Native American Street Artist Honors the 'Strength' of Legendary Indigenous Leaders | Link TV
Native American Street Artist Honors the 'Strength' of Legendary Indigenous Leaders
More Native American Art
"When I was done I felt so relieved. ...A weight had been lifted off my shoulders," acknowledged Henriquez, who teamed up with Gregg Deal, a painter, street artist and performance artist who belongs to the Pyramid Lake Paiute Tribe, for the project.
Then, just as he was about to leave the site, a woman approached Henriquez. "[She said,] 'We need this. This is going to empower our community,'" he recalled. "Then I understood the reason we did that mural and sacrificed so much. It wasn't until you had to go through it that you really understood the bigger picture."
The realization came as a revelation for the Venice native, who has Mayan and Nahua roots. One of his prized possessions as a child was a red T-shirt bearing the words “Chichen Itza” and a picture of a pyramid. “That's what opened my eyes to my ancestry,” he said.
“At first I was just a tagger” incorporating indigenous patterns into his graffiti, said Henriquez, but teachers convinced him he could make a living from his art. After a brief stint in art college — “They didn't really understand what I was trying to do, and I didn't understand it myself,” the artist explained — he moved into graphic design, exploring themes inspired by his indigenous identity and the Mexican Day of the Dead, Día de los Muertos.
Now Henriquez mixes politically minded murals and street art with apparel and more. His company NSRGNTS, conceived in 1999 and launched in 2000, promotes “the transmission of indigenous thought and philosophy” through everything from T-shirts to stickers to skateboard decks.
Although the brand boasts such high-profile fans as rapper M-1 of Dead Prez and hip-hop star Taboo of the Black Eyed Peas, Henriquez and his crew meet many of their customers at pow wows and tribal gatherings.
Henriquez was in his early 20s when he attended his first pow wow. “I saw so many people who looked like my relatives,” he recalled, Native Americans who were truly “in tune with their heritage and their family history.”
He longed to connect with them and tap into a shared ancestral history. “We can learn from other ancestors — how to deal with reality, with life, with diversity,” Henriquez said. “All of us need to know that as indigenous people. There are lessons to be learned.”
Henriquez is inspired by legendary Native American leaders outside his own tribal tradition, such as Chief Joseph and Red Cloud. For instance, he painted a mural of Sitting Bull for H.O.M.E. On the Promenade, a Long Beach store that describes itself as an “urban trading post.”
“I want to represent that strength, in what we create and what we design,” Henriquez said, whether it's a T-shirt that proclaims “You Are on Indian Land” or a poster protesting the Dakota Access Pipeline showing a Plains chief in a war bonnet and a gas mask.
As Henriquez recently told his son — upset because his teacher had told him the Aztecs were brutal barbarians — “We have to go to school because we need to be educated. [But] sometimes we need to do the education ourselves.”
“As indigenous people we've contributed so many things to the world, and our kids don't even know [about it],” he said. “We really have lost a lot of that through our history books. We need to educate our kids through our art.”
Featured photograph of Votan Henriquez by Steve Zeigler.
Ruth Miller is a member of the Dena’ina Athabascan Alaska Native tribe who believes prioritizing Indigenous women’s voices in discussions about climate justice is crucial.
Autumn Peltier is passionate about granting communites acess to clean water. It's a cause she has been fighting for since she was at least 12 years old.
Millions of Indian migrant workers short on options after being left jobless by coronavirus.
Traditional Mexican dances (aka baile folklórico) are the forte of the Pacifico Dance Company, and they’ve helped train hundreds, performing in venues around the country and the world.
Frank Lloyd Wright accelerated the search for L.A.'s authentic architecture. This episode explores the provocative theory that his early homes in L.A. were also a means of artistic catharsis for Wright.
The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley.
For more than 20 years, Doug Aitken has shifted the perception and location of images and narratives. His diverse works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition.
This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles.
In East L.A. during the 1960s and 1970s, a group of young activists used creative tools like writing and photography as a means for community organizing, providing a platform for the Chicano Movement.