Selda Bagcan at IstanbuLive 4, Lincoln Center Out of Doors

The headliner for this years edition of IstanbuLive 2012 was Selda Bağcan who turned in an impressive, impassioned set. She's been compared to Edith Piaf and Joan Baez, but I think Mercedes Sosa would be more on the mark.

 

It is hard for most of us to imagine the conditions under which Bağcan conducted her early career. A series of military coups in the early 70s took Turkey from a fairly open society in which the youth movement was musically active, to one in which repression and disappearances were rife. Bağcan was arrested and put on trial nine times and imprisoned three times, all for singing songs that sided with the poor and powerless, and for being associated with the Left.

 

 

 

But through it all, her celebrity grew, and as Mehmet Dede, one of the organizers of the festival, said to me "She is one of those artists that I listen to, that my daughter and my son will listen to, and my parents have listened to. She covers all those generations." And indeed, all those generations were represented in the audience, as well as a surprising cross section of New York ethnicities. I was very much taken with the power of her voice, although she professes to having less lung power than in her youth. And it's easy to hear why people relate to her music, as it is both melodic and highly emotional. The song that I've presented here is "Gömdüm Oğul Seni." It is a folk song (although Selda has penned many of her own hits) sung from the point of view of a mother who has seen her young son hanged. From the first notes, the audience roared its recognition, and throughout the concert Selda encouraged everyone to sing along with her.

 

Oğul (Gömdüm Oğul Seni)
My Son (I Buried You My Son)

I buried you my son
I turned the bloody tears into a fountain
I died on your coffin
Break those hands that have hit you my son
I did not get enough of your voice and your height
They put a thick rope around your thin neck
You fell like a rose to the bosom of the ground
Break those hands that have hung you my son
Will a son lost ever be replaced?
Ah my son, my wounds went deep
Look at the works of the wrongdoers
Break those hands that have burnt you my son

 

Selda's band is: Volkan Basaran - Guitar, Kemal Esen - Baglama, İzzet Tokay - Drums
Serdar Donduran - Keys, and ringers Ismail Lumenovski on clarinet and Tamer Pinarbasi on Kanun.

 

My thanks to Mevlüt Akaya for supplementary footage from on stage.

 

For more of Michal's world music videos visit inter-muse.com

 
 

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World Reacts to Bin Laden Death

(Euronews: 0413 PT, May 2, 2011) World leaders have been reacting to the death of Osama bin Laden. In Kabul, Afghan president Hamid Karzai said that the al-Qaeda leader's killing showed the fight against terrorism should be focused in neighbouring Pakistan. Turkish President Abdullah Gul said Bin Laden's death proved that all terrorist group leaders would eventually face justice. British Prime Minister David Cameron struck a cautious tone, welcoming Bin Laden's death but warning that the threat of terrorism had not yet been defeated.

 

 

(Associated Press: 0606 PT, May 2, 2011) Leaders, experts and citizens around the world are reacting to news of the death of Osama bin Laden in a US military operation.

 

 

(Euronews: 0925 PT, May 2, 2011) Reaction in the Arab world has been mixed. In the Gaza strip, Hamas's leader Ismail Haniyeh was guarded, yet also clear he saw no change for the better coming from it: "If the news is correct, we regard this as a continuation of the American policy that is based on oppression and shedding the Muslim and Arab blood."

 

 

(ITN News: 0724 PT, May 2, 2011) Former UK prime minister Tony Blair responds to death of Osama bin Laden.

 

 

 
 

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Turkey: A Model for the Middle East?

(Al Jazeera English: 0530 PST, February 8 2011) This report from Al Jazeera English looks to Turkey as a possible model for new governments in the Middle East. Turkey has been praised for its balance of democracy, modernity, secularism and religion.

 

 
 

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Turkish PM Calls for Mubarak to Stand Down

(Al Jazeera English, 0400 PST, February 1, 2011) Recep Erdoğan, the Turkish prime minister, has called on Hosni Mubarak, Egypt's president, to listen to the calls for change from Egyptian people. Al Jazeera's Anita McNaught in Istanbul speaks about the Turkish PM's forceful remarks.

 

 

Click here for important background information on the unrest in Egypt.

 

Watch Al Jazeera English's live broadcast stream, online now.

 
 

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Anatolian Melodies, Pop Sensibilities

A few weeks ago, we were lucky enough to have Sertab Erener and her partner Demir Demirkan come by the studio to talk about their latest project "Painted on Water." For those you who are not familiar with them, Sertab is a pop diva from Istanbul, and her rendition of "Every Way That I Can" (written by Demirkan) which won the Eurovision Song contest in 2003 cemented her place in the hearts of the Turkish public. During the time we spent here, one couldn't help but see that the couple truly enjoy each other's company, and the interview went on for quite a while, as they talked about their music, how they met, their work method, and how the "Painted on Water" project developed. This was a tough one to edit, because it was all so interesting.

 

 

I really wanted them to demonstrate how the songs went from Turkish folk to mainstream pop, and they did that and more.


Keep an eye out for more from this very rich interview in upcoming blogposts-- like a performance where Sertab demonstrated her operatic chops and her pop stylings, all in one song!

 

 
 

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A Turkish Delight

I first heard Tamer Pinarbasi play the kanun on our video for Amnesty International "The Price of Silence." Andres Levin, the producer, had him record the first layer of "world music" onto the existing basic track from Aterciopelados. As soon as I heard the results, I was entranced. Tamer just laid down one good take after another, plus it was all tasty stuff.  Later, when I was taping my first blog installment I caught Tamer playing again, with the New York Gypsy Allstars.  This time I was struck by his technique and velocity. He played some great solos, and even his backup (which I sometimes think is as much the measure of a musician as the solos) was great. So I contacted him and last week he gave me a quick interview and performance at our office before running off to a gig in Brooklyn.

 

 

I must say I got a bit hypnotized just looking at the kanun and at Tamer's hands...hope you do too!

 
 

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