(Russia Today: 0926 PST, March 1, 2011) The reports of Libya mobilizing its air force against its own people spread quickly around the world. However, Russia's military chiefs say they have been monitoring from space -- and the pictures tell a different story.

According to Al Jazeera and BBC, on February 22 the Libyan government inflicted airstrikes on Benghazi -- the country's largest city -- and on the capital Tripoli. However, the Russian military, monitoring the unrest via satellite from the very beginning, says nothing of the sort was going on on the ground.

At this point, the Russian military is saying that, as far as they are concerned, the attacks some media were reporting have never occurred. The same sources in Russia's military establishment say they are also monitoring the situation around Libya's oil pumping facilities.

The culturally rich SONG FROM THE SOUTHERN SEAS, from Kazakh director Marat Sarulu, has absolutely nothing to do with Kazakhstan’s most famous fictional character, Borat. And that’s a very good thing. While the movie has elements of humor, it is the divisive and tragic consequences of racism that are the focus here. As you sort through the rough and tumble among the ethnic diversities depicted—Kazakhs, Cossacks, Russians, Germans and Kyrgyz —it’s hard to imagine how the distrust and prejudice that has existed for millenniums will ever abate.

I saw this movie just after writing my blog about LAILA’S BIRTHDAY, the quietly gripping film that captures the numbing chaos of life in Palestine. However, the scope of the cultural conflicts in Palestine seems dwarfed when compared to the more than 131 nationalities residing in Kazakhstan. Perhaps the most potent conflict is presented in the film’s opening moments when a dark skinned child is born to fair-skinned Russian farmers, Ivan and Marja, who just happen to have dark-skinned Kazakh neighbors. Tensions arise immediately.

But this movie is not actually about the identity of the real father. While Ivan initially rejects his newborn son, Sasha, there is no question about the parents’ love for him. Rather, it is Marja’s family, Russian Cossacks, who taunt the couple about Marja’s alleged infidelity. In one of the film’s especially well orchestrated sequences, Marja’s boorish brother inquires about Sasha and then summarily dismisses him: “he’s really not one of us”.

Meanwhile, Sasha is unaware of the snub since he has run away to live among Kazakh horse herders just beyond the family farm. The film doesn’t reveal why he has left, but the notion of escape is presented as an option that cuts across generations and cultures. And little wonder. The sweeping majesty of the mountains that border the vast Great Steppe is undeniably alluring.

This yearning for escape, however, is not without cost and sacrifice. As Ivan’s grandfather explains in a moving story about their family history, when one chooses to live among people who are culturally different, more is at stake than the wrenching sense of loss by the family left behind. There can be unanticipated challenges, some of them insurmountable. Ivan’s great grandfather, Alexander, who fell in love with a Kazakh woman, had to convert to Islam before her family would accept him. This involved shaving his head, becoming circumcised and adopting a Muslim identity. Not to mention a horse contest with a rival suitor. But that’s the least of it.

In the sequence below, Alexander seeks protection for his family when he learns that the Czar, with the help of Cossack regiments, is committing massacres to combat the Kazakh revolt of 1916. In this Kazakh version of SOPHIE’S CHOICE, a decision must be made about the fate of Alexander’s children—who will be saved and who will perish.  The decision is based on the appearance of the child’s race. The scene, directed with considerable restraint, is a cinematic punch in the gut. Here is Alexander’s plea for his children’s safety as the Russian armies advance.
 

Click to watch film clip

As he concludes the family history, Ivan’s grandfather remarks:  “…what holds life together is not force, Ivan, but love…”.  The comment comes as a surprise in the context of a culturally violent history. But it resonates strongly with Ivan and you sense that he has come upon a turning point in his life.

While it is not long before we see Ivan and Marja running after one another in perceived animosity, they ultimately collapse in each other’s arms after exhausting themselves. This time, however, there are no consequential bruises or black eyes. What may look like domestic violence through the prism of a Eurocentric culture is more accurately an interaction that is farcical and slapstick. The physical engagement is no longer intended to harm; it is an expression of frustration among a people who have been raised accordingly. The director intends that you laugh when they’re done fighting and surprisingly you do. 

Interwoven throughout the film are shadow puppets that comment indirectly on the film’s narrative. They tell the story of a young man’s search for peace. It is a wish to be freed from grief and painful memories. Life may be tough on Ivan’s farm, but he and Marja are resilient, affectionate in their way, and sometimes even joyous. And Ivan’s grandfather certainly knows what he’s talking about when he shares his life lessons on love and war.

U.S. President Barack Obama visited Russia in early July to much media fanfare in the West, but was anything really accomplished? In a carefully choreographed diplomatic dance, Obama met first with Russian President Dmitry Medvedev, and allocated only a breakfast with Prime Minister (and de facto Russian leader?) Vladimir Putin. Clearly Obama hoped, in the Bushian turn of phrase, to "see into the soul" of Medvedev and lure him away from the omnipresent Putin-Sputnik.

But during the visit, the Russian leaders both seemed steadfast in their attempts to slip out of America's crumbling unipolar dominance of world affairs and maintain their own sphere of influence over the former Soviet Union. And although there were some agreements made between the U.S. and Russia on cuts in nuclear arms, at least one prominent supporter of nuclear disarmament, journalist Jonathan Schell, told Democracy Now's Amy Goodman that he found the nuclear agreement between Obama and Medvedev to be "disappointing".

On a lighter note, somehow the trim President Obama was able to mostly resist the temptation of this fantastic Saint Basil's Cathedral cake, featured in this Russia Today report: 

Cake aside, the diplomatic ballet continued earlier this week, as Vice President Joe Biden paid a requisite visit to NATO hopefuls and Russian archenemies Ukraine and Georgia. While Russians merely yawned in the face of Obama's star power, Biden was greeted with adoring crowds in Georgia's capital of Tbilisi, as he drove by "George W. Bush Street" (the former president was always a popular figure in Georgia, due to his support of Georgian independence from their domineering Russian neighbors).

In Ukraine, Biden affirmed U.S. support of Russia's near abroad, rejecting Russia's "sphere of influence" in the region. But it remains to be seen if Washington can back up these words of support with true action. With Russia's civil society and politics drifting back to the authoritarian, stifling dissent from human rights activists, journalists, and competing politicians, the U.S. has some tough decisions to make in dealing with the Russian bear.

As the waves of the financial meltdown pound banks and governments, the human cost is easily lost in the background. From layoffs to shattered dreams, the global crisis becomes a personal crisis. Do we really see how deeply it reaches into the global community?

SOURCES: Al Jazeera English, Qatar; CNN, U.S.; Deutsche Welle, Germany; South Asia Newsline, India; Russia Today, Russia; KBS, South Korea.