to understand what this is about, it is necessary to appreciate why Fair Trade was founded in the first place. In the coffee world, the vast majority of farmers are small scale and indigenous. That means they have little access to information about prices, how the market operates, the needs of northern buyers, access to credit and more. They may not even speak their own national language, but rather their indigenous language. Therefore, they need middlemen to either provide the services for them or buy their coffee outright as cherries picked earlier that day. Since most are physically far removed from the major population or processing centers, they also have to rely on middlemen to get their coffee out of the mountains and into the stream of commerce. As you can see, they are not effective participants in the world market (even though economic models assume that they are), and are at a terrible disadvantage in trying to get a good price for their products.

By organizing into cooperatives, the farmers have the joint buying power to get better prices for farm inputs, they have joint processing power and a greater ability to get information about current prices and market conditions. They get to vote and have a real say (often for the first time in their lives) on the things that impact their families’ health and well-being. The requirement of transparency means that for the first time in their lives they know what they are getting, how much goes into the coop’s coffers, how much everyone else is getting and they can see the impact of the cooperative on their personal and joint bottom lines. Further, the coops provide valuable and often nonexistent social services, such as loans and health care (or at least money to obtain care).

Fair trade coops often pool their premiums together to have a powerful joint impact on their communities. This may take the form of building wells and schools (and believe me, most farming communities are in desperate need of both!) such as we have seen and participated in in Nicaragua, Ethiopia, Peru and elsewhere. Often, it takes the form of purchasing and building upstream capacity – that’s biz talk for buying the plants that process, grade, package and export their beans, thereby keeping that entire income stream in the local community, not giving it away to layers of middlemen. In Ethiopia, our Oromia partners have even created a national bank that takes deposits from non-members, makes low cost loans to members and has creatively diversified the income of the coop.

These are the unique, important and largely unknown benefits of cooperation in the coffeelands, and tens of thousands of farming families have gained better lives as a result. These are the reasons why we have focused on cooperatives and will continue to do so.