I have nothing against the idea of the latest fundraising video for Haiti because the cause is certainly a great one; it's just that I tire of the usual bevy of First World entertainers belting it out. That's why it's refreshing to meet someone like Mark Johnson, one of the founders of Playing for Change.  By now you've all probably heard about this organization through the widely seen globetrotting video of "Stand By Me." The first time I saw it, I thought it was pleasant enough, but what was it for, what was the next step -- what was the substance? Mark clarified it all for me in an eloquent interview, in which he laid out a vision for using music as a catalyst for social change. I've heard my share of pie-in-the-sky blah blah about using music for this or that, but Mark's ideas are not dreams -- they are based on solid reality and hard work.

Can any of us deny that one of our greatest achievements to date is our unprecedented technological connectivity? Playing for Change is not just about making pretty videos. It's about connecting a global community where access to medicine, education, and mutual respect are a given.

I had a conversation many years ago with Christoph Borkowsky, one of the founders of the World Music Expo, WOMEX. At the time he said to me that the music of every nation should be treated as a natural resource. He chafed at the lack of market exposure great world artists got, and was certain that significant revenue streams could result from a level, truly international marketplace. Now that a new generation can access global content with ease, perhaps the idea finally has the proper soil in which to grow. And perhaps the next great musical outpouring of support for a cause will well up spontaneously, from another part of the world, and have a truly international face and sound.

Are you starting to get an idea of how incredibly varied WOMEX is? Here is yet another taste of one of the showcases, this one by the Chinese zheng trio, San Chuan. First off, apologies to all Chinese (Mandarin) speakers who will know right away that my subtitles are not quite in order! But in this case, I think the music speaks for itself. And I think each of these women has such a distinct personality that even my little Flip camera "loves" them.

To fill in a little bit of background on the trio, they were friends to begin with, all studied in the same conservatory and all studied under the same teacher, which made them particularly compatable in every way.

WOMEX 09 Part 4 brings us another performance from this substantive musical event. Yves Lambert and Le Bebert Orchestra turned in a great, tight show -- the band (Olivier Rondeau, Tommy Gauthier, Robin Boulianne and Jean François Déry) was a well-oiled machine, barreling through dance tunes and songs with verve and professionalism.

Lambert himself is an almost legendary character in Quebecois music, having been a mainstay of La Bottine Souriante for years; you can see from his spoken interlude he is larger than life. (And if you are going to play the Stomach Steinway, it helps to have a stomach!) I just wish I had kept the camera rolling a little longer, to catch the rest of the great song that followed that instrumental...

One of the real hits at WOMEX was the band Kenge Kenge. They rocked the hall with traditional Kenyan party music based on the Benga beat. With the exception of the electric bass, it was entirely acoustic, with sweet harmonies and two hot dancers. Hang in till the end of this clip-- it just gets better and better, and you'll be grooving in your chair before you know it!

Yours truly had been requested by management to videotape the whole performance, and I had a perilous perch: just on the apron of the stage, straddling a five foot drop, with one foot on a walkway with rotating spotlights on it, and the other on an inclined plane. Taking a step backwards or forwards meant taking my eye off the band, hence the charming ceiling shot...

Link TV viewers may already be aware of the band Deolinda from their video "Fado Toninho." I was impressed with their CD "Canção ao lado," so I made it a point to video part of their showcase at WOMEX. Although it is tempting to say that the group comes solely out of Fado, as I reviewed my footage I was also reminded of Madredeus, the Portuguese super group -- even though front woman Ana Bacalhau sings in a deeper register than Teresa Salgueiro. (Still, there is something quite bel canto about the sound of each of these songbirds.) The band performed the songs from their CD with precision and sensitivity, and Bacalhau had the audience in thrall. I actually like this rendition better than the one on the CD, perhaps due to the exquisite sound at the venue (provided by the Roskilde festival) which enhanced Bacalhau's rich low resonances.

And of course, my usual apologies for the shaky camera work...it's tough to hold your hand up steady for long periods -- especially when you are getting jostled by the audience!

Just as you can never see every single showcase at WOMEX, it is almost equally hard to take in every booth at the trade fair. Each one has something special to offer: new music to discover, friends to greet, connections to be made, and (yes) parties to attend, because there are lots of little celebrations going on throughout the day. This is the first time I tried to blog the fair, and I have to admit it is only a small sampling of what was going on. But hopefully it does give some feel for the event. It's lively, it's fun and you never know quite what to expect. I decided to give a "most cool booth" award only AFTER I encountered the winners (Country & Eastern)! I thought they were such interesting folks, and their offerings were heartfelt, diverse and original. I think you'll agree.

A symphony of crickets. Now THAT'S world music!

The World Music Expo, or WOMEX, is simply put, a great convention. Besides getting to hear some amazing acts from just about everywhere, it's also a very convivial gathering. And although there are numerous great musicians booked into the formal venues, sometimes the freshest experiences come from spontaneous performances at the stands in the trade fair.

So to kick off my WOMEX blog series, here's one such occurrence.

To set the scene: it was almost time for the trade fair to close. There I was, talking to someone in my booth, and suddenly I realized that a young man had sat down on the floor and started playing an instrument that looked like a cross between a steel drum and a flying saucer. I grabbed my Flip camera and caught the moment.

It turns out that the Hang was invented in Switzerland in 2000. So it's just a baby in the world of instruments. And that also means there's plenty of room for the instrument -- and ways of playing it -- to grow. Rafael has a group called The Art of Fusion, (their CD is called "Rhizomism") and I've put his contact info at the end of the vid.

WOMEX is now just a fond memory - one of the fondest of which was the Swedish band Väsen who turned in a remarkable performance that was a dazzling display of musicianship. In particular, it was a pleasure to see and hear guest mandolinist Mike Marshall and his interaction with Väsen’s guitarist Roger Talroth. I am now in Torres Vedras, a lovely, small city in Portugal that has hosted an international accordion festival for the past five years. I’m here to observe a residency: accordionists Martin Lubenov (Bulgaria), Renato Borghetti (Brazil), and the Portuguese quartet Dançes Ocultas have been preparing to perform together – not separately, but colaboratively. For the past few days, they have been finding common musical ground and the sounds are very exciting. Each musician brings a different orientation to the project: Borghetti’s music is especially rhythmic, Lubenov’s playing is somewhat linear (though both accordionists can play at breakneck speed), and Ocultas creates highly textured, ambient music, so the potential for a well rounded program is very much there. The purpose of the festival is to see how people from different cultures can be united by a single element - in this case, the accordion. I’ve been promised videotape of the festival, so you will soon see and hear what I’m writing to you about.

As promised, I am writing to you from WOMEX in beautiful Seville, Spain, where each night there is a music festival on three different stages. Last night's highlights were A Filleta, an exquisite a capella ensemble from Corsica. Like the medieval European artisans who never thought of themselves as individuals, who subordinated themselves to a greater goal, A Filleta build musical cathedrals. The other hit of the night was the ragged but right, electrified oud played by Mehdi Haddab of Speed Caravan. This band definitely knows how to get an audience jumping. I'm hot on the trail of videos for each band, so hopefully, in a few weeks you'll get to see these two excellent and totally different bands.

For the next few weeks I will be your travelling world music correspondant,  writing my note from Spain and Portugal. First stop is WOMEX, the premiere world music conference, where everyone who makes, sells, and books world music will be meeting, greeting, and playing. It's an amazing event and we always come away from it with loads of DVDs to sort through. Many of the programs and videos that you see here on Link TV were discovered at this wonderful conference. This year there will be performances from some of our favorite bands, like Väsen, and artists like Magnifico and Salamat Sadikova. WOMEX is a forecaster of who is going to be hot in the world music biz for years to come, so stay tuned - let's see who really knocks my socks off this time around. Then I'm off to Torres Vedras, in Portugal, for an International Accordion Festival. I can't wait for that one-- there'll be lots of tango, fandango, Gypsy soul, and plenty of unexpected delights as well. I'll report all of that to you, too!