Machine Project Field Guide to L.A. Architecture: Everyone Will Be Here Now But Me | Link TV
Machine Project Field Guide to L.A. Architecture: Everyone Will Be Here Now But Me
As part of the Getty initiative Pacific Standard Time Presents: Modern Architecture in L.A., Machine Project asked artists to take on the whole environment of Los Angeles and create performances shot on video and edited into short experimental films in response to notable architectural sites throughout the city.
Downtown on Olympic Boulevard, the decidedly un-Googleable Los Angeles Food Center is hidden in plain sight, indistinguishable from the many independent produce distribution buildings that sprout like rhizomes just outside the fences of the the gigantic Los Angeles Wholesale Produce Market. Semis, box trucks, and beat up minivans idle at the ground floor docks. A weathered copper plaque on the rooftop parking lot with a profile of Mayor Tom Bradley dates the building to the late 70s. Just inside the doors, an unkempt directory board offers few clues to the services offered by tenants like Stone World Inc, QSI, EC Latex, and Blue Morning Inc.
Among them is REACH LA, a non-profit youth center, HIV testing facility, dance studio, and locus of L.A.'s LGBT ballroom scene. REACH LA has worked with youth on HIV issues since 1992, initially through media art and video programs, then pivoting to health and dance as county funding changed course in the early 2000s. Each year they produce Ovahness, the largest ball on the west coast, where crews from LA's houses Blahnik, Garcon, Milan, and other houses vogue and battle for awards.
Carla Gordon is the Director of Development and Community Relations at REACH LA, and her daughter, sound artist Jacqueline Gordon, grew up making zines and videos in the REACH LA computer labs. When an office space opened up in the LA Food Center this summer, Carla helped broker a deal with the landlord for Jacquelyn to install "Everyone Will Be Here Now But Me," an immersive, after-hours sound installation that let the public explore the endless carpeted hallways, windowless offices, and echoing stairwells of the truly mixed-use building.
Robert Irwin, Larry Bell and Helen Pashgian explore perception, material and experience.
Drummer Mekala Session and other artists carry forward Los Angeles’ rich jazz legacy.
Artists created works to spark conversation about L.A. and sustainable futures.
The Watts Towers Arts Center was born out of the resilience of 1960s Black L.A.
From the typeface of “The Godfather” book cover to the Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. Learn how the World War II incarceration affected their lives and creations.
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Season 11, Episode 4
The Watts Towers Arts Center was founded by artists and educators in the 1960s and has been a beacon of art and culture in the community for decades. This episode features the work of artists including Noah Purifoy, John Outterbridge, Betye Saar, Charles White and Mark Steven Greenfield.
Season 11, Episode 1
In a world filled with noise, distractions and chaos, a number of artists seek to push the boundaries of perception and experience. The Light and Space movement of the 1960s explored minimalism with a uniquely Californian spin — with a keen attention to the interaction of light and space. Crucially, the materials these artists relied on to create these perceptual experiences emerged from the postwar aerospace industry and its advances.
Season 11, Episode 2
Growing up amongst jazz legends within the deep musical traditions of Leimert Park, drummer Mekala Session and his peers grapple with how to preserve this rich legacy—striving to carry forward the tenets that took root in the work of Horace Tapscott and his Pan Afrikan Peoples Arkestra. This is the story of Los Angeles’ emerging generation of community-focused black musicians.This episode of Artbound was produced in partnership with dublab and Storyform.
Season 11, Episode 3
In October of 2019 the city of Los Angeles through the Department of Cultural Affairs and the Institute of Contemporary Art organized a city-wide exhibition of public art and events based around the theme of food. Each artist interpreted a different aspect or issue surrounding food or food systems in the city from climate change, to food access, civic engagement to waste and recycling. Activating public parks throughout the city, artists created works to spark conversation about what it means to live in Los Angeles and how to work together for a sustainable and hopeful future.
In 1985 a gang of criminals steals 140 pre-Hispanic pieces from the National Museum of Anthropology in Mexico City.KCET Original
On today's episode, the latest on the Ethiopia refugee crisis, and Ugandan presidential candidate Bobi Wine is released from custody two days after his arrest that triggered deadly protests.KCET Original
A boost for the U.S. President-elect as a key federal agency gives Joe Biden the green light to formally begin his transition to the White House.KCET Original
Performers pay tribute to Linda Ronstadt. Plus, an interview with the legend herself.KCET Original
Five old friends decide to move in together as an alternate to living in a retirement home; joining them is an ethnology student whose thesis is on the aging population.KCET Original
Although Montreal could be described as half-Paris, half-Brooklyn, the most populated francophone city in North America has an identity all its own.
In 1985 a gang of criminals steals 140 pre-Hispanic pieces from the National Museum of Anthropology in Mexico City.
Just north of Australia a secret war is being fought. West Papuan independence fighters and Indonesian security forces are involved in a protracted and bloody battle over the issue of Papuan independence.
Four people who have intellectual disabilities live in a commune next to a beautiful forest near Paris. They were labeled 'idiots,' locked away and forgotten in violent asylums until the 1960s, when the young philosopher Jean Vanier secured their release.