Link TV Continues to Build a "Bridge to Iran"

Bridge to Iran with Host Parisa SoultaniIf you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

 

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

Bridge to Iran Host Parisa Soultani interviewing Siah Bazi director Maryam Khakhipour

 

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

 

Here are the details about the films and when to catch the episodes, on Link TV or online:

 

  • Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

 

  • The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

 

  • We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

 

  • Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

 

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

 

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Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

 
 

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Red Chair Interview: Why Yul Kwon ditched law for TV

Yul KwonYul Kwon, host of Link TV's LinkAsia, recently did a Red Chair Interview with CNN, in which he shares some key experiences in his life. Along with his on-air interview, Yul ellaborates further in an eloquently written essay posted on the CNN blogs about his Korean background, explaining how he turned to a career in television to overcome social stereotyping of Asian-Americans in the media and come to terms with his own cultural identity. Both video and essay can be seen here. Below is a moving excerpt from his essay:

 

"My parents immigrated to the United States from South Korea in 1970 with big dreams, but little money. Since they couldn't afford to put my brother and me in daycare or preschool, they encouraged us to watch television as a way to learn English. Every morning, my brother and I watched "Sesame Street" on PBS, which taught us how to count and recite the alphabet. Not only did our TV become another caregiver, it became the primary medium through which I learned about the world. It allowed me to see and experience things I'd never seen before.  It helped me imagine a better future for me and my family. I studied hard and eventually made my way to Stanford University and then Yale Law School. For a poor kid like me, television helped provide the inspiration and vision I needed to realize the American dream.

But as much as television was a source of empowerment and inspiration, it was also a powerful source of constraint. Television defined the way I saw myself and my relationships with other people, and I didn't see a lot of people who looked like me. Asian-American characters were few and far between, and for lack of better alternatives, my favorite childhood hero was Big Bird. He wasn't real, of course, but I didn’t care. He was nice, had lots of friends and was yellow -- and hence, clearly, Asian..."

 

Read the complete blog post on CNN here.

 

About Yul Kwon

Yul Kwon is the host of Link TV's original Asian news program LinkAsia. Yul has had a diverse career spanning law, business, technology, and media. Although his multifaceted professional experience spans almost two decades, his rise to international acclaim began in 2006, when he became the first Asian American to win the CBS reality show, Survivor.

Prior to his Survivor victory, Yul held positions at both Google and McKinsey & Company. As an attorney, he clerked on the 2nd Circuit Court of Appeals, practiced law at Venture Law Group and Wiltshire & Grannis, worked as a legislative aide in the US Senate, and most recently served as Deputy Chief of the FCC's Consumer and Governmental Affairs Bureau.

 
 

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Deadly Racism In Post-Gaddafi Libya

In the aftermath of the Libyan revolution against Colonel Muammar al-Gaddafi, many black Sub-Saharan African migrants and dark skinned Libyans continue to be the target of attacks by armed "revolutionaries". While race has long been a dividing line in the predominantly Arab country, "the atrocities attributed to black mercenaries during the uprising against Gaddafi, as well as the allegiance some regions populated by dark-skinned Libyans showed him in the war, have given the race question a new and deadly currency," according Joseph Logan of IOL News.

 

Human Rights Watch reported that the town of Tawergha, a predominantly black town south of Misurata which used to be home to over 30,000 residents, remains deserted in the weeks following the revolution. Militias from Misurata are "terrorizing the displaced residents…accusing them of having committed atrocities with Gaddafi forces." Katrina Nikolas of the Digital Journal writes, "[The death of Gaddafi] has not satisfied the desire for vengeance amongst still-armed NTC militias."

A rebel points his rifle at a man accused of being a mercenary fighting for Muammar Gaddafi.

 

One Liberian migrant who is one of 600 Africans camping out at a fishing port in Tripoli said, "If children see us they hold their noses, and revolutionaries sometimes shoot by us. Blacks are Gaddafi, they say. We need to leave." Another migrant said they faced constant assaults including robbery, physical attacks, and rape. 

 

Human Rights Watch and the UN Human Rights Council have called on the African Union and the NTC to protect the rights of migrants and refugees. Middle East and North Africa Director at HRW Sarah Leah Whitson said, "It's a dangerous time to be dark-skinned in Tripoli. The NTC should stop arresting African migrants and black Libyans unless it has concrete evidence of criminal activity. It should also take immediate steps to protect them from violence and abuse."

 

Last month, the National Transitional Council denied the allegations, saying "We do not make any distinction among people on grounds of color. And we do not discriminate against our brothers from African countries." He added that any captured mercenaries will receive fair trials and that the NTC will "fully investigate any human rights violations committed by its fighters," but that remains to be seen.

 
 

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Monday: World Premiere of explore.org's Raindrops Over Rwanda

Honore and Charlie, Raindrops Over RwandaThe gruesome images that made their way out of Rwanda during the summer months of 1994 are indelibly etched into all of our minds. Over a million people were killed while the world looked on and ultimately did nothing. In a media atmosphere where the world's attention shifts rapidly away from tragedy almost as soon as it ends, Rwanda in 1994 has stuck with us.

But what has happened in this small, landlocked country since then? Exactly seventeen years have now passed since the genocide occurred, and Rwanda has managed to maintain a semblance of stability, avoiding the crises that its neighbors have endured. What is the reason for this? How has this country reconciled its past, and how do victims and perpetrators alike live together in the present?

Charles Annenberg Weingarten and the explore.org Team traveled to Rwanda to answer that very question. The film that resulted from the trip, Raindrops Over Rwanda, focuses on the Kigali Memorial Centre and a young man who survived the genocide and now serves as the Centre's head guide. Link TV is bringing you the world broadcast premiere of Raindrops Over Rwanda on Monday, 5pm PT/8pm ET and Wednesday at 8pm PT/11pm ET.

Kigali Memorial Centre is more than just a museum. It is a focal point for honoring the anonymous dead, a communal cemetery for a country where there were too many bodies for most to be identified. It is a space for the community to come together for reconciliation and healing. It is a way to remember the past in the hopes that it will never be repeated.

For most foreigners experiencing the memorial for the first time, Honoré Gatera is the guide, teacher, storyteller, and historian all in one. Honoré is our guide in this film as well, providing a first person perspective on genocide that few people in the world are able to give.

After explore.org's trip to Rwanda, Honoré came to the United States for the very first time and sat down with Charlie at Link TV headquarters for a memorable interview. Stay tuned after the film as we bring you this exclusive behind-the-scenes look at how the movie was made, as well as Honoré's experiences and unique worldview. Survivors like Honoré, and the Rwandan people in general, have the ability to teach the world not only about how to avoid genocide, but also how to heal and forgive in order to live together in the future.

 

TAKE ACTION: Join the community on Facebook to help explore.org raise $50,000 for the Kigali Memorial Center (featured in the film).

 

Watch a promo for Raindrops Over Rwanda (airing Monday, 5pm PT/8pm ET):

 

 
 

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Friday on ViewChange: Starting Over

Starting OverEach year, Oxfam estimates that more than 500,000 people are killed due to armed violence with countless more left devastated, displaced, traumatized, and angry.  Armed violence destroys lives, drains government resources, undermines development efforts, and fosters a culture of violence, fear, and corruption. It is big business with huge ramifications. 
   
At the moment, there is no global arms trade treaty regulating the transfer of arms. Too often, cheap yet highly destructive weapons land in the hands of those who use them to assert power insidiously and further continue a vicious cycle of violence. For developing countries, particularly those in conflict or post-conflict situations, the low-cost accessibility of weapons wreaks havoc on efforts to achieve reconciliation and development. While decades of tensions slowly settle, an arsenal of cheap, available weapons remains—stunting efforts to move forward peacefully.  Families are left displaced and devastated by the loss or injury of a family member; their home may be destroyed or no longer safe to live in, and they may be left virtually income-less with no able-bodied workers or farmland. Already struggling health care systems are overburdened; schools are forced to closed or get by with meager support; access to food becomes limited. Anger, hopelessness, and fear grow. Any tensions that may arise or continue in communities—ethnic or religious conflicts, neighbor or land disputes—are resolved through violence. And when you are angry and disempowered with no job or education opportunities—no potentials to grow or support your family, when an AK-47 or grenade is as cheap and accessible as a pint of beer, as is the case in Burundi, it is easy to see how violence remains the preferred medium for conflict resolution. Violence infiltrates every aspect of the culture; it becomes a daily part of life.
   
“Weapons call out to other weapons,” says Teddy Mazina, a journalist in the documentary film Bang for your Buck. The huge supply of cheap weapons leftover from Burundi’s civil war has contaminated his country, he says, causing an intractable cycle of violence and corrupt power that undermines all development efforts. Underlying issues such as why violence is so easily resorted to are obscured by the sheer supply and availability of cheap grenades and Ak-47s. There needs to be regulation: a path towards disarmament.
   
Bang for Your Buck beautifully illustrates this need. As winner of Oxfam’s "Shooting Poverty” contest, the film was made to galvanize the Control Arms Campaign, a global civil society alliance, of which Oxfam is a part of, calling for a universal Arms Trade Treaty (ATT). The Arms Trade Treaty (ATT) would outline universal standards for arms exporters and importers, eradicating any loopholes or variance in regulation that could be used to evade responsibility and further fuel armed conflict, poverty, and human rights violations. The Campaign calls on members of the United Nations to secure this urgent treaty—one round of negotiation is underway this week in New York with the final conference scheduled for July 2010.  You can join the campaign and help ensure the government takes this opportunity to comprehensively regulate the deadly weapons trade.
   
Starting OverA universal Arms Trade Treaty is an important step towards ending irresponsible arms transfers that promote corrupt agendas and violate human rights, drain resources, and hinder development efforts in countries striving to rebuild, particularly in the aftermath of civil war. Much more needs to be done, however, in order to start over. To learn more about the struggle for new beginnings check out ViewChange.org’s new episode, Starting Over, where Bang for Your Buck is featured along with two other powerful films. In the episode you will meet Teddy Mazina as he walks you through the realities of daily grenade attacks in Burundi, learn about Rwanda’s Gacaca justice tribunals, and witness one ex-patriot’s dream to promote economic development through tourism in Sierra Leone. 

 

Starting Over airs on Direct TV Channel 375 and DISH Network Channel 9410 on:

Friday, July 15th 4 pm PST
Sunday, July 17th 12am PST
Tuesday, July 19th 8pm PST
Wednesday, July 20th 3am and 10am PST
Friday, July 22nd  5am PST
Saturday, July 23rd 11:30pm PST.

And can also be viewed online at LinkTV.org.

 
 

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