The highly skilled labor of artisans migrating from Mexico and Latin America are the backbone of high-end design and retail in Los Angeles, producing some of the most exquisite furniture, textiles, and design goods. But they represent a creative force that seems invisible to the city. Artbound uncovers their stories and their role in making Los Angeles and Southern California the creative capital of the world.

Artbound explores the programming of the Museum of Contemporary Art Los Angeles, investigating new programming and curatorial approaches that are redefining what it means to be a 21st century museum. This episode features three new programs by The Underground Museum, Wolvesmouth, and Public Fiction.

The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley. Art includes Will Boone’s “Monument,” an underground bunker off Ramon Road in Rancho Mirage and Phillip K. Smith III’s “Circle of Land and Sky” in Palm Desert. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley

Architecture critic Christopher Hawthorne partners with Artbound for an episode that looks into the future of Los Angeles. "Third L.A. with Architecture Critic Christopher Hawthorne" examines the city's architecture, urban planning, transportation and changing demographics, giving us a glimpse of Los Angeles as a model of urban reinvention for the nation and the world.

This episode profiles prominent artist Doug Aitken who for more than 20 years has shifted the perception and location of images and narratives. His multichannel video installations, sculptures, photographs, publications, happenings and architectural works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition. In his newest piece, “Underwater Pavilions,” he creates a conversation with the viewer to become fully present and immersed in the sea.