This week we are airing a short profile of the band Tinariwen, and you can also see it here on our website. Usually we indicate the country that a band originates from, but Tinariwen are Tuareg (no, that's not just a car), a nomadic people who have been living in the Sahara for millennia. When you are watching these tall, swathed men playing their hypnotic rhythms, it is hard not to be carried off to an imagined, desert landscape. You can get some feeling for this in the live performance featured in the middle of the profile. The musicians have incorporated the electric guitar into their own tradition, creating a genre now called "Desert Blues." Since they came to prominence on the world music stage, there have been several others following suit. Oddly, all of them have names that start with a "t!" I invite you to write in and tell me who those bands are.

I am a bit of a proselytizer for world music. I remember a several years ago someone telling me rather smugly "I would NEVER listen to music that isn't in English!" and thinking "and you aren't ashamed?"  I rather love listening to songs in other languages-- it's like one kind of music on top of another…a musical sundae. With all the different kinds of music there is out there, why not be open to it all -- the whole smorgasbord! (You may have guessed that I'm a foodie, too.) This brings me to a documentary we are showing this week. It's called Jupiter's Dance and in it Jupiter, Kinshasa's ever optimistic entrepreneur says time and again that the musical riches of Congo could be its economic goldmine. And the variety and sweetness of what is there is indeed compelling, from rhythms that get your hips shaking to harmonies that seduce your ears. I recommend Jupiter's Dance to you, and hope it gives you a craving for Congolese music that compels you to buy some. And maybe next time a friend comes by whose tastes are totally mainstream, you'll can slip them an exotic musical hors d'oevre and create another convert!

Most of the time when we think of the music of South Africa, we think of the immense variety of "indigenous" music, from Maskanda to Township Jive and so much more. We don't hear much of the musical contributions of the Dutch, or even of western music. But lately we have been seeing the impact and interpenetration of cultures that resulted from colonization in films like Karoo Kitar Blues. Another film debuting this week, Beautiful in Beaufort Wes (also located in the Karoo) reflects the popularity of the singer-songwriter idiom. For here in this dusty small town, we find one of South Africa's most noted poets and troubadors, Gert Vlok Nel. As the camera wanders in and out of the lives of the town's inhabitants, Nel accompanies it with songs reminiscent of Tom Waits and Leonard Cohen. The songs capture the loneliness, the longing and also, the love that infuses the film.  Is it "world music?" Perhaps not, but watch the film, and then decide whether or not you have visited a unique place, and been changed from the journey.

Last week I wrote about the diversity of music and films coming out of Africa these days. This week, you will notice that blocks #32 and #51 are all music from African countries, and two of our feature presentations are Vusi (Mahlasela) and Friends in Concert and Youssou N'Dour and the Grand Orchestre du Caire in concert. It's just a coincidence, but a good one. In looking back at block #32 (it was one I put together shortly after making contact with Gallo Records, in South Africa) I find it still as thought provoking and informative as ever.

We open with the late great Lucky Dube, who was tragically murdered during a carjacking in JoBurg this year. In his time he was pioneer of African Reggae, and "House ofExile" is a classic that displays his way with a beautiful melody. Next, El Hadj n'Diaye continues with the theme of displacement, with "Thiaroye" a powerful statement about missing one's homeland.  After that, KDD presents a truly dynamic (and high end) video. The chorus is a reworking of the French national anthem, as they demand "another color on the flag." In another (and much lighter) vein, Gomes and Tavares gather some of France's hippest rappers and deejays for a spoof on police corruption. Check out the reference in the video to cassoulet - the first time I saw it couldn't stop laughing. Back on African soil we find South African Jabu Khanyile smoothly extolling the hopes of a non apartheid future-- but hard on his heels, we have Phuzekhemisi, the great maskanda musician who never lets the powers that be, be they white or black, forget what is right.

We close with one from Oliver Mtukudzi, from Zimbabwe.  His video is about a prodigal son.  This video was made in slightly happier days for Zimbabwe, and we can only hope that things get better for its people by the next time we play this block.

Africa is a continent withover 50 countries, each with a myriad of faces and issues, and as it assumes a more and more important role in the world it is fascinating to see the cultural markers that are coming out of it, in the form of movies and documentaries. This week we are showing three films that represent such markers.

Our music documentary Fangafrica takes a look at a hooked up and urbanized pop culture, specifically a hip hop festival in Burkina Fasso. Karoo Kitar Blues, on the other hand focuses on an insular and isolated community in the South African desert, where music is an hermetic blend of local sensibilities and old colonial pop tunes.

The Cinemondo entry Waiting for Happiness is a reverie about cultural dislocation in Mauritania, as an urbanite visiting his mother's home town encounters traditions and attitudes he can no longer recognize or relate to. In particular check out the transmission of music from one female bard to another. To hear more of this kind of striking music, check out Ouleya Mint Amartichitt at YouTube here.

For videos that showcase some of the many faces of Africa, check out:
Daara J "Boomerang"
Issa Bagayogo "Diama Don"
Wazimbo "Nwahulwana"
K'Naan "Soobax"
Sobanza Mimanisa "Kiwembo"