One of the most satisfying aspects of my work is sitting down with farm families and trying to solve a problem creatively. During my last visit to Peru, we were having a discussion with CODEMU (the Women’s Development Council) on how to insure effective participation of the women in the Oro Verde coop’s decision making. Everybody who sells Fair Trade coffee puts gender equity, etc. in their literature, but there are lots of nitty gritty reasons why women don’t fully participate, even though Fair Trade rules require it. One reason is that most of the women have kids, and as every working mom (and dad!) who is reading this knows, it is impossible to participate in a meeting when you’ve got an infant in need of a change or a two and three year old falling down, spilling a drink or crying at the injustice of the sharing impaired. (I remember once when I was a lawyer/stay at home dad I had a three way international call going on while I tried to change Sarah’s diaper- okay, just the tip of the iceberg!).

We came up with the idea of creating a day care program during assemblies, committee meetings and other gatherings of the coop. Now this may seem pretty straightforward up here, but it is not common at all in rural coffee village settings. According to Melba, the head of CODEMU, the social expectation there is that a woman will take care of the kids while doing everything else at the same time, even if it means not being able to stay in a meeting or stay focused. As a result, women are rarely effective participants in these meetings, which determine the nuts and bolts policies and practices that control their economic lives.

We co-created and funded a program to bring in day care providers, toys and a safe space for young children at the Oro Verde headquarters in Lamas. After six months, we found that it was helpful but not great – the women were having trouble finding skilled caretakers who were available for short gigs. As we analyzed the problem, it became clear that the issue was that the coop was only looking for degree-holding social workers or psychologists for daycare, as there is a knee-jerk reaction in many Latin American communities for degrees, hierarchy and licenses.  I suggested getting a list of responsible sixteen and seventeen year olds who could provide short- term oversight and care and who would love to make the money (read: slightly older babysitters!). Although this was a new concept in this rural area, Melba and the women of CODEMU thought it might work. The big annual meeting is coming up in April, so we will see how it works.

Small steps, shared ideas, a little help from your friends. That is how we build community around the coffee world.

Some of the most exciting musical collaborations are happening between jazz, classical and world musicians these days. Musicians have always fed off interaction with other players, but the sheer variety of music that is available coupled with access to international artists has led to some truly exquisite sounds. In the classical world the work of Yo Yo Ma's Silk Road Ensemble and its spinoff collaborations between Kayhan Kalhor and Brooklyn Rider come to mind, and of course, the by now venerable Kronos Quartet and maverick violinist Giles Apap. In the jazz world the same foment is apparent (the kora seeming to be the instrument of choice these days, appearing alongside jazz heavies) and when the world music extravaganza of GlobalFEST blew into town in January, it brought Nguyen Lê's "Saiyuki" with it.

Lê's name is practically synonymous with polyglot music; witness allaboutjazz.com describing his 2006 CD "Homescape" as a combination of  "post-Hendrix rock, Milesian harmon-mute free improv, Maghrebi trance music, Ellingtonia, ambient, a Papua New Guinea vocal choir. . .Delta blues, Vietnamese folk tunes, flamenco, Iranian modes, a Sardinian choir, Australian aboriginal ritual music, French chanson, Gregorian chant, and Indonesian gamelan/gong music." The man is eclectic, and joyfully so.

"Saiyuki," his latest aggregate, is a trio. In it, he has brought together Mieko Miyazaki (Japan) on koto and Prabhu Edouard (India) on tablas. (Lê played his backups in mid to low range to fatten up an otherwise treble sound.) The group's performance was one of the highlights of GlobalFEST, and I'm glad I got a chance to catch it on video, even with the uneven sound, and video quality attendant on these kinds of situations. . .note the shattered glass sound from the bar. . .oh well.

Each player brought so much of their own culture along that at times it seemed more like the music was "jazz enabled," with that form giving the musicians a more liberal harmonic matrix and greater freedom to fly. But the end result was something unusual and hard to classify; I guess "world music" as a term still has its uses.

I have nothing against the idea of the latest fundraising video for Haiti because the cause is certainly a great one; it's just that I tire of the usual bevy of First World entertainers belting it out. That's why it's refreshing to meet someone like Mark Johnson, one of the founders of Playing for Change.  By now you've all probably heard about this organization through the widely seen globetrotting video of "Stand By Me." The first time I saw it, I thought it was pleasant enough, but what was it for, what was the next step -- what was the substance? Mark clarified it all for me in an eloquent interview, in which he laid out a vision for using music as a catalyst for social change. I've heard my share of pie-in-the-sky blah blah about using music for this or that, but Mark's ideas are not dreams -- they are based on solid reality and hard work.

Can any of us deny that one of our greatest achievements to date is our unprecedented technological connectivity? Playing for Change is not just about making pretty videos. It's about connecting a global community where access to medicine, education, and mutual respect are a given.

I had a conversation many years ago with Christoph Borkowsky, one of the founders of the World Music Expo, WOMEX. At the time he said to me that the music of every nation should be treated as a natural resource. He chafed at the lack of market exposure great world artists got, and was certain that significant revenue streams could result from a level, truly international marketplace. Now that a new generation can access global content with ease, perhaps the idea finally has the proper soil in which to grow. And perhaps the next great musical outpouring of support for a cause will well up spontaneously, from another part of the world, and have a truly international face and sound.

Not too long after some 15,000 U.S., British, and Afghan national forces launched the largest attack on Taliban forces since President Obama signed orders to send 30,000 additional U.S. troops to Afghanistan, news broke of the arrest of the second most senior Afghan Taliban commander since 2001, Mullah Abdul Ghani Baradar.

According to officials, he was seized in a secret raid in Pakistan several days ago by U.S. and Pakistani intelligence forces. His capture reflects a markedly changed attitude by Pakistani intelligence toward an insurgent force that the country had allowed to operate with relative impunity for the past eight years.

Stunned by the success of this operation, however, a Taliban spokesman denied reports of Mullah Baradar's capture, saying he was still in Afghanistan, actively organizing the group's military and political activities. 

"Mullah Baradar has not been arrested, he is in Afghanistan, I don’t know who spread the rumor, but it’s absolutely false,” Qari Mohammed Yousef, a spokesman for the Taliban, said in a statement.

Meanwhile, the Pakistani media's response to the arrest of Mullah Baradar has been surprisingly muted.

The arrest made international headlines throughout the day this past Tuesday. But Pakistani newspapers and television channels barely covered the news, with some completely ignoring it. Analysts say the blackout was because Pakistan's government and army have been wary of being perceived as an American lapdog. Any collaboration with the U.S. in its "war on terror" in Afghanistan has become increasingly unpopular in Pakistan since Asif Ali Zardari’s government took power in 2008.

The U.S. and Afghanistan have repeatedly pressed Pakistan to do more to combat Taliban and al-Qaeda fighters operating in its territory. But Pakistan's spy agencies have long been accused of protecting top Afghan Taliban leaders, many of whom are believed to have fled to Pakistan during the U.S.-led invasion, in order to use them as tools to counter Indian influence in Afghanistan when the Americans withdraw.

"If Pakistani officials had wanted to arrest him, they could have done it at any time," said Sher Mohammad Akhud Zada, the former governor of Afghanistan's Helmand province and a member of the Afghan parliament in an interview on Al Jazeera. "Why did they arrest him now?"

Many analysts believe that the Pakistani government has realized that the Taliban is a serious threat to them since an all-out war between the Pakistani army and the Taliban broke out in Swat Valley last year, leaving many civilians dead and hundreds of thousands displaced.

“The honeymoon is over,” commented Iftikhar Mohammed, a freelance reporter and an expert on Pakistani affairs. According to him the Pakistani intelligence apparatus and the army have been complacent in the past in curbing the terrorist activities of both the Taliban and al-Qaeda.

What could this mean for the hunt for Osama bin Laden, who is often said to be hiding along the Pakistan-Afghanistan border?

The answer depends on the information Baradar provides to interrogators in the coming few days.

Baradar was the main link between Mullah Omar and field commanders, and knows of the whereabouts of the Taliban leadership, according to security experts. In 1998, the Taliban regime mulled turning bin Laden over to the Saudi government, but the man who Osama bin Laden once called, “Amir al-Mu’minin”, or Commander of the Faithful, interceded.

U.S. Secretary of State Hillary Clinton has recently said that while the United States backed the Taliban integration program, the offer did not include the group’s top leadership. Earlier, in late January, Geoff Morrell, spokesman for U.S. Defense Secretary Robert Gates, suggested that the United States could not negotiate with Mullah Omar because he has "the blood of thousands of Americans on his hands.”

Could the capture of Mullah Baradar create a domino effect and deliver the beginning of the end of bin Laden, or is this going to be a Tora Bora redux…another wasted opportunity?

Watch the Video

This post covers a lot of territory: electronica, performance art and hip hop!
Lim Geong was the first person I absolutely knew I wanted to interview when I went to Taiwan, because his work is right up there with the best electronica, and it always retains a strong Asian flavor.  His story is unusual too, in that he started out with huge success as a pop singing star, and rejected that role to, as he says, "go from the front of the stage to behind the scenes."  He has since scored many movies, and even appeared as an actor in quite a few. To me, he's practically a metaphor for what Taiwan has gone through: he expressed the freedom from martial law when he sang his big 1990 hit "Marching Forward" and then followed his star reaching out to the rest of Asia and the world, with music of the digital age.

On the other hand, the gentle acoustic venture "A Moving Sound" is the baby of Scott Prairie and Yun-Ya Hsieh, aka Mia. Mia studied interdisciplinary arts with Meredith Monk in the USA where she met Scott, and together they have  brought the rather Western concept of performance art to the island, bringing dance, theater, music and plenty of audience participation together.

Hip-hop is of course no stranger to Taiwan, but Kou Chou Ching are the pre-eminent conscious rap band there. I first learned about them through their wonderful video "Black Heart", a computer-generated animation based on Chinese puppet theater (still a high art in Taiwan) and flavored with both classical and traditional sounds. But the song is an indictment of amok capitalism that creates the black-hearted businessman, who in turn sends poisonous products into the marketplace. Kou Chou Ching is gradually tuning in Taiwanese youth to the need for more engagement with their world.

The dreaded "A-Word" has once again made its way into Israeli media, not by a leftist "self-hating Jew", but by a prominent Israeli politician, the Minister of Defense, who is a decorated soldier and a former prime minister as well. "A" is for Apartheid.

An awful word that evokes awful memories, presumably left behind in the annals of history in places such as Soweto and Cape Town. A word that has invited rage, insults, and attacks against a former US president who received a Nobel Peace Prize.

This past Tuesday, however, Defense Minister Ehud Barak warned that if Israel does not achieve a peace deal with the Palestinians, it will have to become a binational state or be an undemocratic apartheid one if it remains as it is.

"The simple truth is, if there is one state" including Israel, the West Bank and Gaza, "it will have to be either binational or undemocratic. ... if this bloc of millions of Palestinians cannot vote, that will be an apartheid state," Barak said at the Herzliya Conference north of Tel Aviv.

Though rarely used by Israeli leaders in connection to the Palestinians, the term "apartheid" is becoming more common to describe the current reality on the land between the Jordan River and the Mediterranean Sea.

More than two years ago, on the anniversary of the 1947 UN partition plan that would have divided British mandate Palestine into a Jewish and an Arab state, then Prime Minister Ehud Olmert warned of this same scenario. In an interview with the Israeli newspaper Ha'aretz, Ehud Olmert said Israel was "finished" if it forced the Palestinians into a struggle for equal rights.

If the two-state solution collapsed, he said, Israel would "face a South African-style struggle for equal voting rights, and as soon as that happens, the state of Israel is finished".

But veteran Israeli journalist David Michaelis believes that a South African-style apartheid system has already emerged due to Israel's prolonged occupation of Palestinian territories.

"What Ehud Barak intended to do is to send a stark warning that Israel is heading towards a binational situation; however, we are already in a binational situation, and an apartheid system that's working very well for the Israeli military and government."

Five years ago David Michaelis and I jointly interviewed Palestinians and Israelis about the prospect of a binational state. Most Palestinians we spoke to then were thinking of independence and most Israelis were thinking of separation. At the time, the Israeli government was frantically building the Separation Wall, and only a handful of Israelis entertained the idea of binational coexistence. One such person we interviewed who predicted what Ehud Barak is currently cautioning of was Meron Benvenisti, a former Deputy Mayor of Jerusalem.

Benvenisti has recently published an elaborate article in Ha'aretz chronicling how Israel became a de facto binational regime.

"The attempt to mark the settlements, and the settlers, as the major impediment to peace is a convenient alibi, obfuscating the involvement of the entire Israeli body politic in maintaining and expanding the regime of coercion and discrimination in the occupied territories, and benefiting from it," he argued.

According to him, the violent events of the (second) intifada brought the Jewish-Israeli public to a crossroads in relation to their neighbors-enemies. Benvenisti argues that Israeli-Jews turned their backs on the Palestinians, erasing them from their consciousness and imprisoning them behind impenetrable walls, and became willing to congregate in a ghetto and pray that the Mediterranean might dry up or a bridge be built to connect them with Europe.

"This mentality is manifested in two, recently constructed, architectural monuments whose symbolism transcends their functional value: The gigantic Separation Wall and the colossal Ben Gurion air terminal. The former is meant to hide the Palestinians and erase them from Israeli consciousness and the latter serves as an escape gateway."

David Michaelis concurs and believes that most Israelis prefer to live in denial and avoid the subject of apartheid.

"The peace process is a misnomer, and the word occupation is misleading because it's really about systematic control."

How long can Israelis live in this denial and pretend that apartheid-like conditions do not exist?

Well you've heard the expression, "If it walks like a duck and quacks like a duck..."

Article first published on the Huffington Post

Watch the Video

Every time I visit a coffee village I hear the same question: why is the price of coffee to us farmers so low? Why is there no relation between the costs of production and a reasonable (if any) profit and the price we get for our beans? These questions apply to 99% of the coffee in the world, fortunately not ours. But here is the answer, from my perch atop a waterfall in northern Peru:

In New York City, half an earth away  from the coffeelands, a room full of overcaffeinated young men (who’d probably never heard of Yirgacheffe or Atsabe) are shouting themselves hoarse bidding down the lifeblood of rural coffee farmers. In the middle of this room is the circular trading floor of the New York Board of Trade (NYBOT), known to its denizens as “The Ring.” Here, investment houses, banks, financial speculators and large coffee companies bid on the future price of coffee. For the companies, the goal is to insure a future supply at a known price – a necessary planning tool for a business based on an agricultural commodity. But for the rest of the frenzied traders the point is to make a profit on the “float” between what they pay for coffee futures and what they hope to sell them for later. For two centuries, coffee had been a dull commodity, traded on a somnambulant market. Yet somewhere in the last decade, it had morphed from a morning brew into a raging speculative commodity on the trading floor.

In this wired world, these Lords of the Ring are supplied with up-to-the-minute financial, political, meteorological and other data from an army of consultants. An early frost in Brazil? The flowers necessary for the budding coffee fruit to develop could wither and die, shrinking the coming harvest. Supply down, price up; bid two cents more for March deliveries. A rumored peace deal in Colombia? Easier deliveries in three months; hold off and let the price drop. The rumors and intelligence are translated into Buy and Sell orders, little slips of paper carried across the floor by the Runners, the traders-in-training. Their street clothes covered in tunics carrying the colors of their houses, the Runners grab the slips from the phone and computer banks owned by the Lords and race them down to their warriors in the Ring, who scream out their offers to buy for a penny more or sell for a penny less. These players make the prices rise and fall in an incestuous system unrelated to the true cost of growing and processing the crop, and with no consideration at all for the needs of the growers to feed their families and keep their kids in school. As one trader told me:

“Traders are not guys with moral fiber when it comes to the conditions of the farmer’s lives. We’re seeing money and we’re making money."

It always amazes (and angers) me that when the market price determined by the Lords of the Ring goes up, roasters and retailers are quick to raise their prices to the consumer. “We have to charge the replacement value of the coffee” one broker told me. But when the world prices go down, these same brokers and buyers never drop their prices.

To me, Fair Trade is not just a formula to keep the price at a level sufficient for the farmers to rely on to improve their lives, it is a deeper commitment to social change that challenges the basic assumptions about the market and the human relations that lie beneath the surface.

While I sat above that waterfall, the market price dropped below 60 cents per pound - the price it costs a farmer to grow and harvest the coffee. From that day forward, each pound produced would drive the farmer who grew it deeper into debt and bewildered despair. For half a decade to come, farm families would suffer malnutrition and infant mortality would soar. At the same time, corporate profits were about to rise to historic heights, as the Lords of the Ring made their killing.

We tend to think of Taiwan mostly in terms of its relationship to China. But there are eleven different aboriginal tribes still dwelling on Taiwan, some going back 7000 years.  Amazingly each one of the tribes is distinctive from the others in customs and language. What unites them is their common marginalization, as various successive powers have attempted to "normalize" them into the ruling or majority culture. Many have held on to their identities, and still live in the mountains, valleys and plains of the island. Inka Mbing, an Atayal, was forced to leave her village at a young age in order to make a living in Taipei. But a lifetime later she is at the forefront of preserving the culture of her tribe. Her voice can be powerful and heartbreaking at the same time, and she is not without adventure, as I heard that she and the Nanguan singer Wu Hsin-fei (see Taiwan Journey Part 1) have been known to jam, and wonderfully, too. By contrast, the rock band Totem is made up of young bucks from different tribes -- Paiwan, Ami and Taitung -- and they have an unapologetically commercial sound. That's okay, it's what they love, and the songs -- which can be about leaving home for the city, or the pleasures of tribal life -- also retain some of the melodic elements of their folk music. They've had some decent recognition at home, and won the music competition at the Ho Hai Yan Rock festival in 2004. In the lead up to that, they were part of the documentary "Ocean Fever." After listening to their records, which have quite the "wall of sound" production, I think I can safely call my video "Totem Unplugged."

There is no way that I could have covered all the different aboriginal music in Taiwan in the five days I was there. Suffice it to say that if any of this music piques your curiousity, there's plenty more to be heard! I recommend checking out the catalogues of Trees Music & Art, Wind Music, and David Darling's striking recordings with the Bunun tribe, "Mudanin Kata."

My thanks to the very knowledgeable David Chen for his commentary.

(Dean is currently in the field in Peru. Stay tuned for a new blog upon his return. In the meantime, here is Dean's Beans' 2009 Year in Review and a sneak peak of what's in store for the year to come...)

We don’t have to tell you how rough 2009 was. All of us had to struggle with a decimated economy, lost jobs and demolished savings, a polarized political system and a swine flu epidemic. Whether it was people’s desire to brew coffee at home instead of paying a tuition’s worth for a cup at those chain stores, or folks looking for a company that reflected their values and they trusted, we actually grew in 2009. In recognition of our good fortune, we gave away over a thousand pounds of coffee to folks who you told us were having a rough time due to the economy and otherwise. We committed to supplying all the coffee needed all year long to the overburdened Amherst Survival Center. We even got our coffee back from those Somali pirates.

At home we started a new program with Somali refugee women in Massachusetts to create an economic base for them. Our reusable grocery tote project was so successful that we had to suspend it after a week. We will be back on it as soon as “the ladies” (as they call themselves) crank out more bags made from the burlap bags our coffee arrives in. After twenty years of false starts, this is the first successful economic development program in this community. Congratulations, Walaalo Sisters!

Internationally, we kept our promises and our programs with our farmer partners. This was not easy. The dollar fell to record lows internationally, which actually forced up the price of coffee. In most of the coffee world that didn’t mean more money to farmers, only to the exporters. But for us it meant more money for the farmers themselves and no passing it on to the consumer. That’s how we do business regardless of convenience or cost.

Here is an update on some of our People-Centered Development work in the coffee lands:

• Peru – We are working hard with both our partners in Peru, Pangoa and Oro Verde. In Pangoa, our Restoring the Sacred project keeps growing, having reforested with local trees and local knowledge a large part of the deforested sacred lands of the Ashaninkas peoples. Our Women’s Loan Fund continues to offer the only credit available to coop women, and our latrine program (with our logo on the doors! Talk about off the wall marketing!) continues to, uhh, blossom. Additionally, we have supported the travels of General Manager Esperanza Castillo to international events so that she can tell the story of women in coffee to the world. Powerful stuff.

• Colombia – In Colombia we have dedicated our program to supporting indigenous self-determination and the maintenance of sacred knowledge.  We have helped start a land re-purchase program that brings communal land back into the fold after years of government programs that saw the land base shrink. We are also supporting a new initiative to bring Elders of the four tribes of the Sierra Nevada together to walk the sacred spots around their mountains (the “Heart of the World”) and teach the knowledge to the next generation. Additionally, through the Coffeelands Landmine Victims Trust, we are supporting meaningful job training for coffee farmers disabled by explosives in the on-going violence in this country.

• Guatemala – We continue to support the great programs of APROS, the women’s health collective on Lake Atitlan, including new programs with the women’s teen daughters. This is the first girls-training-girls program in Central America and is powerful and successful in self-esteem building and small scale income generation for scholarships.

• Nicaragua – Our work with Prodecoop continues as it has for sixteen years. Last year we worked on the design and funding of a farmer-owned café/roasterie, modeled on our successful project in Leon, Nicaragua that supports land mine victims. We also sent volunteers down to assess educational needs, which we will continue to do this year as we evolve a new program for needs assessment on the farm level and how best we can participate.

• Kenya – We keep struggling against corruption and inefficiency in the government to help farmer coops get fair trade and organic certification. We established an organic demonstration plot in Embu so that the farmers could see the real results of going organic. We held a training in Fair Trade and organic techniques that drew a roomful of farmers representing ten thousand coop members. We are designing an Internal Control System with Rianjagi Coop to help it become the first Kenyan coop to get organic certification. At the same time, change comes very slowly in Kenya.

• Rwanda – Our groundbreaking Men Overcoming Gender Violence trainings last year were so successful that the UN funded some of the farmers who had received the training to go share their work with other cooperatives in Rwanda. This is a groundswell of work in a land so torn by gender violence. We have also begun a weaving project with women genocide survivors at COOPAC cooperative, starting with coffee canister sized baskets with “Dean’s Beans” woven into them! Available soon!

• Ethiopia – This year we brought water directly to the new school in Negele Gorbitu. We also paid the salary of the new teacher at the school (three times the salary of the government supplied teacher, but three times the quality as well!). We are still in the planning stages of a farmer owned and operated well drilling company.

• East Timor – Working both with and against the system in East Timor, we managed to create the first direct relationship in the coffee industry with a village level farm coop, in Atsabe, Ermera District. This has allowed us to be able to put our profit share and development assistance directly into the farmers’ hands and assure accountability and impact. Our first project was to supply 200 fair trade soccer balls to the President’s Youth Anti-Violence Initiative, giving young Timorese their first insight into progressive business and hope. We are working to establish a recording studio for young Timorese musicians and a farmer owned and operated café/roasterie. We hope our example will lead other companies to buy directly from farmers in East Timor.

• Papua New Guinea – This is one distant and difficult place to work! We continue to provide organic certification and training to farmers we buy from, as well as to fund the microloan program.

Some of our really exciting new programs for 2010 include:

• The creation of a Bulletin Board, where farmers post their needs (“experienced electrician”, “English teacher”, “computer help”, etc.) and our customers (that’s you!) step up and volunteer to help out. Still working out the many bugs in this one but it will be the best thing we’ve ever done!
• Dean’s Constitutional Convention – help us design the progressive company of the future! (I ain’t getting any younger!). No progressive founder has ever left a company that really sticks to its ideals. Can we?
• Coops Supporting Coops – We are putting together a program where our cooperative customers can choose which projects they’d like to support from their purchases. It will be a great way for coops here to connect directly with coops there.

We’ll keep providing great coffee at reasonable prices, great opportunity for the farmers and increased opportunity for you to participate in making the world a better place. Really.

I recently returned from a trip to Taiwan, where I checked out the local music scene. Taiwan has a very layered cultural history; when I was growing up the country was called Formosa, a name given to it hundreds of years ago by Portuguese sailors. Taiwan was colonized by the Japanese, who left a profound mark, and most obviously, there is a huge Han Chinese population there that migrated in two major waves, one early, beginning in the 1600s, and another later during the 1940s and 50s under Chiang Kai-shek. There is also an aboriginal population, and although they have been marginalized like many of the aboriginals of the world, their music is increasingly being sold and enjoyed.

For my first installment, I'm going for the throat -- with an à cappella performance by a Nanguan singer. (Usually this music is performed with an ensemble of string, wind and percussion.) I had been told that there was a very adventurous Nanguan singer named Wu Hsin-fei who was doing all kinds of collaborations with western and aboriginal musicians. When I set up my appointment to videotape her, she requested that it be in the studio of a master ceramist, so we drove up into the mountains (Taipei is surrounded on three sides by mountains, the fourth side being a harbor) and I found myself in another world.  I hope you will see and hear what I mean. So much of how we perceive music is learned, so you may need to "reset your brain" when you listen to this.  But I also think that her performance is so riveting, and I was able to get so close up, that you will be drawn into this very special experience. Personally, I find that it calms me immensely.

One of the artists I interviewed said that Taiwanese (or in this case, Chinese in Taiwan) music is about time and space. I tend to agree with that, and will go one step further: it has been so refined over the hundreds (sometimes thousands) of years, that it has retained only the most abstract essence of music. For me, it was akin to listening to a Western minimalist piece. And all you singers out there -- check out her tone production!

Here is some background information about the artist:
"Ms. Wu Hsin-fei has had formal training in Nanguan music and has performed with traditional Nanguan ensembles. Over the past few years however, she has started to sing some of the most famous ballads of the repertoire à cappella. More recently, for her new CD, she has chosen to sing Tang dynasty poetry - till now not part of the Nanguan repertoire, together with solo instruments such as pi'pa, flute, guqin and Arabic oud."

I can't wait to hear that CD!
In the coming weeks I will be posting performances and interviews with Taiwanese musicians, journalists and record people and I hope that you will find it to be as fascinating as I did.