Palestinians honor the dead returned by Israel

Al Jazeera -  The Palestinian Authority received the remains of 91 Palestinian martyrs, including 12 from the Gaza Strip. For years, the remains were nothing but a number in a mass grave inside Israel. Today, they are reclaiming their identities. And on their tombs, a story of life, revolution, and martyrdom will be written. The oldest remains belong to seven martyrs who carried out the Savoy Hotel Operation in Tel Aviv in 1975. The Palestinian Authority hopes to receive another wave of martyrs in a few weeks.

Angry Egyptian portesters torch Shafiq's campaign headquarters

Al Alam - Egyptians took to the streets to express their anger towards presidential candidate Ahmed Shafiq, who is participating in the runoff round, and possibly becoming Egypt's first president after the revolution. Once again, the revolutionaries took to the squares in different governorates to protect their revolution, which would be at stake if Shafiq won the elections, given that he was one of the figures of the regime they revolted against.

The enraged protestors reached Shafiq's campaign headquarters in several governorates and set them on fire, throwing his campaigns'advertisement materials outside his headquarters in the Dokki area in Cairo, where some of his supporters gathered.

Syria faces diplomatic backlash over Houla massacre

BBC Arabic - The Geneva-based UN Office of the High Commissioner for Human Rights said that in its preliminary investigations, at least 20 of the victims in the Houla massacre, which took place last Friday, were killed in artillery shelling. A spokesman for the U.S. State Department told the BBC that the U.S. administration decided to expel the Syrian charge d'affaires in Washington, Zuheir Jabbour. French President Francois Hollande announced the expulsion of the Syrian ambassador in Paris, and Australia also announced that it has requested the charge d'affaires, as well as other diplomats in the Syrian embassy in Canberra, to leave Australia within 72 hours, all in response to the massacre.

UAE revokes citizenship of seven rights activists

Al Alam -  A United Arab Emirates court issued its final decision, withdrawing the citizenship of seven activists. Another Emirati court is looking into the case of blogger Ahmed Abdel Khaleq, who is expected to be exiled to the Comoros Islands. Media and legal reports indicate that in 2009, the Emirates paid 200 million dollars to the Comoros Islands to issue Comorian citizenship to residents of the Emirates who do not have one, or the stateless who are subject to persecution, abuse and are deprived from citizenship rights. It is a chronic problem in the Emirates and several countries of the Persian Gulf.

Six bomb attacks in Baghdad kill at least 17 people

Dubai - In the bloodiest attacks on the Iraqi capital in weeks, six bombings rocked Baghdad today, killing at least 17 people and wounding dozens. These attacks broke the weeks of relative calm in Baghdad as the country is witnessing conflict inside the Iraqi government over a political crisis that threatens to fuel sectarian strife again. The bustling residential neighborhood of Shuala in the northwestern part of Baghdad was the most targeted by a wave of bombings that also hit the areas of al-Ghazaliya, al-Ameriya, al-Yarmouk, al-Zafaraniyah and al-Dora. As usual, booby-trapped vehicles and explosive devices claimed the lives of dozens of innocent people, and a state of emergency was declared at the hospitals in the Iraqi capital amid today's new wave of violence targeting civilians.

 

Image: A Palestinian woman shouts as others carry a flag-covered coffin containing the remains of a Palestinian militant following a ceremony in the West Bank city of Ramallah May 31, 2012. The remains of 91 Palestinian militants whose attacks killed hundreds of Israelis were returned to the West Bank and Gaza on Thursday in a gesture Israel said it hoped could help revive peace efforts. REUTERS/Darren Whiteside

(LinkAsia: May 25, 2012)
Yul Kwon:
Over in Japan, a new building called the Tokyo Skytree has now claimed the title of the world's tallest tower. Now just to give you some perspective, it's twice the height of the Eiffel Tower. And just as the Eiffel Tower has come to symbolize Paris, the Skytree may one day become synonymous with Tokyo. Here's NHK with the story.

--

NHK World NEWSLINE
Airdate: May 22, 2012

Reporter:
Many of the features of this broadcasting tower can be seen in this country's shrines and temples. For example, if you look at it from certain angles, the tower appears to have both concave and convex curves. But the cylindrical concrete pillar at the center of the Skytree is most noticeable. The column is structurally isolated from the surrounding steel frame. Designers borrowed this idea from traditional five-story pagodas.

When an earthquake happens, there will be a lag so the column and the frame sway at different speeds. Engineers have also installed tremor-absorbing oil dampers between the column and the steel frame. And there's more. The structure's steel beams are twice as strong as those normally used in high-rise buildings. Operators say these measures will reduce the Skytree's swaying by half.

If you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

 

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

 

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

 

Here are the details about the films and when to catch the episodes, on Link TV or online:

 

• Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

 

• The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

 

• We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

 

• Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

 

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

 

* * *

 

Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

When I think about Paris, I normally don’t think about subways. My Paris has sumptuous architecture, great restaurants, high fashion and intoxicating romance. And yet the Paris metro system is indeed the visual metaphor for the intersecting lives of five Parisians in Claire Denis’s latest award-winning film, 35 SHOTS OF RUM. While I missed seeing the city of lights in all its glory, those subway tracks had a mesmerizing effect and had me thinking about life choices and the potential dangers of changing course. There’s romance too, but it’s the kind of romance that causes unspoken internal stress and temporary immobility.

As the story unfolds, we are witness to a critical turning point in the intimate relationship between a father and daughter. As each independently contemplates an inevitable separation (the daughter is a pretty college student with more than one suitor), a melancholy sadness is beginning to hover over both of them. In a relationship where a warm familial embrace can chase away the blues in an instant, the prospect of independence is generating a fair amount of anxiety.

The film’s setting is a middle-class suburb of Paris where the father, Lionel (beautifully played by Alex Descas), works as a train conductor and his daughter Josephine (Mati Diop) is studying the politics of global economies. In the way Denis (BEAU TRAVAIL, CHOCOLAT) quietly captures the ordinary routines of their life together we begin to understand the extraordinary bond that exists between them. The magical quality of the film is found in how well we come to understand the characters despite minimal dialogue and not much narrative. As Josephine prepares dinner she can discern, simply from the familiarity of sounds that Lionel makes when he comes home from work, that everything in their world is just as it should be.

Or is it? Josephine’s feelings for a handsome neighbor, Noe (Gregoire Colin), appear inhibited by her feelings of love and responsibility for Lionel, a widower. At the same time, Lionel gives Josephine conflicting messages about his independence and resilience. Lionel is equally ambivalent about the advances of a former lover, Gabrielle (Nicole Dogue), also a neighbor. In fact, it occurred to me that Lionel might view Gabrielle’s advances as a threat to his relationship with Josephine. Any therapist would have a field day here.

In figuring out the best five-minute clip to share with you, I felt it had to be a moment that showcases Denis’s ability to communicate multiple messages where no words are spoken. In one of the more beautifully choreographed sequences of the movie, Lionel, Josephine, Noe and Gabrielle seek shelter at a café when their car breaks down in a torrential rainstorm. In the following clip, Denis reveals the conflicting desires of each character with the skillful economy of furtive glances and quicksilver expressions of emotion:

 

The theme of inevitable change, and the wariness and pain that can accompany it, is depicted more directly in another intersecting story-- the retirement of one of Lionel’s colleagues, Ruben (Jean-Christophe Folly). A celebration of Ruben’s retirement is really the first step in his downward spiral that finds him incapable of establishing an adequate replacement for work and the friendship of colleagues. Like Lionel, Ruben doesn’t say much but we understand from his sad, hooded eyes and body fatigue that he is confronting a bleak future.

Ruben’s story gave me chills. How often do we see retirement as a celebration when, in fact, the loss of purpose and social interaction is probably a perfect formula for depression? (Note: Another recent acquisition by Cinemondo, the brilliant film DAYS AND CLOUDS, deals with the trauma of job loss and its devastating consequences as experienced by an upper-middle-class couple in Genoa. Highly recommended!).

While the future for Lionel and Josephine is hardly as bleak as Ruben’s, Lionel does conclude that when their changed circumstances are at hand, it is finally time to have those 35 shots of rum. When it happens, my impulse was to simply say: Cheers!

Link's Mosaic and the Mosaic Intelligence Report are on vacation this week, but intrepid Mosaic Producer Jamal Dajani has not been slacking. Dajani has been reporting from Paris on the burqa controversy, where French president Nicolas Sarkozy inflamed his country's Muslim population with recent comments stating that the burqa would "not be welcome" in France.

It wasn't easy, but Dajani was able to interview a French woman dressed in burqa for his latest article in the Huffington Post, and it sounds like Sarkozy isn't winning any friends in France's Muslim communities. You can follow Dajani's interesting updates on this story on Twitter.

For more background, this Al Jazeera English piece gives the "inside story" on the call for a burqa ban in France:

 

Is this anti-burqa campaign really a question of women's rights? (This, of course, coming from the same man caught opening oogling the female form in these photos. Don't you worry -- Obama's wandering eye has apparently been exonerated, according to this ABC News video analysis.) Can France reconcile its values as a secular nation with its growing Muslim immigrant population? We know what Dajani and Sarkozy think -- what about you?