Artbound explores the programming of the Museum of Contemporary Art Los Angeles, investigating new programming and curatorial approaches that are redefining what it means to be a 21st century museum. This episode features three new programs by The Underground Museum, Wolvesmouth, and Public Fiction.

USMC Sergeant Christian Ellis was a machine gunner in Iraq, whose platoon was ambushed, leaving him with a broken back and only one of a few survivors. Ellis returned home to join millions of Americans who struggle with post-traumatic stress disorder. Ellis inspired the first opera about the Iraq war with a score composed by Tobin Stokes, a libretto by Iraqi-American Heather Raffo, and produced by the Long Beach Opera. This documentary explores how the experience of war is transformed into a work of art.

Architecture critic Christopher Hawthorne partners with Artbound for an episode that looks into the future of Los Angeles. "Third L.A. with Architecture Critic Christopher Hawthorne" examines the city's architecture, urban planning, transportation and changing demographics, giving us a glimpse of Los Angeles as a model of urban reinvention for the nation and the world.

Artbound explores the groundbreaking opera "Hopscotch," which unfolded in cars zigzagging throughout Los Angeles, telling a single story of a disappearance across time. Audiences experienced the work in both the intimacy of a car, where artists and audiences shared a confined space, and in a larger central hub, where all the journeys were live-streamed to create a dizzying panorama of life in Los Angeles.

Artbound explores the paintings of Marc Trujillo who brings the techniques of the Dutch Masters to the subject of commercial architecture and fast-food in Southern California; Kim Stringfellow’ s Mojave Project discovering the eclectic desert communities of the Mojave Desert; Dave Lefner’s colored wood block prints of neon signs in Los Angeles; and the subculture of Brazilian cholos who emulate lowrider culture from East Los Angeles. Also featuring a performance by Nick Waterhouse.