Just as we start to take a nice deep breath from all that holiday partying, along comes globalFEST to rev up the energy again. For those of you who don't know, there are two major entertainment events that happen here in NYC in January: APAP, which is where presenters and presentees gather from all walks of the performance arts, and globalFEST, a one night showcase of world music acts held at Webster Hall (125 E. 11th St.) on January 10th. So here's a little preview of what's going to be there (a very little but tantalizing one!) from Vietnamese jazz guitarist Nguyen Li and a capella group Concordu de Orosei.

I'll be blogging the whole thing when it happens, so for sure there will be plenty more about this!

Are you starting to get an idea of how incredibly varied WOMEX is? Here is yet another taste of one of the showcases, this one by the Chinese zheng trio, San Chuan. First off, apologies to all Chinese (Mandarin) speakers who will know right away that my subtitles are not quite in order! But in this case, I think the music speaks for itself. And I think each of these women has such a distinct personality that even my little Flip camera "loves" them.

To fill in a little bit of background on the trio, they were friends to begin with, all studied in the same conservatory and all studied under the same teacher, which made them particularly compatable in every way.

WOMEX 09 Part 4 brings us another performance from this substantive musical event. Yves Lambert and Le Bebert Orchestra turned in a great, tight show -- the band (Olivier Rondeau, Tommy Gauthier, Robin Boulianne and Jean François Déry) was a well-oiled machine, barreling through dance tunes and songs with verve and professionalism.

Lambert himself is an almost legendary character in Quebecois music, having been a mainstay of La Bottine Souriante for years; you can see from his spoken interlude he is larger than life. (And if you are going to play the Stomach Steinway, it helps to have a stomach!) I just wish I had kept the camera rolling a little longer, to catch the rest of the great song that followed that instrumental...