I can hear it already: This is not real world music!!!

But wait, aren't the blues "world music?" As Link's resident expert, I say "yes, they are!"  Of course, that's me singing the song I wrote, so I have a vested interest in bending the category (maybe). But no less a luminary that Howard Mandel, President of the Jazz Journalists Association saw fit to carry this on HIS blog. So there. 

Here's the scoop on how this all happened:

Getting laid off because of a recession can really get to you, no matter how busy you make yourself. My partner Bruce Arnold had been writing songs for his new lap steel, and this one, called "Up the Spout" (a Midwestern depression term) just spoke to me. I wrote a melody and words and voilá.

Occupy Wall Street happened right around the time we were shooting the video, so I went down there and got shots of some of the more poignant people and signs... what can I say, they were more sympatico than I thought they'd be, and every one of them could have been you or me. Much has been said against the demonstration, but I for one am glad that someone is expressing the outrage that Americans should be feeling about being used and abused by a system that is badly out of kilter. Do I have the answers? As Mr. Mandel sagely pointed out in his blog: "Nobody should expect policy answers from a blues."

Lyrics to "Up the Spout"

It's a bitter wind, and it ain't no breeze
It shakes the windows and it takes the trees
And it blew me away
I love my work. It's what life's about-
that wind came and blew it all Up the Spout
Yes it blew me away.

Now here I sit... what shall I do
That wind left me here without a clue
Yes, it blew me a way
You were the boss, yet here we meet
Yeah, we both lost on that windy street
Yes it blew us both away

That wind don't care -- we're all just dust
and it' happening to all of us
It's blowing us away
Now with a little luck I'll make it through
But when that wind blows it's gonna come for you too
It's blowing -- It's blowing us away, Up the Spout
Blowing us Up the Spout

For more of Michal's original music videos, visit inter-muse.com.

"Ever since the Arab Spring, many people here have been pining for an American Autumn," says Charles Blow in the New York Times. "The closest we've gotten so far is Occupy Wall Street." For almost four weeks, Occupy Wall Street activists have gathered in Manhattan's financial district to protest corporate greed, corruption, and social and economic inequality, among other things. The movement's website states, "We Are the 99% that will no longer tolerate the greed and corruption of the 1%. We are using the revolutionary Arab Spring tactic to achieve our ends." 

Many disagree. Blow describes the protests as "a festival of frustrations, a collective venting session with little edge or urgency, highlighting just how far away downtown Manhattan is from Damascus." James Joyner at Outside the Beltway states, "What these movements have in common: frustrated youth loosely organized using social media …It's simply insulting to compare the two."

What can the American protestors learn from the more experienced "Arab Spring" protestors? In a Foreign Policy Magazine article entitled "From Tahrir Square to Wall Street," veteran Egyptian protestor Mosa'ab Elshamy offers his advice to the Occupy Wall Street activists on what makes a successful protest movement. Most importantly, Elshamy says, is that protestors have a unified platform. They must first agree on a set of simple and broad demands in order to attract a wide base of support, which is exactly what Occupy Wall Street lacks, according to most critics.  

Almost one month after the start of protests in New York City, the Occupy Wall Street movement has shown surprising staying power. The movement has spread to over 70 US cities and has been endorsed by several labor unions, celebrities, and politicians. But will it succeed in bringing accountability and equity to the US financial system, or will it fizzle as protestors are dispersed by a cold New York winter? 

(Photo: Occupy Wall Street protestor marches up Broadway in New York.  Mike Segar / Reuters)