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Michal Shapiro

Every week Michal Shapiro reports on concerts, festivals and interviews with musicians, both international and local. Check out World Music for the latest on the video blog!

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Fes Festival Part 2: Taarab Music from Shakila and Rajab Suleiman Trio

In my last post about the Fes Festival of World Sacred Music, I didn't dwell very much on individual performances, since I was more concerned with conveying the feeling of being at the festival. So this time out, I'm taking the other route and just giving you a performance, sans any commentary from me. If you have never heard the Taarab music of Tanzania and Zanzibar, you may be surprised at how sweet it is. This is in large part due to the use of the Qanun, a most celestial sounding instrument. Taarab is a fairly recent genre, having been a court music created specifically for pleasure. There are even times when it sounds so pretty I find it ambient, and what with the beautiful sail-like shades shielding us from the sun in the courtyard floating serenely on the wind above us, the purely instrumental melodies sent more than one member of the audience into a trance. (As you will see, it even put a baby to sleep!)  But when Shakila Saidi started to sing, she changed that dreamy vibe, and supplied just the right amount of edge to keep me alert and appreciative.

 

If you would like to know more about the Qanun and to see a demonstration of this fascinating instrument, I recommend checking out the Turkish virtuoso Tamer Pinarbasi, whom I covered in a former posting.

 

 
 

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A Turkish Delight

I first heard Tamer Pinarbasi play the kanun on our video for Amnesty International "The Price of Silence." Andres Levin, the producer, had him record the first layer of "world music" onto the existing basic track from Aterciopelados. As soon as I heard the results, I was entranced. Tamer just laid down one good take after another, plus it was all tasty stuff.  Later, when I was taping my first blog installment I caught Tamer playing again, with the New York Gypsy Allstars.  This time I was struck by his technique and velocity. He played some great solos, and even his backup (which I sometimes think is as much the measure of a musician as the solos) was great. So I contacted him and last week he gave me a quick interview and performance at our office before running off to a gig in Brooklyn.

 

 

I must say I got a bit hypnotized just looking at the kanun and at Tamer's hands...hope you do too!

 
 

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