Two years ago I was fortunate enough to attend the Sharq Taronalari festival that is held every two years in Samarkand, as a guest. It has given me a bug for the place, and I recommend Uzbekistan as a travel destination, as not enough people really know or understand this part of the world. The country is rich with historical monuments, extraordinary textiles, warm and hospitable people and of course, music.  Not that the music is immediately accessible to the Western ear, and I was finding it quite demanding. One day I sat my assigned interpreter, Dilnoza Mamadaliyeva, down and said "Tell me about Muggam. Maybe you can help me to appreciate it better." So here is Dilnoza doing just that.

Much later on, we were able to acquire the fine Smithsonian series you have been watching on Link, but the other day, I discovered this tape from years ago.  Hey Dilnoza! I hope you're still singing.

A word about the technical problems...I should have known better than to place Dilnoza in front of a bright window. Every time she waved her hands, my camera tried to compensate, resulting in a flicker. Apologies.  And if anyone wants to know more about my travels in Uzbekistan, a memoir is available on request ;-) 

Let's get some of the PR out of the way.  Yes, he is currently on tour, and yes, he has a new recording out called "Alkohol." BUY IT. It rocks, it has soul.  What more could you want?

Without question the most successful musician to come out of Sarajevo, Goran Bregovic has brought the sound of the Balkans to millions, first from his soundtracks for such films as Emir Kusturica's "Time of the Gypsy" and "Underground," followed by a plethora of collaborations with top flight musicians as disparate as Iggy Pop and Sezen Akcu, (remember "Prawy do Lewego" with Polish diva Kayah?) and more recently by touring with his "Wedding and Funeral Band."  His music is special to me, just because it touched me deeply during the days after 9/11. It seemed to reach out and say "I know how you are feeling." So I was a teeny bit nervous meeting him. I needn't have worried.  We laughed a lot! Maybe I should have brought along a bottle of Slivovitz.

The video for Jeremija was filmed at the Guca Brass Festival and Competition in Serbia, and if you want to know more about that giddy event, check out our documentary "Guca".

And speaking of Balkan Brass, we have to mention that it's getting to be quite the hip club thang, pushed by Deejay Shantel across the water (as in:Disko Partizani) and other mixmasters this side of the pond as well. --And right here in NYC we have our own Zlatne Uste Brass Band, that can pump it out with the best of them.

I headed over to Drom the other night to catch The Shin, a great band from the Republic of Georgia. The place was packed, which made it hard to get good shots, and as usual, the club was dimly lit, even on stage. Even more frustrating, I am finding that while this little Flip camera shines in an acoustic setting, just get an electric bass in there and that's all you hear. Fortunately, though, the band had a folk dancer, David Ninoshvili, who turned in some pretty dynamic moves.

I was sitting in a tiny space by the stage, so I had a great view of Ninoshvili's footwork.  I captured a fair amount, but at one point (after my batteries had run out!!!) the man actually got on his tippy-toes (yes, just like in "Titanic") and proceeded to go through some truly punishing choreography; he wasn't wearing anyting remotely like ballet shoes, which have a built in box to protect the dancer's foot. Don't mess with those Georgian folk dancers.

Also: just found out about a great site : http://www.radiovideotrad.com

Check out their videos-- the accent is on ethnographic, but from Cajun to Balkan Brass to Bellydance, most of them are a lot fun!