CD release parties abound here in New York, and my favorites are those for the self-released artist's efforts. Pistolera's latest CD, "El Desierto y la Ciudad" has been garnering praise from the press, and they are a busy and industrious band. I first encountered Pistolera years ago, through their righteous video "Cazador" about the contradictions in our immigration policies and attitudes, and so was intrigued to see and hear their latest sounds. The party was at the East Village club Drom; throw into the pot the most excellent local band Nation Beat as an opener, and I was definitely going to attend!

Pistolera's leader and main composer Sandra Velasquez has created a melange culled from her musical memories growing up in San Diego and her singer-songwriter sensibilities. So although the lyrics are in Spanish, and there is an accordion in there, these are not corridos, and the accordion is not diatonic, nor is it playing conjunto riffs. It's very much it's own animal, and I like that it does not fit easily into categories.

Velasquez's' lyrics are full of positive energy; they speak of empowerment and life spirit. Such a song is "Vieja" presented here as they performed it at Drom (apologies for the room's boomy sound). It's a cumbia, (the propulsive Colombian beat that is wildly popular in Mexico) and it is simply about living life to the fullest. Here is the translation:

One day I will be an old woman. I will have few years to live.
My skin will have more wrinkles. My hair will have more gray.
But I will be able to say that I lived.
One day I will be an old woman. There will be few years left for me to live.
My children will have grown. The house will be empty.
But I will be able to say that I lived.
Look how time passes. Look at everything you've done.
I have a long list of things I still want to do.
I want to take advantage and enjoy all of life until the very end.

The high octane evening featured Sandra Velasquez on vocals and guitar, Maria Elena on accordion, Sean Dixon (sitting in for Inca B. Satz) on bass, Sebastian Guerrero on drums, and the formidable Mark Tewarson on lead guitar.

The song "Vieja" is from their previous CD,"En Este Camino" which can be purchased or listened to here.

For their latest CD, "El Desierto y la Ciudad" click here.

Support your local artist!

Keeping a band together in NYC is TOUGH.  I know because I've done it -- or tried to do it -- myself. So I have to hand it to Scott Kettner for sheer tenacity, regarding his pet project "Nation Beat." You may remember Scott as one of my very first interviews for this blog, about his Forro Brass Band. He made me promise back then to blog something about Nation Beat, so I started collecting and shooting footage, and letting the story develop.

Scott does raise an interesting issue, regarding "world music." In the fledgling days of the term, it was assumed that Cajun, Zydeco, Tex-Mex, Bluegrass, etc. were all part of world music. (Just check out the landmark "Rough Guide to World Music" published in 1994.) Since then, the term has expanded to include all kinds of hybrids. So in my opinion it's a kind of daft political correctness to exclude the Country Music influences in the Nation Beat repertoire...after all they aren't getting up there and doing an all-Country set; it's American Country filtered through Brazilian Country.  And anyway, our Country Music derives from our Scots-Irish heritage, does it not?  Or does that not qualify as world music to some folks any more? 

New York City is a magnet for artists from all over the country and the world. That's why I thought it would be cool to make this blog as much (or more) about the musicians, clubs and entrepreneurs in town, as about new CD releases,  or music biz news. There's so much that goes on between the working musicians of New York-- connections made, ideas exchanged, and of course, bands formed. This week I interviewed Scott Kettner, who wears the hat of musician, bandleader and entrepreneur, and who is a passionate advocate for North Eastern Brazilian music.

Scott's first baby is Nation Beat, a band I'll profile later, but the other evening, his Forro Brass Band was in fine form, getting everyone up and dancing, and dancing very sexily, too as you can see from the video.  Although I'm a fool for the good old forro of Luiz Gonzaga and Dominguinhos, I liked the horn arrangements.  Well, MAYBE I'd still like to hear an accordion in the mix, but as Scott mentioned wryly in his interview, he'd have more musicians up there if he could only get a bailout.....