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Michal Shapiro

Every week Michal Shapiro reports on concerts, festivals and interviews with musicians, both international and local. Check out World Music for the latest on the video blog!

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Svetlana Spajic sings an ode to Nikola Tesla

 

From an entire night of a capella magnificence and magic at DROM, comes this praise song for inventor Nikola Tesla. (Surprise of evening was the presence of Debbie Harry in the audience.)


Here are Svetlana's notes on the song:

 

"The song in honor of Serbian Scientist Nikola Tesla, made by my old godfather Milan Bilbija from Cirkin Polje, Prijedor, Bosnian Krajina. He died in 2008. Melody made by Svetlana Spajic."

 

The brief shot of the overhead image of the gusle, the Serbian instrument upon which the epic singers (guslars) play, with image of Tesla, is the property of multi-instrumentalist Darco Macura, who I finally met face to face along with Svetlana, in Belgrade in 1997. I had used several of his musical performances in a compilation of music I was producing. He was also Svetlana’s first mentor.

 

Lyric translation by Svetlana Spajic:

 

My soul is in pain, but I sing this song, I sing the song from Nikola Tesla

Oh Nikola, brilliant and smart, you invented electric power, magnetic waves and transformers

Oh Nikola if you'd lived longer, you would have made electric power from the sun. Where are you now?

Where are your New York doves? Does the new America remember you?

Scientists don't care for monuments; yours, Nikola, stands at Niagara Falls

Oh Nikola, from the village of Smiljan, the gusle is adorned with your image

Oh Nikola, it doesn't matter that you are a Serb, the generations of the world will remember you

 

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Missing Link to the Violin

Maria Pomianowska Plays the Suka


 

I met Maria Pomianowska in Samarkand, where she attended the Sharq Taronalari festival as a guest speaker. But as you can see, this woman could well have been not only one of the musicians performing, but one of its finest. I heard her jamming out on the terrace of the Afrasiyob hotel, and immediately knew that I wanted to get her and that unusual instrument of hers alone for a solo videotaping. We found a room between the basement floor lobby and the kitchen that had decent acoustics and was reasonably quiet (considering its proximity to the kitchen). I just said "play" and off she went. The room was not that well lit, so please forgive the somewhat grainy image.

 

Maria's credentials are impressive. She graduated in cello at the Chopin Academy of Music in Warsaw. There she was granted a scholarship to learn the sarangi under the guidance of maestro Pandit Ram Narayan in India. From 1997-2002 she lived in Japan, and in 1999 she started composing cross cultural works which were commissioned by cellist Yo Yo Ma. In her continuing efforts to find connections between Asian music with her own cultural heritage, together with Dr. Ewa Dahlig and violin maker A. Kuczkowski she managed to successfully reconstruct a Suka from Bilgoraj, which is what you see and hear in this video.

 

There are many kinds of "fusions" happening in music these days. Maria seems to be her own personal reactor, following her love of western classical music to an equal devotion to Indian classical music, and then adding a dash of Polish gestalt to the mix.

 

Ms. Pomianawska teaches music and runs a festival of world music in Warsaw. For more information on this amazing woman and musician, click here.

 

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Magic in Samarkand

I just got back from covering the Sharq Taronalari festival in Samarkand, Uzbekistan.  That's where I met the Welsh group "Jadu" who were performing there. I had no idea what to expect when the group's music was first described to me, and admittedly I do have an initially suspicious response to musical hybrids. There are too many self-conscious ensembles cobbled together from different musical influences pushing themselves as credible fusions, (don't get me talking about the misappropriation of the term "gypsy" music!). At this point they must all prove themselves to me.

 

As it turns out, Jadu ("magic" in Hindi) is a band that has come together naturally and as a result the sound is completely cohesive. Pete Stacey on soprano sax and flute is a solid jazz musician who has studied the tonalities and rhythms of Indian music with the masters. Mumbai born Rajesh David  is a velvet voiced crooner whose renditions of the material give it much of its gravitas. Kelly Smith on tabla  Bryan Smith on tamboura are a son and father who have been playing -- and meditating -- together since 'way back.

 

 

Paul Uden on guitar rounds out the ensemble with sensitive rhythm and chords. His guitar work within this setting is completely about the instrument as a vehicle for the music, and it is a shame that the microphone on my camera did not pick up more of his sound... but that's as good a reason as any to check out the band’s latest LP "Aberaeron Sunset," where you can really hear his contribution.

 

There was no way I was going to pass up videotaping them in a perfect place like Samarkand; as a crossroads of religions and cultures it is an uncanny match for the music. When the opportunity presented itself to do a shoot in the gorgeous setting of the courtyard of Tamerlane’s Mausoleum, we jumped. It was a sunny, hot day and as we taped the band, a small group of folks gathered around and listened attentively. It was a magical session. But then again, "Jadu" means magic.

 

About the music: Kabir was a great mystic poet saint in India in the 15th century. Rajesh sings Kabir's words:
 'When the mind is immersed in the Divine, there are no words, only Silence. All saints and wise men say your God is within you, then why are you looking outwards?'


For more about JADU go to jadumusic.co.uk

 

For more of Michal's original music videos click here.

 
 

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Neil Pearlman Finds the Clavé in a Scottish Jig

Once again, I am bringing you a performance from one of New York's many small venues which are outlets for all the talent that is attracted to the city. The Caffe Vivaldi is a tiny, informal place in the West Village of New York. It has live music regularly; mostly singer songwriters. On this night Neil Pearlman brought his ensemble, and proceeded to expand the palette of Scottish music with healthy injections of Jazz harmonies and Latin rhythms. I had gotten a shout from Rachel over at Rock Paper Scissors publicity, and so I grabbed my camcorder and hoped for the best.

 

 

The band played mostly songs from Pearlman's new CD "Coffee & the Mojo Hat" along with some new tunes they were working up. Regarding this performance, Neil says: "That set... in particular is centered around the tune called the Sailor's Wife. It is interesting because I alter a traditional jig (6/8 time) and turn it into a 2/2 Latin groove. In order to bring that alteration out for people who don't already know the tune I start it off in its traditional form before bringing in the rest of the band."

 

I found the music to be a sweet hybrid because Pearlman, who has been performing Scottish and Cape Breton music with his family since he was a kid, obviously truly loves the trad stuff. And though he has felt the need to break out of the strict interpretations of the melodies, that affection never departs. The ensemble also has an amiable sound, everyone plays well, and although my video does not quite capture it, drummer Alex Cohen's precise yet relaxed rudiments are real ear candy.

Neil can be reached at www.neilpearlman.com

Click here for another performance by Neil Pearlman.

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A Happy Carol

It's been a tough year. And frankly, the holiday season can be stressful even in the best of times. So here's a light-hearted, whimsical, stop-motion Christmas Carol video from Czech Republic, and Tomáš Kočko & Orchestra.  Enjoy.

 

Christmas Carol Stop Motion from SEEACH on Vimeo.

 

There now. Feeling better?

With six other albums to his credit, Tomáš Kočko (pronounced Kotch-ko) has been fusing Czech and Slovak music with many other elements for years, while remaining true to its core spirit. On the website of his label, Indies, we find this intriguing statement: "The carol is a very old tradition. Its history goes back to the pre-Christian era of ancient Rome where they celebrated the holiday of winter solstice called Calendae [kalende]…. It’s not a coincidence that the Catholic Christmas is very close to the winter solstice holiday. Both traditions celebrate the birth of a little baby God who puts an end to the reign of evil on Earth and new solar year begins, which is a cause for happiness and joy! Both traditions are merging and both are, in their original form and in their pagan-Christian merging as well, part
of our history."

Wishing you a Merry Christmas, a Happy Kwanzaa, and a Spectacular Solstice.

 

 
 

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