If you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

Here are the details about the films and when to catch the episodes, on Link TV or online:

• Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

• The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

• We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

• Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

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Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

(Al Jazeera English: 1532 PT, May 16, 2011) There is a serious and growing rift in Iran between Mahmoud Ahmadinejad, the president, and Ayatollah Ali Khamenei, the supreme leader. Ahmadinejad has reportedly asked the Khamenei if he can resign. Al Jazeera's Dorsa Jabbari reports from Tehran.

(Al Jazeera English: 1356 PT, May 4, 2011) Iranian President Mahmoud Ahmadinejad has ended an apparent boycott of his official duties by chairing his second cabinet meeting this week. While a rift with the Intelligence Minister seems to have ended, another confrontation appears to be developing.

The president's actions are now the cause of much debate. While Ahmadinejad has made no comments about his 10 day absence from his job, it has given his critics reason to question his ability to govern. Al Jazeera's Dorsa Jabbari reports from the Iranian capital of Tehran.

(Associated Press: 0840 PST, February 16, 2011) Iranian authorities stepped up their campaign Wednesday to repress the protest movement in the country, two days after tens of thousands marched in the capital. But reform leaders remained defiant in postings on the internet.

(Al Jazeera English Headlines: 1230 PST, February 15, 2011) Following Monday's protests, in which at least two protesters died, the Iranian government is moving to hold the two opposition leaders who called for the demonstration to be held accountable.

(Euronews: 0600 PST, February 15, 2011) There have been angry scenes in the Iranian Parliament as members took to the floor to condemn anti-government protests at the weekend. State television showed parliamentarians calling for the opposition leaders Mir Hossein Mossavi and Mahdi Karroubi to face trial. Both have been under house arrest for a week after asking for permission to protest.

There was chaos yesterday as thousands of demonstrators took to the streets of central Tehran. At least one person was killed in the unrest, prompted by recent events in Egypt.

(Al Jazeera English Headlines: 0635 PST, February 15, 2011) The king of Bahrain has made a rare appearance on television, offering condolences for protesters who have died in anti-government demonstrations. Two people were killed in clashes with police; the king has also promised an investigation.

Police in Iran confirmed that two people were killed during Monday's anti-government protests in Tehran, but they blame oppositions protesters for starting the violence.

The head of Egypt's ruling military council has issued a decree ordering the constitutional amendment committee to finish its work within 10 days. It's hoped reforms can speed up the transition to democratic rule and subdue ongoing labor protests. Sectors such as tourism have been hit economically due to disruptions caused by anti-Mubarak protests.

And the Italian Prime Minister Silvio Berlusconi is to stand trial on charges he paid for sex with an underage girl and then tried to cover it up.

(Euronews: 0930 PST, February 14, 2011) The opposition has taken to the streets of Tehran, Isfahan, Shiraz, Tabriz, and Kermanshah in Iran in defiance of a government ban. Marching silently at first, thousands of people have answered the call of their leaders Mirhossien Moussavi and Mehdi Karroubi to show their support for the popular uprisings in Tunisia and Egypt.

Bowing to growing international outrage over the imprisonment of film director Jafar Panahi, the Iranian government has now released him on bail. Iranian state television announced that bail was set at $200,000, according to an article published at the Telegraph.co.uk. No further information on Panahi’s release was immediately available.

On March 1, 2010, Jafar Panahi, one of Iran’s most celebrated and influential film directors, was arrested at his home for allegedly planning to make a film about the June 2009 election which returned President Mahmoud Ahmadinejad to office. On Sunday, May 16, while still being held in Tehran’s Evin prison, Panahi began a hunger strike after government officials apparently threatened to arrest his family.

In a letter released by Panahi’s family on May 18, 2010, and published on the website IranHumanRights.org, Panahi stated:  “On Saturday night [May 15, 2010], agents attacked Evin’s Cell 56, forcing me and my cellmates to go outdoors without any clothing and kept us in the cold weather for one and a half hours… They even threatened to arrest my entire family and transfer them to Evin Prison and to send my daughter to an unsafe detention center in Rajaie Shahr.”

On May 3, 2010 Indiewire.com reported that Hollywood’s A-List directors had just signed a petition condemming Panahi’s detention and demanding his immediate release. Signatories included Martin Scorsese, Steven Spielberg, Jonathan Demme, Ang Lee and Oliver Stone. Another petition, organized on Facebook, includes over 150 international filmmakers and is still accruing signatures online.

Panahi was supposed to serve as a juror at the 2010 Cannes Film Festival and his absence did not go unnoticed. His juror’s chair was left vacant for the duration of the festival and Abbas Kiarostami, in Cannes to screen his new movie CERTIFIED COPY, called Panahi’s imprisonment “intolerable." According to the New York Times, Kiarostami also stated:  “When a filmmaker, an artist, is imprisoned, it is art as a whole that is attacked, and it is against this that we should react.”

Another leading figure who played a key role in championing Panahi’s cause was film actor Juliette Binoche, who won Best Actress at Cannes for CERTIFIED COPY. When she won her award, she held up a sign bearing Panahi’s name and said his only crime was “to be an artist, to be independent.”

More About Panahi

Panahi achieved early acclaim with the release of his first film in 1995 —-WHITE BALLOON -- which won a Camera d’Or at the Cannes Festival. When it opened in the U.S. shortly thereafter, it quickly became the most successful Iranian film ever released in North America. The film’s protagonist is a seven year-old girl who wants to buy a goldfish to celebrate Norooz, the Iranian New Year. We see the world through her eyes in real time as she attempts to navigate the “forbidden” Tehran marketplace on her own. Screenplay was by Abbas Kiarostami (THROUGH THE OLIVE TREES) for whom Panahi was an apprentice. Time Out London called the movie an “extraordinary debut feature…of audacious subtlety and simplicity.”
 
After its release, the Iranian government attempted to have the film withdrawn from the Oscar best foreign film category and prevented Panahi from leaving Iran to promote it. Panahi’s second feature, THE MIRROR, received the Golden Leopard Award at the Locarno Film Festival. This film, also dealing with the human experience of social injustice as experienced by children, tells the story of a young girl whose mother fails to pick her up from school. She must make her way home through the chaos of Tehran on her own. Halfway through the movie, the young actress breaks character and asserts that she’s tired of acting and the movie moves back and forth between illusion and reality. In his review, Stephen Holden of the N.Y. Times said the film “…poses the deepest questions about illusion, reality and filmmaking. Its portrait of Tehran is unforgettable.”

Panahi’s most widely recognized achievement in film came in 2000 with the release of THE CIRCLE, a movie that criticized the treatment of Iranian women. Panahi won the Golden Lion, the top prize at the Venice Film Festival, and the movie was hailed as the Film of the Year at the San Sebastian International Film Festival. The film involves the intersecting stories of Iranian women who are struggling with a variety of issues:  giving birth to a girl when a boy was expected, navigating city streets where women are not supposed to walk by themselves, and facing death threats from family members over a possible abortion.  Despite its international awards, the film was banned in Iran.  In the Chicago Sun-Times, Roger Ebert explains:  “…the film is profoundly dangerous to the status quo in Iran because it asks us to identify with the plight of women who have done nothing wrong except to be female.”

More recent films, such as CRIMSON GOLD in 2003 earned Panahi the Cannes Film Festival Jury Award. And in 2006, Panahi’s OFFSIDE won the Silver Bear (Jury Grand Prix) at the Berlin Film Festival. In the latter film, a group of Iranian women impersonate men so they can attend a World Cup soccer match.

Updates on Panahi's case will be posted here.

You might think that Iranians live in total information isolation, and have little idea what is being said in the U.S. and other Western countries. Watching Link TV's documentary "The Dish", about Iran's national obsession with satellite TV, will quickly disabuse you of that notion. And this week, Link TV expanded its global reach when the Tehran Times, Iran's major English-language daily newspaper, reprinted Mosaic Producer Jamal Dajani's latest article in the Huffington Post, "Iraq: Talk is Cheap, Blood is Cheaper". Though the Tehran Times is hardly a progressive, pro-Western media outlet, claiming that "it must be a loud voice of the Islamic Revolution," it does frequently include reports from international news agencies such as the Associated Press, Reuters, and now, even our own Jamal Dajani, to keep its readers informed of outside news and opinion.

If you missed Dajani's excellent Mosaic Intelligence Report from Friday, which expands upon his Huffington Post article on Iraq, we encourage you to watch it below. And to stay updated on what's really going on in the Middle East, follow Jamal Dajani on Twitter, and subscribe to his weekly Mosaic Intelligence Report enewsletter.

And a reminder: to keep Mosaic going, we rely on donations from our viewers. So if you value Mosaic, the Mosaic Intelligence Report and Link's other great programming focused on the Middle East and more, be sure to donate today, in any amount. We need to hear from you!