With the Holidays in full swing, I find myself getting more and more cheer deprived... so we might all need a little energy boost. Here's some super-positive fuel from Blitz the Ambassador from his set at WOMEX 2011 in Copenhagen.

The multi-level Koncerthuset was the setting for four nights of world music of every possible shade, from ethnographic to eclectic. Blitz the Ambassador is surely one of the latter, and one of those hard to categorize artists; he's an amalgam of Ghanaian and Western influences, taking what he likes best from each to create his music and his message. If you think you hear Afrobeat, Hip Hop or HighLife coming off the stage, you're right. It's all there, and the music had the audience swinging and swaying.

"Akwaaba" from Blitz's most recent release Native Sun is a fairly straightforward song, that explains itself.

The Embassy Ensemble provided a tight backup (albeit a few a"brown notes" on the horns... but hey, it's hard to play and dance at the same time) and deserve mention: Ezra Brown on sax, Clemens Braun on trombone, the appropriately named Sydney Driver on kit, Raja Cassis on guitar and Ramon de Bruyn on bass.

To find out more about the artist go to blitz.mvmt.com

For more of Michal's original music videos, visit inter-muse.com

I thought I'd give y'all an upbeat nugget for the holiday season.

I met this lovely duo in Samarkand where they competed for a prize at the Sharq Taronalari festival. They invited me to videotape their rehearsal, which turned out to be lucky for me, as I have not been able to obtain any of the footage from the main stage of the Festival, even though it was promised to me many times over!

I've always had a soft spot in my heart for Malagasy music. And as soon as I heard these two musicians, I knew there was something sweet and special about them. I crossed my fingers that they would get some sort of prize, and they did. Despite the extraordinarily political machinations of the prize-giving, they placed third!

"Talilema" is Talika and Kilema, both from Madagascar, now living in Europe. They are both engaging, lovely people.  And I think you will agree that you can enjoy this informal performance and not miss any amplification or further instrumentation. It works just fine as it is. They should be stars.

The song is about keeping your spirits up through your troubles. Is it right for this time of year or what?

I hope this music brightens your days. Have a great holiday!

To find out more about Talilema click here, or visit their Myspace page.

For more of Michal's original music videos, visit inter-muse.com.

(Guest blog from the director of "The Edge of Joy", originally posted on the PBS NewsHour website)

In the time it takes to read this post, somewhere in the world a pregnant woman will have started hemorrhaging and her baby might soon be motherless. One thousand women die every day trying to bring new life into the world, and this toll is what drew me to shoot my documentary film, The Edge of Joy.

I encountered many of the heartbreaking and hopeful stories that underpin this global tragedy, but it was only through the people, the doctors and nurses of Nigeria that I was able to tell them. The roughly one dozen Nigerian doctors and midwives I worked with closely over the course of making the film, didn't push agendas, or act as obstructionists when I asked tough questions or wanted to follow story lines to their natural conclusions.

Nigeria is better known for corruption and oil production than as the vanguard of fighting maternal mortality, but this small close-knit group of men and a handful of women trusted me not to create an indicting portrait of pregnancy and childbirth in their West African country.

Documentary filmmaking is an art, not a science, and at times during the making of this film, the process was challenging. I always kept my questions dignified and did my reproductive health homework so I could ask informed questions in hospitals and in the communities.

Getting permission to film in such sensitive settings requires government approval, a process that Habib Sadauki, the second obstetrician/gynecologist to be trained in the Nigerian state of Kano, helped me through.

After many meetings with the Ministry of Health and a mutual understanding that I would have a "minder" assigned to me while filming in the north, I was given permission to film in tertiary hospitals and primary health centers.

What I didn't know at the time is that the then Minister of Health Babatunde Osotimehin, recently appointed executive director of the UN Population Fund, had approved the access himself. During his tenure as minister, his office approved some ground breaking research about postpartum hemorrhaging.

I caught up with Osotimehin in May of 2009 at a health conference in Los Angeles. Our scheduled time to sit down and talk on camera kept being pushed back, so I made the bold move of taking over the role of the waitress at the café where he was enjoying a coffee.

Handing him a glass of water, I introduced myself as the filmmaker who had been documenting maternal health initiatives in Nigeria. I kept going on and on and he stopped me and said something to the effect of "you are persistent and persuasive just like they say" and with that got up, and came to sit with me for more than an hour.

We discussed safe motherhood, community leadership for better healthcare and, at the conclusion of our interview he shook my hand and said "your access is continued, enjoy your next trip to Nigeria." My field director and I began breaking down the equipment and she asked why I looked dazed. I said I was not even aware our access had to be renewed.

The freedom to shoot in medical settings was crucial to documenting the harsh realities of giving birth in Nigeria. In the film, blood became a ubiquitous character: women were losing too much of it, there wasn't enough of it when you needed it and midwives were always trying to keep it from flowing.

"Hemorrhage requires that you stop the bleeding and you repair the blood loss. If you don't repair (replace) the blood loss the woman will die," Sadauki told me.

We documented a case of severe bleeding where the midwives were able to manage a patient's hemorrhage with a drug and saline until her husband found a pint of blood and she received the transfusion in time to save her life.

And there are new tools on the horizon. A low-tech first aid device, known as the non-pneumatic anti-shock garment, shunts blood out of the extremities and back to the vital organs in cases of hemorrhage. No magic bullet, but a potential game changer for women giving birth in the developing world and new hope for the health care providers.

After I showed this film recently, I was embraced by a woman in the audience who thanked me for saving the world. Locked in a bear hug with a complete stranger, I thought to myself: "Thank you, but no, I'm not saving the world, I just make films about people who are saving the world."

# # #

Dawn Sinclair Shapiro's documentary film, The Edge of Joy, which was featured on PBS NewsHour in April 2011 as a selection of the PBS NewsHour partnership project with The Economist magazine -- the Economist Film Project -- will premiere on independent Link TV on Friday, October 28, at 5 pm ET and Tuesday, November 1, at 8 pm ET, and will stream on Link TV's ViewChange.org beginning on Tuesday, October 25. The Pulitzer Center on Crisis Reporting, an international journalism organization, has created an online curriculum that accompanies the film to be distributed to high school educators around the country; educators and others can download the film for free to accompany the curriculum at www.viewchange.org.

A message from Link TV's President & CEO, Paul S. Mason:

Like all of you, I have watched the tragedy of famine as it continues to threaten the lives of millions in the Horn of Africa. I've watched and read the news reports, and I've followed the efforts of humanitarian groups and governments as they supply aid to millions of people in need. And now, as we prepare to recognize World Food Day on October 16, the urgency is particularly acute. The world is in a recession, and extreme weather patterns -- drought and more -- will likely increase. Status quo will not be enough to avert further crises -- we must do better.

In recognition of this global crisis, Link TV has teamed up with international relief and development organization, Oxfam America, to produce a half-hour documentary special that examines possible solutions to famine and hunger around the world:

ViewChange: Africa's Last Famine features the story of an Ethiopian farmer, Medhin Reda, and interviews with Francis Moore Lappé, humanitarian, activist and bestselling author of Diet for a Small Planet. The show takes a hard stance on food justice and disputes the notion that famine is simply caused by a lack of food in the global supply. According to Moore Lappé in the documentary, "the world produces more than enough for all of us to thrive...the real crisis is the crisis of human relationships, how we share in power."

I hope you will join us in watching the show online or on Link TV, in spreading the word to others, and in joining Oxfam America's efforts to end global hunger. Please sign Oxfam's pledge and click here for more information about what you can do.

Sincerely,

Paul S. Mason
President & CEO, Link TV

View online:
OxfamAmerica.org or ViewChange.org

Watch Tuesday, October 18 at 11pm ET/8pm PT
DIRECTV Channel 375 | DISH Network Channel 9410

Follow us @LinkTV
#AfricaLastFamine

This week on Link TV, we are airing a week of programming uncovering various global perspectives on food. Visit this page for airtimes, to watch programs online, and to find out what you can do. In addition, we are interviewing key players and partners who work around issues of hunger and food justice. In today’s report, we interviewed Jane Sung E Bai, Director of National Programs for Slow Food USA.

Thanks for doing this interview, Sung E. First and foremost, can you tell us a bit more about what Slow Food USA does?

Slow Food USA is part of a global, grassroots network with supporters in 150 countries who believe that food and farming should be sources of health and well being for everyone and for our planet. In the US, Slow Food USA brings people together through food, organizes them to improve their local food systems, and garners that power to change legislative policies that shape our food and farming system. Slow Food USA has more than 250,000 supporters, and 25,000 members working together in 225 local chapters.

What are a few programs you are currently working on with Slow Food USA?

We are currently developing a campaign to ensure that the next reauthorization of the Food & Farm Bill (the single largest piece of legislation that shapes our food and farming priorities) in 2012 protects and invests in the efforts of those working to make food sustainable, healthy, accessible, and affordable.

While our chapters are running diverse projects to raise awareness and to change people's relationships with food and farming locally, we are specifically supporting local efforts that are focused on improving children's relationship with food (both in and out of the classroom), as well as on providing alternatives to industrial agriculture (e.g. fast food). Such efforts were illustrated by our recent $5 Challenge campaign to take back the 'value meal,' and are part of our long-standing work to promote and to protect plant varieties and animal breeds that are under the threat of an increasingly homogenized food system. We provide resources, trainings, and other forms of support to those already doing this work, and to those interested in initiating a project.

As our network of supporters is sizeable and has varied interests, we regularly run activities that raise awareness of the challenges of our current food and farming system, provide opportunities for individuals to come together with others (especially through eating and growing food), and inspire people to take collective action.

Can you describe what the "Good, Clean, and Fair" Movement is?

Good, clean, and fair refers to food that is good for us, good for those who produce it, and good for the planet. Slow Food USA believes that all are vital to our vision for a different food and farming economy. Workers must be paid fair wages, farmers need to sustain themselves and their families, all people have a right to food that is good for them, and we all have a responsibility to protect our natural resources.

What is the importance of eating "Good, Clean, and Fair" food over factory farmed foods?

There is a correlation among the growth of factory-farmed foods, decreased income for farmers, stagnation/decline of wages, surge in diet-related diseases, and continued damage to our climate and ecosystems, among other socio-economic problems our society faces. Rather than supporting farmers to grow biodiverse non-GMO crops, grass-fed animals, and sustainable practices, factory farming has unfortunately become the solution to feeding people who cannot afford good, clean, and fair food, as well as those who can! This contributes to the massive healthcare costs of nutrition-related illnesses, the contraction of family-run farms and jobs, increased greenhouse gases, and dwindling diversity of food sources -- just to name a few consequences.

We are what we eat. And what we eat is based on the economic and political priorities of government and corporations. Unfortunately, the health of people and our environment is not the priority right now. And it needs to be the number one priority.

Slow Food USA believes that we need to reshape the story of food and farming so that it is one that we can feel proud of and we can be sustained by. Our organization's story includes producing food humanely, treating workers fairly, increasing job opportunities, adequately compensating farmers, preserving (rather than depleting) natural resources, and appreciating food traditions of diverse cultures and communities.

What would you say are the current root causes or main factors that contribute to hunger both within the United States and globally?

The UN has found that the number one factor leading to hunger is access, whether to land for growing or to income for purchasing. The issue is not innovations in farming or distribution. Rather, it is an issue of poverty. In order to eradicate hunger we have to eradicate the root causes of systemic poverty.

Rather than seek to elevate solutions to hunger through supporting communities to grow food and earn a living, the drive often seems to be towards 'cost efficiency' and 'profit.' There is an invisible expense to this drive. Investment in genetically modified foods means a divestment in the livelihood and health of people -- food is not just about nourishment. Food is part of a larger ecosystem, which includes working the land to grow the food that feeds us. We need more farmers, not just more scientists. Study after study shows that we as a global community can in fact produce enough food to feed the world. We produce more than enough food for every human being, yet 1/3 of all annual food production is wasted. We need solutions that are based in values of human dignity, health, and well being.

How do you feel can people help alleviate hunger both on an individual and societal level?

On an individual level, we need to have the awareness that we are all part of the problem, and part of the solution. This means that we need to reflect on our own practices: How are we living? Sharing information (with our children, families, and friends)? Reducing waste? And, how are we supporting the survival of those who are seeking to address hunger? What can we do to volunteer or support (through money or in-kind donations) those organizations that are dedicated to eradicating hunger? You can dedicate a patch of your own garden to a local soup kitchen or volunteer to tend a community garden plot whose produce is donated to a food bank. Get involved in gleaning projects. Reduce waste.

As a society, we must first embrace the responsibility to be part of the solution. Then, we need to make a choice to start doing something with the intention of supporting the eradication of hunger. Each act contributes to the possibility of a greater motion of change.

What role does independent media play in raising awareness about these issues?

Similar to the way that our food system is structured -- largely controlled by a handful of corporations -- so is our media system. This has meant that we are hearing the same stories again and again through mainstream media, and they are sometimes skewed to uplift the interests of those who benefit from the current food system the most. Even as 'healthy living' and 'eating healthy' has taken center stage due to both grassroots activism and political interests, they are conveniently absorbed, and repackaged by the same corporations who contribute to a broken system. What is too often ignored are the root causes for why it is so hard to have access to affordable good, clean, and fair food. It is only through independent media that everyday people can hear other sides of the story -- the stories of those who are most impacted by a broken food and farming system, the stories about root causes. And as people become more aware, they are able to act from a more informed and powerful position. And as more people act, mainstream media will be more compelled to cover such stories.

What changes do you hope to see in the next 50 years?

In 50 years, my daughter will be 54 years old. I hope that she is part of raising a next generation where every day, every child in this country and around the world has a belly full of healthy food that comes from the calloused hands of farmers and workers who are able to live sustainably and peacefully. I hope 54 is the new middle age because domestic and global priorities have shifted to pool together resources and knowledge to eradicate poverty and human-made illnesses. I hope that farming and working in the food chain are embraced as dignified and valuable work. I hope that food continues to be the common ground for breaking bread and building relationships across difference.

How can someone get involved in your organization or work?

First, go to our website -- www.slowfoodusa.org -- or call us at 718-260-8000.

Once you have signed up to receive our communications, you will be able to find a meal to attend or a garden to volunteer at. If you do not find one in your local area, host a meal with some friends or start a conversation about the food system in your community. We also have a fast growing and active Facebook community, blog readership, and Twitter following. If you are interested in doing work related to children and food or alternatives to processed foods, please do not hesitate to contact us and join a community of volunteers who do this work locally across the country. You can also get involved in our national campaign around the 2012 Food & Farm Bill to improve legislation that shapes our food and farming system. By becoming a member, you can join a chapter, start a chapter, and/or keep up with the latest food news; obtain tips on cooking slow food, gardening and buying local; and start advocating for better food for all.

More about Jane Sung E Bai: After 25 years of racial and economic justice and immigrant rights organizing, she embraced food justice when she enrolled her daughter in a daycare that serves low-income children. Dismayed by the Board of Education-provided meals, Sung E made a commitment to prepare her daughter’s breakfast and lunch everyday and to work towards improving access to nutritious food for working people. Along with being the executive director of a community-based organization for almost 12 years, Sung E has held teaching appointments in higher education, been a certified advocate for domestic violence survivors and trainer for grassroots organizers, and served on various leadership bodies of local and national organizations. She believes in the power of everyday people making change every day.

This video has been a long time coming. The back story: I've known guitarist/writer Banning Eyre for years and of course, his and Sean Barlow’s tireless efforts with their baby, Afropop Worldwide. I've followed their travels and travails, and admired their dedication and perseverance. I always wanted to collaborate in some way, and I got my chance when Banning called me up in the summer of 2010 and told me he was going to visit a great guitarist who was in town, to record him for a radio show, and would I like to come along? As we drove up to the Bronx, Banning filled me in on how he had first met Badian, and I got a feeling for why this interview was going to be special for him.

After a rather steep climb up to a rambling house on a hill, we were greeted by the elegantly clad Badian, and his regal wife. Banning set up his gear in the sunny backyard, and recording commenced. As I shot the performance I realized that the technique Badian used was unlike any I had seen before. One hears rippling melodic lines coming out of koras and ngonis, but transferring that sound to the guitar requires a great delicacy and precision utilizing both the up stroke and the down stroke of the "picking" fingers. Badian’s technique is utterly fluid in this way. Thank goodness for a good zoom on my camera; I was able to get nice close-ups of his hands.

Badian was in town for a month playing for the various celebrations within the West African community in the Bronx, which at this point is considerable. I can only imagine how wonderful the music must be at these events. but you will never see this kind of thing covered in Time Out or any publications of that ilk. You just have to be hooked into the scene. Banning and Badian had much to say to each other (mostly in French so I got only the gist of many names, and being brought up to date on everyone's doings), so I just concentrated on shooting. When I got back to my house I reviewed the footage and considered how to use it... for my Huffington Post vlog? As an exclusive here on my own site? To post on guitar sites? I was in a quandary. In the midst of this indecision Banning called to say he had footage of Badian from 1996 that he had been saving for all these years and maybe there was a bigger story to be told. Could I hold off on posting until we could put something like that together?

So I held off for over a year. Banning was off and running with countless Afropop Worldwide projects and trips, and working with his own band, Timbila. But after he returned from a music collecting trip to Egypt, he was back with a vengeance, wanting to get the project up and out. So here it is at last, after hours of footage in many formats sifted through, and condensed into 15.5 minutes.

For more of Michal's original music videos, visit inter-muse.com.

The Black Earth Boys are Justin Adams, Juldeh Camara and Ben Mandelson. The band is an aggregate of two others- with Adams as the link between. Justin and Juldeh -- now touring internationally under the name "JuJu" have recorded two CDs, "Soul Science" and "Tell No Lies."  Camara, who is from the Gambia, is a singer, instrument maker, and master of the ritti, a single stringed, violin-like instrument. Adams is well known for his long association with singer Robert Plant. His great strength is groove; no flashy mile-a-minute riffs, simply a guitar style that FEELS just right, and is an excellent partnering with Camara's flights of improvisation.

Ben Mandelson is not just a fine musician, he is a real life hero of world music. Back when I was first listening to recordings of what would eventually be called "world music" it was Ben's productions I often found myself checking out. Here we see him comfortably supplying tasty fills, textural motifs and rhythmic drive on mandolin. Adams, Mandelson and Lu Edmonds (unavailable for this performance) have their own ensemble "Les Triaboliques," a project that has them gleefully galloping through all the musical influences they have gathered in their past and present lives.

This performance, from Lincoln Center's Out of Doors series took place in Damrosch Park. The repertoire was primarily a melding of American folk and blues with Camara bringing the West African flavor. His ritti at times sounded like a fiddle, and eerily, at times like a harmonica. It was a surprisingly cohesive sound, reminding us once again of the debt that our music owes to African culture. While Adams' gritty voice sang a simpler, countrified interpretation of this Carter Family standby "Sow 'Em on the Mountain," Camara's vocal takes a soaring, melismatic approach. Great stuff.

For more of Michal's original music videos click here.

[Ed Note: This article first appeared as a guest blog post on MediaRights.org]

Can social-issue documentaries play a role in helping to end global poverty?

Link TV thinks so.

Almost one year ago, the nonprofit global affairs media organization and broadcast network launched a project based on the idea that documentary storytelling, combined with social actions and the latest news, could make a meaningful contribution to the challenge of global poverty. The idea became ViewChange.org, an online portal built on the foundation of semantic Web technology that connects documentary stories to news and social actions in global poverty. In other words, in one place, people can watch character-driven stories, read the latest news about issues covered in the films, and then connect directly to action campaigns around each social issue. It’s a site and tool that’s primed for grassroots awareness and action.

The ViewChange.org platform is now a curated documentary hub with more than 400 short- and long-form character-driven documentaries from around the world – and all of them illustrate real progress toward achieving the Millennium Development Goals, which together comprise the world’s “blueprint” for ending global poverty. The portal site now includes the best stories from top global development organizations and filmmakers around the world.

I work on the project in a kind of hybrid role that combines documentary producing, communication campaign strategy and partnership cultivation with top global development organizations, including Devex, InterAction, Save the Children, UNICEF, PSI, Global Health Council, ONE, Comminit, Bread for the World and more. And thanks to the expertise of these groups, combined with the amazing repository of films now licensed to ViewChange.org, we’ve started producing half-hour TV specials in partnership with several top global development organizations – the ViewChange TV series. For each show, the narrative is informed by the expertise and objectives of the partner organization, and the main story and outreach campaign are developed simultaneously against the backdrop of the group’s organizational (and sometimes advocacy) objectives, creating a powerful campaign-style approach.

But one key to the project is simple and so powerful for those in the social-justice community to organize around specific issues – the fully-sharable/embeddable formatting of the acquired films and the final jointly-produced shows. By giving the videos, films and global development shows to groups and blogs to embed and share for their own purposes, we’re offering a tool that’s useful not only in our own campaign outreach, but for others to use in theirs. Interested in raising attention about the connection between climate change and drought in developing nations? Want to support innovative hunger relief programs in poor areas of the world? Need a documentary story that can be used in your own awareness/activist campaign to organize for purposes of advocacy or other goals? Navigating through the ViewChange.org tool provides all of these opportunities.  

Just last week, one of these jointly-produced documentary specials premiered on Link TV (Friday, August 12 and 16) and on ViewChange.org. Working closely with Bread for the World, an anti-hunger advocacy organization, the “ViewChange: Challenging Hunger” documentary special combines filmmaking from Bread for the World itself, along with short films from Oxfam and the Sundance Institute. In this particular show, the organization’s advocacy goals – to use foreign aid more effectively to help poor and hungry people – provide the narrative thru-line.

The call to action is urgent: With more than a billion people suffering from chronic hunger, the timing of potential budget cuts would be particularly devastating to developing nations. And the special debunks a key foreign assistance myth and provides new insight into the ripple effects of chronic hunger: Most Americans believe that about 25 percent of the U.S. budget goes toward foreign assistance, but, in fact, less than 1 percent supports crucial foreign assistance programs—including anti-hunger programs and food aid. The funding is vital to the continued development and management of innovative programs that provide long-term solutions to hunger.

The outreach includes a grassroots campaign to reach out to Bread for the World’s network of thousands of individual members, churches and denominations around the country, as well as reaching out through its college-age hunger activists group. Teams at both Link TV and Bread for the World are working jointly in an integrated strategic communication campaign model that includes traditional media outreach, blogging, sharing the show via embeddable links, outreach to top global development influencers, and social media.

To support Bread for the World’s work directly, check out its fact sheets and advocacy opportunities on its site: Tell Congress to create a circle of protection around funding for programs that are vital to hungry and poor people in the US and abroad.

Follow ViewChange on Twitter @ViewChange and at Facebook.com/ViewChange.

You can watch and share the full show here:

Thirty years after the CDC confirmed the first cases of HIV, millions have died, particularly in developing nations. But there's hope. Innovative HIV prevention programs -- including a peer education program from hair stylists in Zimbabwe and a media campaign promoting male circumcision in Africa -- are contributing to a decrease in the global rate of new HIV infections.

These and other stories of effective programs on the ground in developing nations are showcased in a new TV documentary, ViewChange: HIV Prevention - Looking Back & Moving Forward, that premieres on Friday, July 29, from Link TV and international global health organization PSI (Population Services International). Debra Messing, actor and PSI ambassador, narrates the half-hour show.

You can view ViewChange: HIV Prevention - Looking Back & Moving Forward online at www.viewchange.org.

You can also watch the documentary on Link TV (DIRECTV channel 375, DISH channel 9410) at the following times:

We hope you'll join us in marking this key milestone, and that you'll spread the word about what's working in global HIV prevention.

The Summer Solstice brought a plethora of free performances in and around NYC, and the one I opted for was the Griot Summit at the Wave Hill Gardens overlooking the Hudson, in the Bronx. Who could resist getting away from the burning pavements of the city to saunter through bucolic splendor while listening to masters of the Griot tradition?

For those of you who are not familiar with the term "griot" (or jali, or jeli, depending on where the griot is from) a quick explanation: the griot is the repository of the history of his or her people, knowing geneologies and major epic songs by heart. Descended through the family line, the griot is not just a musician, but a living library, an advisor, and on occasion, a gadfly.  Understanding the function of the griot is a great way to gain insight into the culture of West Africa. But I have started my video with a good description, straight from the horse's mouth, so I'm sure you'll figure it out.  

The day started out with the various musicians scattered around the grounds, so that you could catch solos and larger groups as they performed in lushly green walkways, formal gardens and woodland areas. Then they all gathered for a massive display on the main stage, to get everyone riveted, then up and moving.  Personally, I was entranced and dazzled by the regal appearance of the griots. I guess I'm just a sucker for African Formal Wear; all those robes, headdresses and intense colors and bright white against dark skin knock me out.  I was also struck by the obvious musical links between what these musicians were conveying in its purest form, and the roots of our own American music: the glissandos, time signatures, the improvisations; it was all there to hear and mark as building blocks of the blues.

All in all it was an amazing gathering, and it was a tribute to Sylvain Leroux the curator, Isabel Soffer of Live Sounds, and the musicians, that it all came together so wonderfully well. After all, you can't just assume that Jalis from Guinea are going to play well with Jalis from Burkina Fasso or Mali.  But they certainly did here!

The day was hot, and this was shooting on the fly-- no way to deal with the light, the sound, the terrain, so I will beg your pardon for the occasional visual burn, bumpy camera work, and some audio distortion.

The participating musicians were:

Abdoulaye Diabate (Mali), Toumany Diabate (USA), Tapani Sissoko and her mother (Mali), Yacouba Sissoko (Mali), Mamady Kouyate (Guinea), Makane Kouyate (Mali), Ismael Diarra (Burkina Faso), Abdourahmane Mangara (Gambia), Aissatou Kouyate (Mali), Famoro Dioubate (Guinea), Andy Algire (USA), Sam Dickey (USA), Bailo Bah (Guinea), Ibrahima Soumano (Guinea), Mmah Doumbouya (Guinea), Ayiba Doumbouya (Guinea), Bebe Camara (Guinea), Nagna Diabate (Guinea), Hasan Bakr (USA), Zoumana Diabate (Mali), Moussa Diabate (Mali), Anette Lipson (USA), Kewulay Kamara (Sierra Leone), Lankandia Cissoko (Senegal), Yacouba Diabate (Burkina Faso), Sylvain Leroux (Canada).

For more music from this gathering, click here.