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Michal Shapiro

Every week Michal Shapiro reports on concerts, festivals and interviews with musicians, both international and local. Check out World Music for the latest on the video blog!

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Report from Chennai: Independent Music in India and Indian Ocean

I first became acquainted with Sonya Mazumdar as a voice at one end of a US-India Skype session about Link's licensing of "Laya Project" a dazzling musical journey around the areas devastated by the massive 2004 Tsunami. The newly formed Indian production company and record label EarthSync India had just released the film as its first endeavor. The haunting travelogue garnered honors over the intervening years, and when EarthSync launched its spinoff website IndiEarth Sonya contacted me again to see if I would allow their site to stream some of my relevant videoblogs. But of course I would!

 

Then, many months later (yet still rather suddenly) came an invitation from Sonya to attend the first IndiEarth XChange in Chennai. Rarely one to refuse an invitation to a new place, I found myself taking the long trip to Southeast India, to report on another maiden voyage from the young, pioneering Earthsync/IndiEarth. This time it was a meeting of international and local media, with film screenings and musical performances, along with panel discussions and networking to be held at the Park Chennai Hotel. It was an ambitious project (intended to be a prototype) requiring its own networking and funding, plus massive coordination. The aim was to lay the foundation for a network of dedicated professionals supporting independent music and cinema in India.

 

 

It was a hectic three days, and the large turnout participated in vigorous panels about the obstacles and opportunities for music and film in Southeast Asia and Oceania, as well as the remarkably varied musical fare. What made it exciting for me, was the un-Western media presence. Aside from Indian, there was a significant Australian media contingent. In particular, the magnificently feisty Kate Welsman an Australian Public Radio deejay was quick to point out that there was a noticeable shift in markets of all kinds from West to East, and music was a part of that market. It made sense. At the same time it was also made clear by both the musicians and film-makers, that the audience demographics for Southeast Asia needed to be cultivated, and weaned away from a straight diet of Bollywood, which still holds the business reins in a rigidly controlled grip.

 

For my part, I ran around taking as much video as I could, and focusing of course, on music. But I simply could not catch it all. So what you are seeing in my video is just a wee fraction of the music that was performed in the lobby, bar, main stage and other impromptu venues.

 

In all, I was very excited by the spirit of IndiEarth Exchange. The people who were gathered together were bright, creative, energetic and pro-active. I felt challenged and stimulated, as well as entertained. I believe something will come from this. It may not come immediately, but it will come.

 

For more information about EarthSync India, visit earthsync.com.

 
For the complete performance of song by Parvathy and Lakshman Das Baul, click here.

 

For complete song by Karthick Iyer, click here.

 

For more of Michal's world music videos visit inter-muse.com.

 
 

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Missing Link to the Violin

Maria Pomianowska Plays the Suka


 

I met Maria Pomianowska in Samarkand, where she attended the Sharq Taronalari festival as a guest speaker. But as you can see, this woman could well have been not only one of the musicians performing, but one of its finest. I heard her jamming out on the terrace of the Afrasiyob hotel, and immediately knew that I wanted to get her and that unusual instrument of hers alone for a solo videotaping. We found a room between the basement floor lobby and the kitchen that had decent acoustics and was reasonably quiet (considering its proximity to the kitchen). I just said "play" and off she went. The room was not that well lit, so please forgive the somewhat grainy image.

 

Maria's credentials are impressive. She graduated in cello at the Chopin Academy of Music in Warsaw. There she was granted a scholarship to learn the sarangi under the guidance of maestro Pandit Ram Narayan in India. From 1997-2002 she lived in Japan, and in 1999 she started composing cross cultural works which were commissioned by cellist Yo Yo Ma. In her continuing efforts to find connections between Asian music with her own cultural heritage, together with Dr. Ewa Dahlig and violin maker A. Kuczkowski she managed to successfully reconstruct a Suka from Bilgoraj, which is what you see and hear in this video.

 

There are many kinds of "fusions" happening in music these days. Maria seems to be her own personal reactor, following her love of western classical music to an equal devotion to Indian classical music, and then adding a dash of Polish gestalt to the mix.

 

Ms. Pomianawska teaches music and runs a festival of world music in Warsaw. For more information on this amazing woman and musician, click here.

 

For more of Michal's original music videos, visit inter-muse.com.

 
 

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Magic in Samarkand

I just got back from covering the Sharq Taronalari festival in Samarkand, Uzbekistan.  That's where I met the Welsh group "Jadu" who were performing there. I had no idea what to expect when the group's music was first described to me, and admittedly I do have an initially suspicious response to musical hybrids. There are too many self-conscious ensembles cobbled together from different musical influences pushing themselves as credible fusions, (don't get me talking about the misappropriation of the term "gypsy" music!). At this point they must all prove themselves to me.

 

As it turns out, Jadu ("magic" in Hindi) is a band that has come together naturally and as a result the sound is completely cohesive. Pete Stacey on soprano sax and flute is a solid jazz musician who has studied the tonalities and rhythms of Indian music with the masters. Mumbai born Rajesh David  is a velvet voiced crooner whose renditions of the material give it much of its gravitas. Kelly Smith on tabla  Bryan Smith on tamboura are a son and father who have been playing -- and meditating -- together since 'way back.

 

 

Paul Uden on guitar rounds out the ensemble with sensitive rhythm and chords. His guitar work within this setting is completely about the instrument as a vehicle for the music, and it is a shame that the microphone on my camera did not pick up more of his sound... but that's as good a reason as any to check out the band’s latest LP "Aberaeron Sunset," where you can really hear his contribution.

 

There was no way I was going to pass up videotaping them in a perfect place like Samarkand; as a crossroads of religions and cultures it is an uncanny match for the music. When the opportunity presented itself to do a shoot in the gorgeous setting of the courtyard of Tamerlane’s Mausoleum, we jumped. It was a sunny, hot day and as we taped the band, a small group of folks gathered around and listened attentively. It was a magical session. But then again, "Jadu" means magic.

 

About the music: Kabir was a great mystic poet saint in India in the 15th century. Rajesh sings Kabir's words:
 'When the mind is immersed in the Divine, there are no words, only Silence. All saints and wise men say your God is within you, then why are you looking outwards?'


For more about JADU go to jadumusic.co.uk

 

For more of Michal's original music videos click here.

 
 

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