Maria Pomianowska Plays the Suka

I met Maria Pomianowska in Samarkand, where she attended the Sharq Taronalari festival as a guest speaker. But as you can see, this woman could well have been not only one of the musicians performing, but one of its finest. I heard her jamming out on the terrace of the Afrasiyob hotel, and immediately knew that I wanted to get her and that unusual instrument of hers alone for a solo videotaping. We found a room between the basement floor lobby and the kitchen that had decent acoustics and was reasonably quiet (considering its proximity to the kitchen). I just said "play" and off she went. The room was not that well lit, so please forgive the somewhat grainy image.

Maria's credentials are impressive. She graduated in cello at the Chopin Academy of Music in Warsaw. There she was granted a scholarship to learn the sarangi under the guidance of maestro Pandit Ram Narayan in India. From 1997-2002 she lived in Japan, and in 1999 she started composing cross cultural works which were commissioned by cellist Yo Yo Ma. In her continuing efforts to find connections between Asian music with her own cultural heritage, together with Dr. Ewa Dahlig and violin maker A. Kuczkowski she managed to successfully reconstruct a Suka from Bilgoraj, which is what you see and hear in this video.

There are many kinds of "fusions" happening in music these days. Maria seems to be her own personal reactor, following her love of western classical music to an equal devotion to Indian classical music, and then adding a dash of Polish gestalt to the mix.

Ms. Pomianawska teaches music and runs a festival of world music in Warsaw. For more information on this amazing woman and musician, click here.

For more of Michal's original music videos, visit inter-muse.com.

I just got back from covering the Sharq Taronalari festival in Samarkand, Uzbekistan.  That's where I met the Welsh group "Jadu" who were performing there. I had no idea what to expect when the group's music was first described to me, and admittedly I do have an initially suspicious response to musical hybrids. There are too many self-conscious ensembles cobbled together from different musical influences pushing themselves as credible fusions, (don't get me talking about the misappropriation of the term "gypsy" music!). At this point they must all prove themselves to me.

As it turns out, Jadu ("magic" in Hindi) is a band that has come together naturally and as a result the sound is completely cohesive. Pete Stacey on soprano sax and flute is a solid jazz musician who has studied the tonalities and rhythms of Indian music with the masters. Mumbai born Rajesh David  is a velvet voiced crooner whose renditions of the material give it much of its gravitas. Kelly Smith on tabla  Bryan Smith on tamboura are a son and father who have been playing -- and meditating -- together since 'way back.

Paul Uden on guitar rounds out the ensemble with sensitive rhythm and chords. His guitar work within this setting is completely about the instrument as a vehicle for the music, and it is a shame that the microphone on my camera did not pick up more of his sound... but that's as good a reason as any to check out the band’s latest LP "Aberaeron Sunset," where you can really hear his contribution.

There was no way I was going to pass up videotaping them in a perfect place like Samarkand; as a crossroads of religions and cultures it is an uncanny match for the music. When the opportunity presented itself to do a shoot in the gorgeous setting of the courtyard of Tamerlane’s Mausoleum, we jumped. It was a sunny, hot day and as we taped the band, a small group of folks gathered around and listened attentively. It was a magical session. But then again, "Jadu" means magic.

About the music: Kabir was a great mystic poet saint in India in the 15th century. Rajesh sings Kabir's words:
 'When the mind is immersed in the Divine, there are no words, only Silence. All saints and wise men say your God is within you, then why are you looking outwards?'

For more about JADU go to jadumusic.co.uk

For more of Michal's original music videos click here.

A few weeks ago Lili Ortiz, one of our viewers, wrote this to us: "Check out Rita Indiana! She streams from her heart the young sounds that resemble reggaetón... and the hard rhythms from the Dominican Republic, with a galactic flavor....I laugh when I think how the machista and traditional Dominicans are reacting to this asexual brash extrasterrestrial, in fact, they call her that, they explain her that way and accept her because of her talent and because she works with the musical roots and the Latin American influences. At the end of her video she sings Todos Vuelven" by Blades. There's no ignoring her."

I found myself thinking the same thing when I saw the spacey video. She reminds me of David Bowie... a praying mantis...  I wanted it immediately for Link!  Easier said than done.  No reply from her or her management for weeks.  And I even wrote her in Spanish.  So I figured: We'll stream it on the blog!

 
I'm still hoping I'll get a reply, and we'll be able to use the video as a premiere on the channel.  But 'till I do, this is the next best thing. By coincidence, the visual resemblances and divergences between "Hora de Volve" the video, and our video premiere by DeLeon, are notable.

Coming up for Cinco de Mayo, a profile of Rana Santacruz: Mexican roots, Brooklyn based.

This week we have a wonderful film on Cinemondo, called Vanaja. Why am I mentioning this on our world music page? It's because Vanaja has some wonderful music and dance in it. It opens up with an almost extinct art form, called Burra Katha, a kind of storytelling entertainment once common in Andhra Pradesh, where the movie was filmed. As the story progresses, the main character, a 14 year old girl takes up Kuchipudi  dancing, and I personally think this stuff is utterly mesmerizing. The precision of each movement, as it relates to the complexities of the musical accompaniment is a pleasure to watch. There are many different kinds of Indian dance (as demonstrated by the video by Sona Mohapatra "Ishq Nachaya" and Vanaja gives us an opportunity to gain insight into one of them - and it's a great story, too!

What better way to usher in the Summer than with some videos that take us on the road? World Music Block #53 starts out with Spain's Dusminguet packing their instruments for a bucolic outing, then Zdob si Zdub, from Moldova, offer up a retro hommage to state sponsored music. Next we have one of our viewers' favorites, "Manne Ke Manjeere" about the first female lorry driver in India, followed by a rooftop bash in Brazil with Silverio Pessoa. We cap it off with a madcap street chase from Mano Negra, the group that gave Manu Chao his platform to becoming a soloist and superstar.

There you have it - a globetrotting road trip... without using a single drop of fuel!