This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles. Emmy® award-winning journalist, author and musician Rubén Martínez, explores the sometimes-violent, 200-year struggle for the political and symbolic control of the city as told in “Variedades” — an interdisciplinary performance series that brings together music, spoken word, theater, comedy and the visual arts, loosely based on the Mexican vaudeville shows of early-20th century Los Angeles.

In East Los Angeles during the late 1960s and 1970s, a group of young activists used creative tools like writing and photography as a means for community organizing, providing a platform for the Chicano Movement in the form of the bilingual newspaper/magazine La Raza. In the process, the young activists became artists themselves and articulated a visual language that shed light on the daily life, concerns and struggles of the Mexican-American experience in Southern California and provided a voice to the Chicano Rights Movement.

Throughout its history, the natural beauty of California has inspired artists from around the world from 19th-century plein air painting of pastoral valleys and coasts to early 20th-century photography of the wilderness (embodied famously in the work of Ansel Adams) and the birth of the light and space movement in the 1960s. Today, as artists continue to engage with California’s environment, they echo and critique earlier art practices that represent nature in “The Golden State” in a particular way. Featuring artists Richard Misrach, Laura Aguilar and Hillary Mushkin.

This episode profiles four California artists who make motherhood a part of their art: Kenyatta A.C. Hinkle, Andrea Chung, Rebecca Campbell and Tanya Aguiñiga. There's a persisting assumption in contemporary art circles that you can't be a good artist and good mother both. But these artists are working to shatter this cliché, juggling demands of career and family and finding inspiring ways to explore the maternal in their art.

From the iconic typeface of “The Godfather” book cover to Herman Miller’s Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. While this second generation of Japanese American artists have been celebrated in various publications and exhibitions with their iconic work, less-discussed is how the World War II incarceration — a period of intense discrimination and hardship — has also had a powerful effect on the lives of artists such as Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita and Gyo Obata.