Fair Trade is much more than just an economic formula guaranteeing the farmers more money than conventional coffee sales. One of the most exciting aspects of the movement to me is the impact Fair Trade has on women throughout the developing world. Within Fair Trade cooperatives, gender equity is required. That generally means that women have to be represented on the Board of Directors and on other governing bodies, and of course, they can vote and their votes are equal. I am not naïve, however, and I know that in many of the societies where coffee grows women’s empowerment is still a goal and is resisted subtly and sometimes overtly by the ruling men. At the same time, I have seen powerful indications of change. Five of the fourteen coops we work with around the world are managed by women. And those women use their power not only to improve the lives, social standing and self-esteem of women in their own coops, but each of them reaches out and mentors women in other coops. An awesome model for all of us.

We take voting for granted, and many of us don’t even bother to vote in primaries or in general elections. For women (and men) who have never had the opportunity to participate in decisions that effect and control their economic and political lives, voting is a powerful act. I have seen enormous changes in women over the years as they participate and have their voices heard in their communities and on the world stage. One example, Esperanza Castillo from Pangoa Cooperative in Peru. When we first met in 2003, she was a shy and quiet manager of a small coop (about two hundred families). Over the years, Esperanza has developed into an internationally recognized voice for women and Fair Trade. At one event she got a standing ovation when the next speaker (Hilary Clinton) got warm applause. In Ethiopia, Nekempte has gone from an “office girl” when we first met in 2000, to the number three in command of Oromia Cooperative, which has over 100,000 members! 

The point here is not that all of the problems of women’s empowerment have been solved by Fair Trade. Rather, the movement opens an oasis of opportunity to women in rural societies where there are not that many other institutional openings. That is the true evolution of change beneath the surface of a cup of Fair Trade coffee.

Here comes my rant: These days it seems we throw the term "throat singing" around a bit loosely. It can get confusing. After all, Mongolian and Tuvan overtone singing (the technique of singing more than one note simultaneously) is called throat singing. But as far as I can hear, the Inuit singing technique does not deal with overtones.  Rather, it is about vocalising on both the inhaled and exhaled breath. Yet it is referred to as throat singing.  Personally I'd rather just call one overtone singing, and call the other Inuit singing (or two-way singing?).
That said, Tanya Tagaq visited us in the summer, and she was a trip, as you'll see from our interview.

We were also sent a fantastic short film that called "Tungijuq" in which she stars and provides soundtrack.  We're still trying to figure out if it's too strong for broadcast. It concerns itself with the cycle of life and death from an Inuit perspective, and it is not for the squeamish...or prudish. Be on the lookout for it, as it is just about to hit the film festival circuit.

Is misogyny an inherent part of Afghan culture? No, it's not. As far back as the 1920s, the Afghan government showed support for women. Mahmud Tarzi, Afghanistan's Foreign Minister and the King's father-in-law, was an "ardent supporter" of women’s education. In the late 1970s the Soviet-backed People's Democratic Party of Afghanistan gained power and expanded women’s rights substantially.

After the Soviet war, fundamentalist "Mujahideen" warlords gained power. "Serious wide-spread violations of 'women's rights' by Mujahideen soldiers included rape and torture," writes Sonali Kolhatkar in Change Links. Eventually, the Taliban seized power, further eroding human rights and basic freedoms, especially for women.

The situation of women in Afghanistan has improved since the Taliban rule, but even now remains desperate. Many are still routinely raped, abused and treated like second-class citizens. Then it was the Taliban, now President Karzai has passed a law backed by fundamentalist parliamentarians and clerics that legalizes abuse towards Shiite women.

When boys grows up seeing how their fathers, uncles or brothers mistreat women in the family, they cannot be expected to see that a women has rights or opinions. By passing laws that further instill abusive treatment of women, Afghan men find justification to continue mistreating them. Karzai himself is part of this mindset, as is indicated in this Times of London editorial: "[Karzai's] wife, Zinat Karzai, a medical doctor...has no voice, is rarely seen in public and is reported to have told an activist that she did not leave the house because her husband did not like it and did not give his permission."

Malalai Joya, an Afghan ex-MP and champion for justice and women’s rights who is featured in this week's Global Pulse episode, said in an interview with the Belfast Telegraph, "Karzai rules only with the permission of the warlords. He is 'a shameless puppet'...the only people who get to serve as president are those selected by the US government and the mafia that holds power in our country." She goes on to say that there is no difference between the Taliban and the warlords that are in power now, and that they were the ones that introduced the "laws oppressing women followed by the Taliban."

In a country where 85% of women have no formal education, where women are so desperate for justice that they set themselves ablaze and where women cannot even step outside of their house without their husband's permission, how can we in the West really believe that Afghanistan is really a democracy and that things are getting better for Afghan women?

In this week's Global Pulse episode, Afghan Women: Far From Equal, host Erin Coker asks whether the media should pay more attention to the struggle of women in Afghanistan. Share your thoughts below!

Global Pulse producer Evelyn Messinger writes about women and the Taliban in Pakistan for the Huffington Post. Last week's episode focused on the various attitudes on-the-ground towards the Taliban's enforced version of Sharia Law.

Mosaic producer Jamal Dajani also covers Middle Eastern news and issues for the online publication. You can read his regular blog at the Huffington Post.

Today I want to discuss very bad world music videos.
While it's a given that it's hard to find the really GOOD videos, every now and then you find that truly awful video that crosses over from simply bad into a category all its own....and then, perversely, you end up wanting to share it.

So my first entry is by Bond, those Classical Babes.

"World music," you say?  "How is Bond world music?" Well, they are playing a classical piece to a Latin beat, and they are in Havana right? (And those Cuban hotties aren't dancing the minuet.) That's why the video was sent to us in the first place. "Oh why pick on those nice string playing women" you may ask. Well, my answer is: They can take it. They've made their dough and they know just what they are doing. And as someone once said, ANY publicity is good publicity. For me, I'm enthralled by the sheer kitsch of the video-- the premise itself is sooo specious-- oh those happy dancing Cubans, those big-finned cars from the 50's and sixties-- those crumbling Havana facades....It's just like Buena Vista!  Add to that the Babes playing their instruments IN THE OCEAN (guess no one is playing an Amati) with little Cuban boys doing aquatic dance moves, under a thundering sky! As Dan Akroyd used to say: There now, that wasn't so good was it?

As my blog progresses, I would like to share more of my favorite terrible world music videos. -And I hope that you will reciprocate and send me some of your faves too. I will only publish them if they are truly awful, so pick carefully!

I'd also like to mention two more cool web destinations: 

Lucid Culture is not really a world music site per se, but has complete listings of NYC live music plus (they are live music supporters) reviews of the CLUBS so if you are going to visit the Big Apple, you know what you might hear and what kind of scene you are letting yourself in for. This site has very definite opinions, which I enjoy.

..and Condé Nast has a treasure in John Oseid's blog "boom box" which will also keep you current on world music releases and performances not just in New York, but wherever the intrepid Oseid travels.

There may not be an official holiday for Gaia (though Earth Day comes close), but Link is showing three music blocks that all celebrate women in their many manifestations:  Block #50, entitled "Songbirds," #62 "Ladies Sublime and Ridiculous" and #93, "Wonderful Women." You'll hear from women who are spiritual, sexy, grounded, powerful, funny (the list could go on) and above all, terrific musicians.  So if you are thirsty for some laiko from Eleftheria Arvanitaki, hankering for Mariza's fado, pining for Badi Assad's guitar mastery, or just in need of a major estrogen injection, you will be a happy camper!

Gay sex in Iran can mean a government paid sex change. A rocky, and sometimes violent road in the struggle for justice and tolerance in Iran, East Europe, India and Singapore.

 
- Global Pulse -

We're showing two of my favorite blocks this week, Songbirds (#50) and Ladies, Sublime and Ridiculous (#62). They all feature women as either the central singers, or as the focus of the video. It is amazing how much strength runs through both blocks. The Nordic lands weigh in with Groupa and Garmarna, each with straight-as-an-arrow vocals, and both sets contain entries from Eleftheria Arvanitaki: "The Bodies and the Knives" is a searing look at the perils of relationships, while "Dynata" asserts the power of the Female. Even Yungchen Lhamo's ethereal vocals cannot disguise her core of assurance - she might be praying to her teachers, but she is still the woman who trekked over the Himalayas to freedom. Our longer offerings keep this motif flowing: watching Mariza and the story of Fado we feel the passion of a diva's commitment to her music, and in Vanaja (on Cinemondo this week) we are witness to the things in life that give a woman an iron will.