Teatro Jornalero Sin Fronteras | Link TV
Teatro Jornalero Sin Fronteras
In Los Angeles alone, there are about 25,000 day laborers. The laborers range from gardeners to construction workers to painters to movers to childcare specialists, and well, just about any form of temporary labor there is. Many day laborers are immigrants, and some are in the country without proper immigrant status, leaving them with few bargaining chips to improve their standing with work conditions and wages. This can lead to sometimes-difficult lives. Add on top of that anti-immigrant policies and attitudes that leave some day laborers feeling helpless and targeted. These are some of the reasons Teatro Jornalero Sin Fronteras (translated as Day Labor Theater Without Borders and abbreviated as TJSF) began in 2008.
The theater has produced 15 short plays since its inception, usually with a 10-person troupe, and performed mainly at the 14 day labor centers around L.A. In the past year, TJSF has expanded their horizons, bringing their theater to other important day labor locations like El Salvador and Northern California, and most recently to Guatemala, where they teamed up with a theater company called iiK to exchange techniques and work with laborers who both immigrated to Los Angeles and were deported from L.A. and currently reside in Guatemala.
From the typeface of “The Godfather” book cover to the Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. Learn how the World War II incarceration affected their lives and creations.
"Artbound" looks at the dinnerware of Heath Ceramics and a design that has stood the test of time since the company began in the late 1940’s.
Inspired by Oaxacan traditions, Dia de Los Muertos was brought to L.A. in the '70s as a way to enrich and reclaim Chicano identity. It has since grown in proportions and is celebrated around the world.
Gospel music would not be what it is today if not for the impact left by Los Angeles in the late 60’s and early 70’s, a time defined by political movements across the country.
A behind-the-scenes look at the contemporary art world through the eyes of a legendary art dealer and curator, Jeffrey Deitch.
- 1 of 11
- next ›
Season 10, Episode 1
From the iconic typeface of “The Godfather” book cover to Herman Miller’s Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. While this second generation of Japanese American artists have been celebrated in various publications and exhibitions with their iconic work, less-discussed is how the World War II incarceration — a period of intense discrimination and hardship — has also had a powerful effect on the lives of artists such as Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita and Gyo Obata.
Season 9, Episode 2
The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley. Art includes Will Boone’s “Monument,” an underground bunker off Ramon Road in Rancho Mirage and Phillip K. Smith III’s “Circle of Land and Sky” in Palm Desert. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley
Season 9, Episode 6
Throughout its history, the natural beauty of California has inspired artists from around the world from 19th-century plein air painting of pastoral valleys and coasts to early 20th-century photography of the wilderness (embodied famously in the work of Ansel Adams) and the birth of the light and space movement in the 1960s. Today, as artists continue to engage with California’s environment, they echo and critique earlier art practices that represent nature in “The Golden State” in a particular way. Featuring artists Richard Misrach, Laura Aguilar and Hillary Mushkin.
Season 10, Episode 3
Día de los Muertos has been adapted for centuries from its pre-colonial roots to the popular depictions in mass media today. Inspired by rich Oaxacan traditions, it was brought to East Los Angeles in the 1970s as a way to enrich and reclaim Chicano identity through a small celebration at Self Help Graphics and Art. Since then, the celebration has grown in proportions with renditions enacted in communities all around the world.
Season 9, Episode 3
This episode profiles prominent artist Doug Aitken who for more than 20 years has shifted the perception and location of images and narratives. His multichannel video installations, sculptures, photographs, publications, happenings and architectural works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition. In his newest piece, “Underwater Pavilions,” he creates a conversation with the viewer to become fully present and immersed in the sea.
Season 9, Episode 7
This episode profiles four California artists who make motherhood a part of their art: Kenyatta A.C. Hinkle, Andrea Chung, Rebecca Campbell and Tanya Aguiñiga. There's a persisting assumption in contemporary art circles that you can't be a good artist and good mother both. But these artists are working to shatter this cliché, juggling demands of career and family and finding inspiring ways to explore the maternal in their art.
Season 10, Episode 4
Gospel music would not be what it is today if not for the impact left by Los Angeles in the late '60s and early '70s, a time defined by political movements across the country. Artists like James Cleveland and Aretha Franklin captured live recordings of the church experience of South Central and the voices and sentiment of the people coming together to give birth to a new gospel sound and the election of L.A.’ s first black mayor, Tom Bradley.
Season 9, Episode 4
This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles. Emmy® award-winning journalist, author and musician Rubén Martínez, explores the sometimes-violent, 200-year struggle for the political and symbolic control of the city as told in “Variedades” — an interdisciplinary performance series that brings together music, spoken word, theater, comedy and the visual arts, loosely based on the Mexican vaudeville shows of early-20th century Los Angeles.
Season 9, Episode 8
Native American basketry has long been viewed as a community craft, yet the artistic quality and value of these baskets are on par with other fine art. Now Native peoples across the country are revitalizing basketry traditions and the country looks to California as a leader in basket weaving revitalization.
Season 10, Episode 5
The charming, unusual and at times polarizing Jeffrey Deitch left Los Angeles in 2013 after a tumultuous run as the director of MOCA ending in his resignation. He makes his return with a new gallery opening with the first LA exhibit of renowned Chinese artist and activist, Ai Weiwei. A behind-the-scenes look at the contemporary art world through the eyes of a legendary art dealer and curator.
Donald Trump's former ally Roger Stone is sentenced to 40 months in prison for lying to Congress, but the president is confident he will be cleared.KCET Original
Following the events in the first part, "Marius," Fanny is pregnant and fearful for the future of her unborn child. To secure the baby’s future, she agrees to marry the wealthy merchant Panisse, who guarantees a comfortable, if loveless, future.KCET Original
The Lula Washington Dance Theatre has gone along a bumpy journey with Southern Los Angeles. Through earthquakes and racial politics, this theater stands strong as a platform to spread an important message to society.KCET Original
Nidal defends his new allegiance to Samir. Captain Ayub blackmails Abu Samara into helping him lay a trap. Sagi's nerves jeopardize a mission.KCET Original
Peter Barnes says we need to fix the flaws of capitalism to reverse global warming.KCET Original