If you read and watch entertainment news, you know that an Iranian filmmaker, Asghar Farhadiis, is racking up the Hollywood awards for A Separation even in a climate of US-imposed sanctions. And if you're paying attention to most media coverage, you're well aware of the nuclear issue. But other than that, do we have a lens into the lives and stories of Iranians? Does this kind of cultural lens matter as we settle into our perspectives about Iran? Yes. Without showing the lives, struggles and culture of everyday people living and working in Iran, we in the West have a potentially skewed image of Iranians.

In 2006, Link TV developed a documentary TV series, Bridge to Iran, to provide a window into the lives and struggles of everyday Iranians -- to respond to the cultural and political tensions that have developed between Iran and the US since the Iranian Revolution.  Over the years, Bridge to Iran has covered a wide range of social and political issues in modern Iran, including the experiences of young girls facing womanhood and uncertain futures, religious pilgrims who risk their lives to visit a holy site in war-torn Iraq, rural life and political awareness, an exploration of Tehran as an urban metropolis, and Iranian women's participation in the election process.

The new season premieres on February 14. In each of the four episodes of Bridge to Iran, in-depth discussions between host Parisa Soultani and top Iranian filmmakers provide a unique lens into some of the challenges and realities facing Iranians during a time of increased instability -- including censorship, sanctions and safety concerns.

Here are the details about the films and when to catch the episodes, on Link TV or online:

• Iran: A Cinematographic Revolution, directed by Nader Takmil Homayoun, explores the history and politics of Iran through its rich filmmaking tradition; premieres on February 14 at 7:30 pm ET / 4:30 pm PT and February 16 at 10:00pm PT. Watch online starting February 14.

• The Queen and I, directed by Nahid Sarvestani, documents the filmmaker's complex relationship with the exiled former queen of Iran; premieres on February 21 at 7:30pm ET / 4:30pm PT and February 23 at 10:00pm PT. Watch online now!

• We Are Half of Iran's Population, directed by Rakhshan Bani Etemad, looks at women's participation in the controversial 2009 elections; premieres on February 28 at 7:30pm ET / 4:30pm PT and March 1 at 10:00pm PT. Watch online now!

• Siah Bazi (The Joy Makers), directed by Maryam Khakipour, traces the demise of a popular form of irreverent street theater; premieres on March 6 at 7:30pm ET / 4:30pm PT and March 8 at 10:00pm PT. Watch online starting March 6.

Bridge to Iran offers a diverse perspective on a country on the receiving end of a torrent of media attention -- but with a lens that's inclusive of the people and the art found within Iranian borders. We hope you'll tune in and tell others.

* * *

Caty Borum Chattoo is a producer and communication strategist with Link TV, assistant professor in the School of Communication at American University in Washington, DC, and media fellow with the AU Center for Social Media.

Is the world out of balance because we do not understand the dreaming?

When I watched the new show, Dreams, Visions and Realities I was struck by how important it is that these two worlds come together... The dream time and the waking... the inner and the outer. It seems this conversation shows how it can be done... it shows us possibility of another way of being. One connected to the other, seamlessly.

As Dr. Stephen Aizenstat says in the show, dreams are important because they connect us to our essential nature and help us to navigate towards our true direction. It is a space we need to respect for there is an intelligence at work. What if every human was navigated by their true nature? How different would our relationships, sense of belonging, and the dynamics of our world, be?

One of the reasons we created GLOBAL SPIRIT is to engage you, our community, in a lively discussion -- and through the miracles of technology, this is possible. So please participate by watching the show on January 22, 9pm ET/6pm PT on Link TV or online, and engaging in the live chat with Dr. Stephen Aizenstat to follow. It's easy! Just go here.

You can post questions in advance here below, or on Facebook. Please invite your friends. We look forward to being with you on January 22. You never know... asking the right question of a dream specialist might just change your life.

I just got back from covering the Sharq Taronalari festival in Samarkand, Uzbekistan.  That's where I met the Welsh group "Jadu" who were performing there. I had no idea what to expect when the group's music was first described to me, and admittedly I do have an initially suspicious response to musical hybrids. There are too many self-conscious ensembles cobbled together from different musical influences pushing themselves as credible fusions, (don't get me talking about the misappropriation of the term "gypsy" music!). At this point they must all prove themselves to me.

As it turns out, Jadu ("magic" in Hindi) is a band that has come together naturally and as a result the sound is completely cohesive. Pete Stacey on soprano sax and flute is a solid jazz musician who has studied the tonalities and rhythms of Indian music with the masters. Mumbai born Rajesh David  is a velvet voiced crooner whose renditions of the material give it much of its gravitas. Kelly Smith on tabla  Bryan Smith on tamboura are a son and father who have been playing -- and meditating -- together since 'way back.

Paul Uden on guitar rounds out the ensemble with sensitive rhythm and chords. His guitar work within this setting is completely about the instrument as a vehicle for the music, and it is a shame that the microphone on my camera did not pick up more of his sound... but that's as good a reason as any to check out the band’s latest LP "Aberaeron Sunset," where you can really hear his contribution.

There was no way I was going to pass up videotaping them in a perfect place like Samarkand; as a crossroads of religions and cultures it is an uncanny match for the music. When the opportunity presented itself to do a shoot in the gorgeous setting of the courtyard of Tamerlane’s Mausoleum, we jumped. It was a sunny, hot day and as we taped the band, a small group of folks gathered around and listened attentively. It was a magical session. But then again, "Jadu" means magic.

About the music: Kabir was a great mystic poet saint in India in the 15th century. Rajesh sings Kabir's words:
 'When the mind is immersed in the Divine, there are no words, only Silence. All saints and wise men say your God is within you, then why are you looking outwards?'

For more about JADU go to jadumusic.co.uk

For more of Michal's original music videos click here.

"What I got from the show Mystical Experience is seeing the beauty of universal diversity when wisdom, patience and respect are in the conversation." - Shahid Muhammad, chat participant quote via Facebook

Question: Does fearfulness lead to aggression and fundamentalism? Do those on the spiritual path go through a fundamentalist stage? What is the best way to address fundamentalism inside and with others? What can we learn from this new understanding about how we work with those that come from a fundamentalist perspective?

Egypt: Massive demonstrations are being held throughout Egypt today, on what is being called the "Friday of Unity and the People's Will." Most political parties and movements planned to participate in the demonstrations after agreeing to put aside individual demands and agendas in order to focus on the revolution's goals. However, many parties decided not to continue taking part in today's events after several Islamic parties began chanting Islamic slogans.

Libya: The mysterious assassination of opposition leader Abdel Fattah Younis has created divisions among rebel forces. While most are blaming his death on Muammar Gaddafi loyalists, others aren't ruling out the possibility of internal disputes in the opposition as the cause for his untimely assassination. Younis, one of Gaddafi's former right-hand men, defected from the Libyan regime in late February to join the revolutionaries and help form the Transitional National Council.

Bahrain: Several demonstrations were held throughout the country in response to calls by al-Wefaq National Islamic Society and the February 14 Coalition. Fierce confrontations erupted between young protestors and Bahraini security forces in the towns of Zanj and al-Bilad Qadeem. The opposition has rejected the outcome of the country's national dialogue and al-Wefaq Society is warning the regime not to use the modest reform proposals from the dialogue as a solution to the country's political crisis.

Syria: Anti-regime mobilizations have been linked to many Syrian mosques, which have become destinations for protestors to gather and starting points for their demonstrations. Historically, the mosque's role has not been limited to religious services but also includes an important social aspect, especially during the tumultuous Arab Spring.

"Thank you for broadcasting such a wise and inspirational programme. Anyone who sees it must recognise the love and truth manifested by each speaker. Vibrant life is breathed into what can seem an abstract concept as the mystical and scientific are revealed as facets of the one." - Gillian Stokes, London

In this clip Bob Randall talks about how he is responsible for all of life and expresses how he LIVES this responsibility. How is Oneness lived in your life? How do you take responsibility for everything? We would love to get examples... showing us how to do it in this modern Western culture.

On Earth Day the Atrium at Lincoln Center presented Susie Ibarra and Roberto Rodriguez's Electric Kulintang. Both of these well-known Downtown musicians have been involved in researching the indigenous culture of the Philippines, and have been working on a film about their efforts called "Song of the Bird King." I had tried to find examples of Filipino "roots music" a number of years ago with very little success, and in this film (a fragment of which was presented that night) I heard some spine-tingling stuff, so I am really looking forward to the film's completion and getting the full immersion! The film focuses not only on the challenges of keeping a culture alive in the face of globalization, but on the physical degradation of the ecosystem that has supported life on the island, affecting man, fauna and flora.

Electric Kulintang call their music "Eco-Electronica." Rodriguez is the partner percussionist, programmer and beatmeister, while Ibarra plays drums and various xylophones as well as the Kulintang, a traditional Philippine instrument comprised of a series of gongs, and reminiscent of those found in an Indonesian gamelan. The concert debuted material from their forthcoming CD "Drum Codes" which Ibarra describes as "musical stories and dedications to ancestors and the environment." This video is of "Drum Code #3," which they presented toward the end of their set. Ibarra says "I play on the Philippine Kulintang gongs, Taggungo style. This traditional Southern Filipino Maguindanaon style is performed in respect to spirits and used in healing."

Electronica, as Rodriguez composes it, contains an invitation to trance that is an appropriate matrix for the shamanistic meditations inspired by the Kulintang. One could focus on the musician's performance, but the experience was also interactive with the Atrium itself. Rodriguez' digitally generated sounds resonated into and off the various surfaces of the hall, creating a cocoon for Ibarra's percussive, minimalist motifs, and I could easily imagine the music as an installation piece. I have brought many architectural images from the Atrium itself into the video, as this seemed the best way to convey the experience as a whole , including one of the Green Walls (living tapestries of plants) that adorn the Atrium. I recommend listening to this video with headphones, to get the full effect, as there are some subtle electronic sounds that are fairly low in the mix.

Rodriguez and Ibarra are engaged citizens of our planet whose music attempts to express how our inner and outer worlds relate. Electric Kulintang's merging of ambient/shamanistic/experimental music was a singularly appropriate programming choice for Earth Day.

Live in the San Francisco Bay Area? Join producer Lisa Aliferis for a screening of Who Speaks for Islam?: Muslims on Screen at 7pm on Thursday, May 19, at the St. Mary Magdalen Parish Hall (2005 Berryman @ Milvia, Berkeley, 94709).

Entry is $15/person, and  all proceeds benefit School of the Madeleine Parents Association. (Free parking available in large lot entered off of Berryman @ Henry Street)

This one hour program is a highly informative look at how Muslims have been depicted in American film and television and how those portrayals are evolving away from negative stereotypes and toward more nuanced and balanced characters.  The show's host is Ray Suarez correspondent on PBS's The NewsHour and former host of Talk of the Nation on NPR. Producer Lisa Aliferis will answer questions immediately following the screening.

Can't make the screening? Watch online!

Note that this is not a fundraiser for Link TV, nor is LInk TV hosting the event.

(Al Jazeera English: 0405 PT, May 13, 2011) This exclusive report reveals the Bahraini government destroyed Shia mosques and religious institutions as part of its crackdown on dissent.

'The Mosques That Have Been Demolished, Most of Them Are Not Mosques'

(Al Jazeera English: 0609 PT, May 13, 2011) Adel Al-Moawda, deputy Chairman of the Bahraini Parliament, reponds to allegations of attacks on mosques and medical staff by Bahraini authorities.