If you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

Here are the details about the films and when to catch the episodes, on Link TV or online:

• Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

• The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

• We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

• Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

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Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

From an entire night of a capella magnificence and magic at DROM, comes this praise song for inventor Nikola Tesla. (Surprise of evening was the presence of Debbie Harry in the audience.)

Here are Svetlana's notes on the song:

"The song in honor of Serbian Scientist Nikola Tesla, made by my old godfather Milan Bilbija from Cirkin Polje, Prijedor, Bosnian Krajina. He died in 2008. Melody made by Svetlana Spajic."

The brief shot of the overhead image of the gusle, the Serbian instrument upon which the epic singers (guslars) play, with image of Tesla, is the property of multi-instrumentalist Darco Macura, who I finally met face to face along with Svetlana, in Belgrade in 1997. I had used several of his musical performances in a compilation of music I was producing. He was also Svetlana’s first mentor.

Lyric translation by Svetlana Spajic:

My soul is in pain, but I sing this song, I sing the song from Nikola Tesla

Oh Nikola, brilliant and smart, you invented electric power, magnetic waves and transformers

Oh Nikola if you'd lived longer, you would have made electric power from the sun. Where are you now?

Where are your New York doves? Does the new America remember you?

Scientists don't care for monuments; yours, Nikola, stands at Niagara Falls

Oh Nikola, from the village of Smiljan, the gusle is adorned with your image

Oh Nikola, it doesn't matter that you are a Serb, the generations of the world will remember you

For more of Michal's original music videos, visit inter-muse.com

The brainchild of John Kruth and Jeff Greene, TriBeCaStan is a whimsical melange of timbres, textures, and tunes (Oh my!) and a very fun outlet for all the musical eclecticism of its founders.

During APAP week I ventured to the East Village to the Duo Multicultural Arts Center, which has a historic old theater in the East Village, where Greene (who  has a mural restoration company) had snagged a night to showcase the band. The wine flowed, folks schmoozed and we were treated to a high energy night of musique trés intérresant, complete with dancers. I've chosen the first song "BedBugs" to present here, even though it got off to a bumpy start -- and apologies for the camera's audio, there isn't much sound separation. But as I like to say, "Ya can't make chowder without a clam or two, but oh my my it's a tasty stew!"  You'll get the idea.

For more on the band visit: www.tribecastan.tv

To see a TriBeCaStan tango, click here.

TriBeCaStan is John Kruth Jeff Greene, Claire Daly, Todd Isler, Kenny Margolis, Boris Kinberg, Chris Morrow, John Turner, Dave Dreiwitz, and Mike Duclos

For more of Michal's original music videos, visit inter-muse.com

With the Holidays in full swing, I find myself getting more and more cheer deprived... so we might all need a little energy boost. Here's some super-positive fuel from Blitz the Ambassador from his set at WOMEX 2011 in Copenhagen.

The multi-level Koncerthuset was the setting for four nights of world music of every possible shade, from ethnographic to eclectic. Blitz the Ambassador is surely one of the latter, and one of those hard to categorize artists; he's an amalgam of Ghanaian and Western influences, taking what he likes best from each to create his music and his message. If you think you hear Afrobeat, Hip Hop or HighLife coming off the stage, you're right. It's all there, and the music had the audience swinging and swaying.

"Akwaaba" from Blitz's most recent release Native Sun is a fairly straightforward song, that explains itself.

The Embassy Ensemble provided a tight backup (albeit a few a"brown notes" on the horns... but hey, it's hard to play and dance at the same time) and deserve mention: Ezra Brown on sax, Clemens Braun on trombone, the appropriately named Sydney Driver on kit, Raja Cassis on guitar and Ramon de Bruyn on bass.

To find out more about the artist go to blitz.mvmt.com

For more of Michal's original music videos, visit inter-muse.com

I thought I'd give y'all an upbeat nugget for the holiday season.

I met this lovely duo in Samarkand where they competed for a prize at the Sharq Taronalari festival. They invited me to videotape their rehearsal, which turned out to be lucky for me, as I have not been able to obtain any of the footage from the main stage of the Festival, even though it was promised to me many times over!

I've always had a soft spot in my heart for Malagasy music. And as soon as I heard these two musicians, I knew there was something sweet and special about them. I crossed my fingers that they would get some sort of prize, and they did. Despite the extraordinarily political machinations of the prize-giving, they placed third!

"Talilema" is Talika and Kilema, both from Madagascar, now living in Europe. They are both engaging, lovely people.  And I think you will agree that you can enjoy this informal performance and not miss any amplification or further instrumentation. It works just fine as it is. They should be stars.

The song is about keeping your spirits up through your troubles. Is it right for this time of year or what?

I hope this music brightens your days. Have a great holiday!

To find out more about Talilema click here, or visit their Myspace page.

For more of Michal's original music videos, visit inter-muse.com.

Yul Kwon, host of Link TV's LinkAsia, recently did a Red Chair Interview with CNN, in which he shares some key experiences in his life. Along with his on-air interview, Yul ellaborates further in an eloquently written essay posted on the CNN blogs about his Korean background, explaining how he turned to a career in television to overcome social stereotyping of Asian-Americans in the media and come to terms with his own cultural identity. Both video and essay can be seen here. Below is a moving excerpt from his essay:

"My parents immigrated to the United States from South Korea in 1970 with big dreams, but little money. Since they couldn't afford to put my brother and me in daycare or preschool, they encouraged us to watch television as a way to learn English. Every morning, my brother and I watched "Sesame Street" on PBS, which taught us how to count and recite the alphabet. Not only did our TV become another caregiver, it became the primary medium through which I learned about the world. It allowed me to see and experience things I'd never seen before.  It helped me imagine a better future for me and my family. I studied hard and eventually made my way to Stanford University and then Yale Law School. For a poor kid like me, television helped provide the inspiration and vision I needed to realize the American dream.

But as much as television was a source of empowerment and inspiration, it was also a powerful source of constraint. Television defined the way I saw myself and my relationships with other people, and I didn't see a lot of people who looked like me. Asian-American characters were few and far between, and for lack of better alternatives, my favorite childhood hero was Big Bird. He wasn't real, of course, but I didn’t care. He was nice, had lots of friends and was yellow -- and hence, clearly, Asian..."

Read the complete blog post on CNN here.

About Yul Kwon

Yul Kwon is the host of Link TV's original Asian news program LinkAsia. Yul has had a diverse career spanning law, business, technology, and media. Although his multifaceted professional experience spans almost two decades, his rise to international acclaim began in 2006, when he became the first Asian American to win the CBS reality show, Survivor.

Prior to his Survivor victory, Yul held positions at both Google and McKinsey & Company. As an attorney, he clerked on the 2nd Circuit Court of Appeals, practiced law at Venture Law Group and Wiltshire & Grannis, worked as a legislative aide in the US Senate, and most recently served as Deputy Chief of the FCC's Consumer and Governmental Affairs Bureau.

The Sharq Taronalari festival/competition takes place every two years in Samarkand and draws artists from all over the word with an obvious concentration on Central Asia. Personally I do not approve of musical "competitions" but that reservation can be overlooked given the spectacular setting of the Registan for the main venue, and the opportunity to experience the Uzbeki culture and people. This year saw Jivan Gasparyan the younger win the UNESCO prize there. He gave a wonderful performance for which the festive lights in the Registan were hushed to a dreamy ultramarine blue.

The name of Jivan Gasparyan (Sr.) has been synonymous with Armenian duduk for over 60 years. His exquisite tone, control and interpretations have garnered him countless accolades. Now in his eighties, he had the pleasure of being in the audience during his grandson's award-winning performance.

The duduk is a simple instrument; but deceptively so, in that it requires an embouchure (and diaphragm) of steel plus circular breathing to elicit its haunting, cool sound. The younger Jivan has all these attributes, as well as technical agility, as this piece demonstrates.

I was covering the festival, toting my trusty camcorder, and had the good fortune to arrange this spontaneous shoot with Gasparyan Jr. in a room just adjacent to the hotel kitchen. My thanks to his two stalwart accompanists, and to my various friends who guarded the doors and kept waiters and dishwashers at bay.

Gasparyan senior was there too, and at the very end of this video you can see Jivan Jr. slide his eyes sideways, to see if his grandfather approved of the performance.

He did.

For more of Michal's original music videos, visit inter-muse.com.

In this next addition to our World Food Week blog series on key people in the field tackling hunger, we talked with Tekiah Jones, a 17-year-old High School Student from Washington DC. She works as the New Media Producer on a campaign called Revolution Hunger. Link Media is working in partnership with Revolution Hunger to engage teens and their communities around hunger and malnutirition at home and around the world. Continue to visit our food page for "Hungry Planet" airtimes, to watch programs online, and to find out what you can do.

Hi Tekiah, thanks for being a part of this interview! First and foremost, how did you first learn about this issue of hunger?

It was actually through Revolution Hunger. I had seen the position online from a friend, so I applied for it, but I didn't know much about hunger. I remember seeing commercials with children in Africa with flies on their face, but that's all. I didn’t know much about it, and didn't learn about it until I joined the campaign.

You are a part of this campaign, Revolution Hunger. Can you tell me a bit about it?

Revolution Hunger is a campaign that is trying to get more teens involved in bringing awareness about world hunger, and hunger here at home. We are really dedicated to trying to get people involved and dedicating their future careers to helping to solve it.

What is your role in the campaign?

My role as New Media Producer is to really expand out the mission and vision of Revolution Hunger, (we in the DC area -- District of Columbia, Virginia, Marylan) -- and to reach teens in schools, and in our community using new media and online tools. We are using social media to get the word out, especially because that's where young people are at. I also work with the Regional Coordinator and we do some outreach projects together, like organizing a youth team in DC, attending events, and doing in school presentations. I write blogs and do things that are online, to really reach out to people and show them what we’re doing, though the new media age.

How do you think new media can impact and engage teens in learning about this issue?

To me, all teens are on their phones and the computer at some point in the day. All of our networks are on the new Android or EVO, and people are on Twitter or Facebook, so the best way to really get to teens is to blog and Tweet and get on their Tumblr accounts. I think that when you use something that teens go to every day, that's what will maximize our impact. When the Tsunamis hit a couple years ago, people weren't talking about Twitter, but people on Twitter were the first to talk about it. I think New Media can take organizing to a new age, and it already is. It's so much more accessible to click on a link. It helps teens get more involved, and allows them to learn about something new. Even in our school, we don't hand in paper assignments, we send them online. With so much online, you don't have an excuse not to be involved. With Revolution Hunger, we are trying to get kids engaged both online and then to get off their computers and go do something positive.

How can teens get involved?

Go to revolutionhunger.org and create an account! Teens can start educating people about hunger, blogging about it themselves, and make it a trending topic. When you start getting into it it, really consumes you. When you know that every 3.6 seconds someone dies of hunger, that's a big thing. The ways that teens can get involved is starting up a club at their school to bring awareness to global issues and hunger. Really just educating each other about it. Not enough people really know about it yet, or care about it. Going up to your friends and talking about it, wearing t-shirts from our campaign, or re-Tweeting our posts help a lot. I have so much more knowledge about the issue. To me, it seems so much greater than the presidential debate.

What is your vision for the future?

For the campaign, I wanted to go viral like the Trevor Project. I would have expected it to start, we're later in the year. I wanted people to be like "have you heard about this campaign?", or one of those things where people are like "are you going to that event today? I want to help out." I really want people to get involved in hunger. People are living off absolutely nothing and don't have anything to eat. We make a big deal out of a new Walmart, but there are people starving.

I want to see lots of people involved. I want to see it on the Ellen show. I want it to go viral so badly. I want people to see it and see the pretty colors and really get into it, into Revolution Hunger. But more then that, make a life long commitment to stay involved and do your part.

What do you hope to see in your community and around the world?

In my community, I hope to see more people getting along with each other, and less hungry people. I want everyone to get along in the different quadrants. There's all this hatred, gang violence, people getting shot or stabbed, fighting in high school, and poverty. I want people to understand we have bigger issues than what hood you're from or who said what at lunch. We have some many bigger problems in DC alone, like hunger or our education system. I want to really be one of those communities where everyone helps each other out.

In the world I want the same things on a bigger scales. Like the wars, people don't know about each other's cultures. I want people to get to know about different world religions and cultures. Different cultures. I want everyone to be a part of fixing social injustices. Hunger is one of those. I really want everyone to just love everyone, to love humanity. That's my wish, that's what I want.

I can hear it already: This is not real world music!!!

But wait, aren't the blues "world music?" As Link's resident expert, I say "yes, they are!"  Of course, that's me singing the song I wrote, so I have a vested interest in bending the category (maybe). But no less a luminary that Howard Mandel, President of the Jazz Journalists Association saw fit to carry this on HIS blog. So there. 

Here's the scoop on how this all happened:

Getting laid off because of a recession can really get to you, no matter how busy you make yourself. My partner Bruce Arnold had been writing songs for his new lap steel, and this one, called "Up the Spout" (a Midwestern depression term) just spoke to me. I wrote a melody and words and voilá.

Occupy Wall Street happened right around the time we were shooting the video, so I went down there and got shots of some of the more poignant people and signs... what can I say, they were more sympatico than I thought they'd be, and every one of them could have been you or me. Much has been said against the demonstration, but I for one am glad that someone is expressing the outrage that Americans should be feeling about being used and abused by a system that is badly out of kilter. Do I have the answers? As Mr. Mandel sagely pointed out in his blog: "Nobody should expect policy answers from a blues."

Lyrics to "Up the Spout"

It's a bitter wind, and it ain't no breeze
It shakes the windows and it takes the trees
And it blew me away
I love my work. It's what life's about-
that wind came and blew it all Up the Spout
Yes it blew me away.

Now here I sit... what shall I do
That wind left me here without a clue
Yes, it blew me a way
You were the boss, yet here we meet
Yeah, we both lost on that windy street
Yes it blew us both away

That wind don't care -- we're all just dust
and it' happening to all of us
It's blowing us away
Now with a little luck I'll make it through
But when that wind blows it's gonna come for you too
It's blowing -- It's blowing us away, Up the Spout
Blowing us Up the Spout

For more of Michal's original music videos, visit inter-muse.com.

This video has been a long time coming. The back story: I've known guitarist/writer Banning Eyre for years and of course, his and Sean Barlow’s tireless efforts with their baby, Afropop Worldwide. I've followed their travels and travails, and admired their dedication and perseverance. I always wanted to collaborate in some way, and I got my chance when Banning called me up in the summer of 2010 and told me he was going to visit a great guitarist who was in town, to record him for a radio show, and would I like to come along? As we drove up to the Bronx, Banning filled me in on how he had first met Badian, and I got a feeling for why this interview was going to be special for him.

After a rather steep climb up to a rambling house on a hill, we were greeted by the elegantly clad Badian, and his regal wife. Banning set up his gear in the sunny backyard, and recording commenced. As I shot the performance I realized that the technique Badian used was unlike any I had seen before. One hears rippling melodic lines coming out of koras and ngonis, but transferring that sound to the guitar requires a great delicacy and precision utilizing both the up stroke and the down stroke of the "picking" fingers. Badian’s technique is utterly fluid in this way. Thank goodness for a good zoom on my camera; I was able to get nice close-ups of his hands.

Badian was in town for a month playing for the various celebrations within the West African community in the Bronx, which at this point is considerable. I can only imagine how wonderful the music must be at these events. but you will never see this kind of thing covered in Time Out or any publications of that ilk. You just have to be hooked into the scene. Banning and Badian had much to say to each other (mostly in French so I got only the gist of many names, and being brought up to date on everyone's doings), so I just concentrated on shooting. When I got back to my house I reviewed the footage and considered how to use it... for my Huffington Post vlog? As an exclusive here on my own site? To post on guitar sites? I was in a quandary. In the midst of this indecision Banning called to say he had footage of Badian from 1996 that he had been saving for all these years and maybe there was a bigger story to be told. Could I hold off on posting until we could put something like that together?

So I held off for over a year. Banning was off and running with countless Afropop Worldwide projects and trips, and working with his own band, Timbila. But after he returned from a music collecting trip to Egypt, he was back with a vengeance, wanting to get the project up and out. So here it is at last, after hours of footage in many formats sifted through, and condensed into 15.5 minutes.

For more of Michal's original music videos, visit inter-muse.com.