Rubén Ortiz-Torres. Alien Toy (La Ranfla Cósmica), 1997 | Collection of Tom Patchett, courtesy of Track 16, Los Angeles

The Chicana/o Printmakers of 'Estampas de la Raza'

Print making in the Chicano community flourished in the 1970s when the Chicano voice and issues were underrepresented in the art world. Discover more about the past, present, and future of the artform that merges political messages with satirical imagery, creating a way for disenfranchised communities to connect and organize.  

 

 

 

 

 

 

Full Episodes

Upcoming Airdates

Third L.A. with Architecture Critic Christopher Hawthorne

Architecture critic Christopher Hawthorne partners with Artbound for an episode that looks into the future of Los Angeles. "Third L.A. with Architecture Critic Christopher Hawthorne" examines the city's architecture, urban planning, transportation and changing demographics, giving us a glimpse of Los Angeles as a model of urban reinvention for the nation and the world.

Hopscotch: An Opera for the 21st Century

Artbound explores the groundbreaking opera "Hopscotch," which unfolded in cars zigzagging throughout Los Angeles, telling a single story of a disappearance across time. Audiences experienced the work in both the intimacy of a car, where artists and audiences shared a confined space, and in a larger central hub, where all the journeys were live-streamed to create a dizzying panorama of life in Los Angeles.

American Purgatory

Artbound explores the paintings of Marc Trujillo who brings the techniques of the Dutch Masters to the subject of commercial architecture and fast-food in Southern California; Kim Stringfellow’ s Mojave Project discovering the eclectic desert communities of the Mojave Desert; Dave Lefner’s colored wood block prints of neon signs in Los Angeles; and the subculture of Brazilian cholos who emulate lowrider culture from East Los Angeles. Also featuring a performance by Nick Waterhouse.

Borderlands

Artbound explores arts along the U.S.-Mexico border. Featuring Mexicali Rose, an artist organization in Mexicali, where locals are encouraged to create art to galvanize community involvement; Drones as art, where multiple projects re-appropriating military drones play with the idea of surveillance and mobility; Paul Turounet’s photographs of undocumented border-crossers printed on galvanized metal; Tijuana’s vibrant reemergent gallery scene; and Manuel Paul Lopez’s animated poem 1984. Also featuring a musical performance by Rodrigo Amarante.