Artbound revisits early Los Angeles to explore one of its key and most controversial figures: Charles Fletcher Lummis. As a writer and editor of the L.A. Times, an avid collector and preservationist, an Indian rights activist, and founder of L.A.’s first museum, Lummis’ brilliant and idiosyncratic personality captured the ethos of an era and a region. Watch Artbound's season eight debut episode, "Charles Lummis: Reimagining the American West," premiering Tuesday, May 10 at 9 p.m., or check for rebroadcasts here.
It seems only fitting that Charles Fletcher Lummis, journalist and champion of California culture, would pick up the camera when he did -- adding another tool to his arsenal in order to continue a decades-long journey of preserving the past.
The avid explorer had already turned to other mediums to secure Southwestern history: Lummis used his writings to document the sentiments of the times; as a collector he amassed priceless Native American artifacts, pieces destined for conservation inside museum boundaries; and he took on the role of ethnomusicologist to archive hundreds of old Mexican folk songs in the form of wax cylinder recordings. Lummis’ work within the photographic discipline permitted him to paint a crisper picture of the communities, landmarks, and environs that made an impact on his world.
Lummis’ legacy is marked by an extensive creative output, and the thousands of negatives he produced throughout his lifetime certainly stand out among his many undertakings. Lummis rarely stood still, and a bulk of the images that constitute his collection were shot during travels to New Mexico -- the same state where the multi-disciplinarian spent a few years recuperating following a paralysis and related health issues experienced in Los Angeles.
The following photo essay is comprised of pictures from the late 1800s to early 1900s that depict indigenous Pueblo peoples Lummis met along the way. The intimate portraits present a view of multigenerational families, and mundane activities prevalent in village life.
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