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Michal Shapiro

Every week Michal Shapiro reports on concerts, festivals and interviews with musicians, both international and local. Check out World Music for the latest on the video blog!

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A Taste of the Førde Festival, The Musicians of the Nile

This is just the first of what I plan to be several postings about the fabulous Førde Festival in Norway. The festival has already garnered itself an excellent reputation amongst world music aficionados, but should be on the agenda of anyone who enjoys travel and adventurous music. Part of that is due to the spectacular setting, and I advise those who make the trip to plan to explore the fjords all around the area. As press, we were treated to a breathtaking journey from Bergen via rail and boat up to Førde, that I will not soon forget. The other part of the allure is the excellent and canny musical choices of the producers. Torill Falleide and Hilde Bjørkum know what will please their audience, and it's an engaging mix of both unadorned ethnic and eclectic music that is consistently entertaining.

 

My video is from the opening night, and it’s quite literally a dazzler. The various musicians were asked to present their most tantalizing numbers, as the first program of the festival is intended as a menu, giving the audience a sampling of what is to come.

 

 

So the Musicians of the Nile presented a tanoura dance, complete with light show. What made it so amazing was that the light show was inside the costume of the dancer! Some folks questioned the "authenticity" of this but I think that if tiny lights had been around that could be sewn into the costume of the dancer back when it was first being performed hundreds of years ago, it would have been perfectly within cultural standards!

 

The tanoura dance will remind you of the whirling dervish dances of Turkey and they are indeed related, as the sufi tradition is present in Egypt through the Levant and Turkey, and in some forms, even into west Africa. (There are some claims that Sufism actually originates in ancient Egypt, but the majority of sources I have read posit that it was a reaction to, and outgrowth of, Islam.) The music and the whirling is meant to induce a trance, which in turn leads to a union with the divine. The skirts of the dancer are layered, and each color on the skirt represents a different Sufi order. These days this kind of presentation is very popular for entertainment at weddings and other kinds of celebrations. For my part, I was in heaven in a different way -- I'm a fool for colored lights (you should see me at a fireworks display) and I felt like a little kid transported with delight.

 

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Arif Lohar rocks the Asia Society with Sufi Pop

On the day before my own departure for Central Asia, Arif Lohar brought his electrified Sufi music to the Asia Society and pretty much tore the place apart.

 

Although Lohar had been a steady light in Punjabi folk music for years, he really broke through barriers when in 2010 he performed "Alif Allah Chambey Di Booti" on the popular COKE STUDIO show, a mainstay of Pakistani television. His rendition of the Sufi devotional song was pure pop and the video went viral and as of my last checking has garnered almost 8.5 million views on YouTube.

 

The performance on April 27th of this one song lasted almost 40 minutes, so I had to do a fair amount of editing. But I mainly edited out only those parts of the song where the sound balance was problematic -- at no point did the excitement let up, and as you can see, Lohar woos the audience, and the audience responds in spades!

 

 

"Alif Allah Chambey Di Booti" is set to a classic Punjabi beat, (dhol hottie and all) and reminds the participants -- this is participatory music at its heart -- that true reality is the realm of God. It cements this concept through repeated call and response, leading to a tranced, ecstatic state. The "tongs with bells" that Lohar plays is called a Chimta, and he wields it with drama and flair.

 

Personally, for sheer energy, I think this live rendition, warts and all, blows the pop version out of the water. The concert capped a five-city US tour, organized by Arts Midwest's "Caravanserai: A Place Where Cultures Meet," and was part of the Asia Society's series "Creative Voices of Muslim Asia" supported by the Doris Duke Foundation.

 

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